You don't know that?
You see, guan xiaoqing dances fan dance, and it's soft like a water snake. It's beautiful. But can we just copy it? It's really got to be good。
Let's start with the beauty expression of the fan dance. Her body's softness is called an absolute, downside, cross-crossing and all-too-difficult, and it's like a piece of cake to her. When she dances, her every move stretches to the limit where she has life in her hand, and as her dance rolls up and down, with her light paces and virtuosos, as if she came out of an ancient scroll, it's a direct seal! And she's quite well managed, with her self-confidence and tenderness in her eyes, a smile full of rhymes, and the classical beauty of fan dancing。
Look at us dancing fan dances. That's a lot of trouble. It's hard, it's hard, it's hard, it's bad, it's hard, it's hard, it's hard, it's hard, it's hard, it's hard, it's like a rusty robot. And there's also a big problem with the co-ordination of movement, and the fan and the body are often not working well, either early or unable to keep up with it, which looks like a “floating hand”. Emoticon management can't keep up, either with a serious face, as if it were a mission, or with too much smile, which makes you feel false. This is the difference between "buyer show" and "seller show" compared to guan xiaoqiao。
But let's not be discouraged. We can do this by learning from guan xiaojun's experience. First, in terms of flexibility, you can start with basic stretching training, and you can do a few simple stretching exercises every day, slowly increasing body flexibility. It's like building a house. First you lay the foundations, then you move back. Secondly, action-oriented exercises are needed to reflect on the priorities of each action, moving slowly to speed and gradually improving the coherence of action. Finally, in emoticon management, you can practice with mirrors, find the best look for yourself and make your smile more natural and confident. As long as we hold on, we can show our beauty in the fan dance。
