The df-series single back camera is the first counter camera in china, but the first is not the first one, but its reputation and historical effects, as well as the largest number of one back camera。
In 1964, the shanghai cameras plant, based on the blue book of the u. S.-capital camera, was successful in producing the shanghai df single reverse camera, but it is not very productive, it is a research and development process, some of which are used for industrial purposes, and it is difficult to see now that the collection is worth tens of thousands。
In 1966 it was changed to the “seagull df” brand, which began production in large quantities, with the camera fast door being the walk-through curtain fast door at: b, 1-1/1000 seconds and flash synchronized 1/45 seconds. There was a self-censorship and a pre-reflection mirror, with the m. D. Lens using the m. C. Mouth, which was modelled as an sr-7 camera, which was developed at the time as a “professional” camera。
By 1970, seagulls had been reduced in one way or another by the introduction of the df-1 type of seagulls, which were produced in large quantities. The camera was a full-metal structure with a relatively stable mass, and a very successful machine with a full-coloured body, in addition to a silver fuselage, which, owing to its production cycle of more than a decade, had various styles, but had largely equal functions。
The df-1 seagull is accompanied by a 58/2 lens, with the early monolithic membrane, and the overall quality is good。
Shen yang condé mountain
Ii. Shooting
I took this camera to yunnan to build water, and i shot a roll of black and white film in the street。
My first impression of this camera is that it's really bad hands, it's really hard and uncomfortable, and it's like it's broken. This feeling, unlike the previously used japanese cameras, appears to be the result of the theft of vehicles, lack of links or inadequate processing precision。
In fact, the old-age camera passed through this piece of the film, and it was almost impossible to find a sense of silk in the german-japanese camera. It was not used before, and now there is a clear gap。
This camera, which i filmed in the street where i built the water, was more casual, but washed it out and found that there was a lack of exposure. Or is it a flush
In any case, the seagull camera, although it gives me great confidence, has taken a few punches in the face, especially the film, and many pictures are useless. Was the film's "flowers" not washed or was the film itself a problem
Iii. Conclusion
I took this camera to the water-building neighboring stone-shik county, where there is an ancient temple, the suyama temple, which is very old and cultural。
The shushan temple, which has a millennia history and the main building in existence is the qing dynasty building, is still alive and open。
This trip coincided with the opening season of clubs, with a large generation of plums blooming and the entire courtyard fragrances and fallings of snow。
The monk who runs the monastery is an old acquaintance, and i do not know how many times he's been here in the country, and the monk is already a friend, and every time he goes to the monastery, he talks about buddha, he talks about buddha, he learns interestingly。
The law says he likes cameras too. He can't buy them in the early years. He envys others. There is a strong interest in the recording of photos taken on mobile phones, and there is always a feeling of affection and discord with film cameras。
He placed the camera at the centre of the gallery, expressing his importance and affection and saying that nothing was wrong and that he could hear the sound of the fast door。
I've known several monasteries in the last few years, almost all of which like photography and photography, perhaps it's the penetration and demand of photography culture, and it's the cultural expression and expression of all groups。
