Summary of the core scenario
As part of the second edition of the women in fancy series, the news operator’s high-leaves, the leading broadcaster of the tokyo florist television station, shinya yaoko, built an extreme media ecology of “flow is justice”. In the show, toshiko yamako tried to win the title by breaking the ethical lines: when she learned in the news that the former boss's daughter, jollin, had been abducted in the off-season season, she ignored the police's “protecting hostage security”, forcibly intervened in the reporting of events and turned the crisis into a flow chip through live broadcasts and inflammatory language. Even more alarming is the fact that she has planned a fake school bullying to create a flashpoint — from the forgery of surveillance intercepts to the making of victim journals to the hiring of actors to act as family members and even to manipulate social media topics — using the privacy and mental health of innocent students as a tool for drawing attention. The whole drama, through a double-line narrative of kidnapping and bullying at school, demonstrates the madness of the protagonists。
Role depth resolution
The role of yamako hijab has been designed to subvert the image of traditional media. As the queen of the viewers of the tokyo flowers television, she has both a high profile and a strong business capacity, but has simplified news values into data games. Its “demeanor” character is particularly striking: the writer does not arrange for any white bridge or moral struggle, and she admits from the beginning that “flow is everything”, even when false news is uncovered. It's more powerful than imposing a positive energy role because it points directly to realityWorking competitionThe cruel logic of a moral bottom line is often seen as a “cost” rather than a “principle” in an environment where traffic flows are high. The existence of her is both a sharp irony of media professional conduct and a metaphor for the deformed values of the new media age of “black and red”。
Work style and view tips
The play is a fast-paced narrative and intensely transformed into a core style. In each episode, repeated reversals of positions were completed within 20 minutes, such as a game between the police and the media in kidnapping cases, and a backlash in the case of bullying in schools, which reinforced the drama through close editing and conflicting lines. In terms of content, the drama extremes the “flow-up” media ecology: from falsifying evidence to manipulating public opinion to ignoring human rights, the main actor's behaviour, while exaggerating, points to reality. Attention is drawn to the numerous sensitive situations involved in the play, such as live kidnappings, cyber-violence and the disclosure of minors ' privacy, which may cause discomfort. In addition, the main character's unrepentant design determines its non-traditional "inspiratory play," which is more appropriateMedia ethics, an interested audience competing in the workplace, not a group seeking positive energy drama。