First of all, the issue of wrongs (right, wrong, 15 small issues, two points for each). “intangible cultural heritage” and “traditional culture” are one thing. Protecting the intangible cultural heritage means protecting our traditional culture. () the “juvenile taste” of intangible cultural heritage has three criteria: first, the content of expression must be traditional; secondly, the form of expression must be traditional; and thirdly, the material used must be traditional. As long as the three above are met, and no matter how many other minor changes have been made, it can be said that the project maintains its “original taste”. () “material cultural heritage” and “intangible cultural heritage” are completely different things and there is no necessary cultural link between them. Therefore, there is no need to consider how to protect the related material cultural heritage while preserving the intangible cultural heritage. 4. Contemporary science and technology development is too rapid, traditional technologies
2. The technique is seriously outdated. Thus, historically created and inherited intangible cultural heritage has little scientific value. 5. Some intangible cultural heritage projects have heirs, while others have no heirs. For intangible cultural heritage, all levels of government are “housekeepers” of these heritages, not their true “owners”. The government's work should be to mobilize the local population to preserve their heritage and to provide support and assistance in the field for the dissemination of intangible cultural heritage. Instead of personally participating in the transmission of intangible cultural heritage through traditional temples. () 7. Non-genetic genetic training is the best method through higher education and academic institutions. (8) the heirs cannot modify the intangible cultural heritage projects inherited, but writers and artists may use them as material for the creation of new plays or other new artistic products. Only then will we be able to protect both the authenticity of intangible cultural heritage and the prosperity of modern times
3. The growing youth of the literary and artistic heritage is a good development, which shows that the transmission of china's intangible cultural heritage solves the problem of the lack of heirs. (10) we should encourage heirs around the world to learn from each other and learn from each other's strengths. For example, the government can organize the heirs of embroidery, embroidery, embroidery, embroidery and embroidery to learn and learn from each other, so that progress can be accelerated. It is natural that intangible cultural heritage is considered to be dying one day. Therefore, the simplest, safest and most effective way to protect intangible cultural heritage is to place them in museums rather than to protect them unnecessarily. Museum-type protection should be the most important model of conservation of intangible cultural heritage. () the destruction and impact of contemporary media on intangible cultural heritage is enormous. From this point of view, contemporary media are indeed destructive of intangibles
4. Those responsible for the transfer of heritage. () almost all traditional festival heritage has evolved from traditional rituals. Thus, the original traditional festivals will be celebrated. This is also the main criterion for determining whether a traditional festival is still real and qualified to declare intangible cultural heritage. If only “food” is left in traditional festivals, it is impossible to declare intangible cultural heritage in any case. () once entered in the list of intangible cultural heritage, and in any event adapted and modified, even if traditional content, traditional technology and traditional raw materials are abandoned, they will not affect the fundamental attributes of such intangible cultural heritage and will not be removed from the list of intangible cultural heritage. The key to the protection of traditional villages is the protection of traditional buildings, streets and bridges with a long history. Local folklore, singing and dance and traditional rituals are not covered by traditional village protection. (ii) second, options (10 questions)
5. Question 3 per question). 1. What are the following options for the intangible cultural heritage category tarzan seal b, the idea of paper cutting sun zhongshan, and the dissemination of pancakes? 2. The state's approach to safeguarding intangible cultural heritage does not include: (d) a, markingb, recordc, archiveddd, sealed 3. (ii) when was the promulgation of the law of the people's republic of china on intangible cultural heritage on the second saturday of the first saturday of june of each year? (i) in which year did the state council publish the first national inventories of intangible cultural heritage, born in 2006 and born in 2012 and born in 2010? 6. To date, china has published several national inventories of intangible cultural heritage? (iii) what are the categories for the protection of cultural heritage in the three batches and in the five batches? (ii) cultural heritage
