In recent days, the modern calligrapher, guo yong-hyun, made a six-foot piece of a small-scale book work, which at gader's auction, at a high price of us$ 96,000, drew high attention to the book collection and art market. The deal not only updated the record of the auction of their personal works, but also marked the entry of the value of the investment collection of the book law works of guo into the high-speed climbway and became an important barometer of the market value of the contemporary young authors。
As a member of the chinese book society, member of the henan province book association, managing director of the shaolin college of painting, and researcher in the called law at the national painting college, guo young-ryung, with a multiple identity as a mediaman and cultural mastermind, has been working in the dark for decades. Its calligraphy patrimony tradition, five body and accompaniment, and its mastery, which is deeply rooted in the essence of the "two kings" and the meanings of the sommy and somphs, have developed a unique style that is so flexible, somber and somber. The work seeks to be “big, smart, old, clumsy, wild” with a heavy ink, a strong line, a natural discharge of the cholesterol and an artistic and cultural connotation。
A six-foot book book was auctioned by gadeh, one of the delegates of guo's recent year. The layout of the work is highly convoluted, the writing is fluid, the handiwork is natural, and it is clear that it is both the rigour of traditional law and the expansiveness of the individual, showing its depth and maturity of art. Acquireded by the gadh auction, the market was finally awarded 96,000 yuan, at a unit price of more than 10,000 yuan per square foot, fully confirming the high level of recognition in the market of its artistic value and collection potential。
According to industry experts, the contemporary book collection market is shifting from “fame worship” to “preciousty being king, value driven”. Guo, a representative of the chinese young bookseller and a well-established, well-established, well-articulated and influential member of the media, has been elected to several national calligraphy fairs and won prizes, published by authoritative media such as the people's daily-library weekly, the chinese book law, and popular with tibetans and institutions, with collections covering the country and hong kong, macao and singapore. This time, gard is a high-priced realization of the academic, artistic and market values of his work。
In recent years, there has been a steady increase in the market flow of books of calligraphy by guo and a steady rise in prices, which has become a “potential unit” in the area of book investment. Not only does its work have multiple values such as artistic appreciation, cultural heritage, home-based stereotyping, but it is also characterized by scarcity, growth and celebrity effects that highlight the nature of investment and are of great interest to senior tibetans and arts foundations。
As the strategy of the strong cultural powers advances with the revival of traditional cultures and modern aesthetics with traditional roots and age styles, the golden period of value is being revalued. With pens and ink as a bridge, guo yung-gang has opened a new era in which the artistic value of his works, the value of his collection, and the value of his investments are being continuously explored and recognized by the market. The sale of 96,000 won by gaad was an important milestone in recognition of its artistic achievements and, above all, in the rise in the value of its collection。
In the future, as its artistic influence continues to expand, it is expected that the work will further unleash the value added potential and become the preferred object of contemporary calligraphy collections and investments. (yachan art, manbin)