6. Protection and conservation of natural heritage. Physical and intangible cultural heritage protection. Protection of the written and oral cultural heritage. Which of the following is not the main research issue of the intangible cultural heritage? (iv) what is intangible cultural heritage; why is intangible cultural heritage protected; how is intangible cultural heritage protected; and declaration of intangible cultural heritage projects. Which of the following elements are not part of the “triple approach” to intangible cultural heritage? (iii) i. Traditional performing arts; traditional technologies; folklore; principles of traditional festival ceremonies10 and industrial development of intangible cultural heritage do not include? (iv) i. Development agents “in foreign form”; government-led development processes; development environments are “off-site”; products developed are different from non-remains, third, essays (5, 8 points each). Intangible cultural heritage refers to traditional cultural expressions
7. (e. G. Folk activities, performing arts, traditional knowledge and skills, and related tools, articles, handicrafts, etc.). ) and cultural spaces, which are transmitted from generation to generation by people of all ethnic groups and are closely related to people's lives. Intangible cultural heritage is a folk cultural and artistic heritage that is predominantly oral and has a national history and broad representation. 2. What are the issues to be taken into account in the transmission of intangible cultural heritage? With the development of the times, the progress of history and the convergence of cultures, china's intangible cultural heritage has undergone many changes during its transmission, and, of course, a number of problems will be revealed. I believe that the following are the main issues. The ecological environment of intangible cultural heritage is deteriorating; the heirs of intangible cultural heritage are dating; inheritance mechanisms are yet to be developed; the government's understanding of intangible cultural heritage is incorrect, focusing only on economic and external reputations, without much protection; and non-materialism
8. Building mechanisms for the protection of cultural heritage. Only by addressing these fundamental issues can the inheritance of intangible cultural heritage be better and more stable. 3. The role and positioning of governments in the conservation of intangible cultural heritage. In the process of safeguarding the intangible cultural heritage, the role of the government is essentially to protect the intangible cultural heritage, just as the public security services maintain public order and the correct prescriptions by doctors. Maintain their rational exploitation, environmental importance, diversity and continuity, and enhance their cultural benefits. In order to be accountable to society and to themselves, they should be more responsible for the intangible cultural heritage they want to protect, enhance understanding of the intangible cultural heritage, clarify their responsibilities and conduct effective analysis and protection. 4. Share your knowledge of the conservation of the intangible cultural heritage of traditional villages. Modern china has adopted urbanization as its development objective. In addition, the cultural resources of traditional villages are in a state of ageing, empty nests and natural decay. Because..
Commercialize development and local governments also cause environmental damage. The lack of understanding and protection of villagers has also resulted in the natural destruction of traditional villages and their intangible cultural heritage. First of all, i believe that the government should set up a traditional village protection team that would allow the government to strengthen education and provide adequate financial support for the protection of traditional villages and intangible cultural heritage. Second, rational regulation, moderate development of tourism and mobilization of farmers ' motivation and protection. Only then can we better protect them. 5. Share your understanding of cultural and ecological reserves. Cultural and ecological reserves are the ecological environment of intangible and related cultural heritage (non-moveable objects, movable objects, historical and cultural neighbourhoods, towns, etc.). Interdependence is closely related to people's lives and production and is compatible with the natural, economic and social environment. Cultural ecology includes physical cultural assets and intangible cultural resources
10. The relationship between culture and the natural environment. As an age of ubiquitous exploitation of tourism resources, cultural ecology can enrich tourism and develop new tourism projects. Exhumation and reuse of artistic, folk and intangible cultural heritage are also important components of cultural ecological preservation. The interaction of cultural and ecological reserves with tourism development is therefore an essential part of the conservation process. Tourism development, what is development? It's unique, not found anywhere else. As a result, some folklore and intangible cultural heritage can serve as highlights for tourism. In my view, the real protection of cultural and ecological reserves is not a frame or protection, but rather the dissemination of such awareness through some media so that everyone can be a protector. This involves over-exploitation. We should find a balance while preserving and developing cultural and ecological reserves. Therefore, a proper understanding of the concept of cultural and ecological reserves, addressing the relationship between tradition and modernity and achieving productive protection are the real means of protection。
