It reminds me of a passage in the sun's bookbook, which says, “this is not the same thing when you're not good”. Looking at the difficult explorations through which the calligraphy works, he has been following the principles of the book law, seeking to honor the ancient law without departing from the times, and learning in ways that protect his books from the evils of the wind, keeping his books out of style and the quietness of his learning。
As a member of the china calligraphy association and vice-president of the dalian city calligraphy association, it takes courage and courage, as well as honesty and humility, for a writer. Mr. Yu's presentation of the exhibition as a calligraphy for decades is a review and review of the way he has travelled, and takes this opportunity to sincerely hope to receive the audience's unstinting teaching and comment. The assessment from the audience, whether sincere appreciation or uncompromising criticism, is believed to be invaluable and to serve as a driving force and a goal forward. Only in this way will it be as confucius said, "downing the mountains, little lu, little mountains, little world." in time, we will reap the joy of climbing, “to see the mountains”。
Mr. Gao yugang, a well-connected friend of yu yu, vice-president of the association of calligraphers of the grand company, praised the calligraphy of yuen, who introduced me to the history, the aesthetics and the art of hand-dressing since he was a child of the family. He visited a number of well-known teachers in his youth, graduated from the faculty of fine arts at liaoning university, and was then admitted to the chinese national painting college, where he studied in-depth courses on the inheritance of calligraphy, the aesthetics of calligraphy and even ancient and poetry. At the same time, he received new nutrients in his writings from dailies, the heart and heart. It is in this nuanced culture of calligraphy that the ethos of personality with the chords of a “pill-brook” is shaped by a finely nuanced structure that focuses on patterns and more on techniques, is both condensed and rich, grasps changes in lines in their rise and fall, and runs them in a microclinical manner, making his next line clear and accurate. Especially in the use of his pen, it was handled more skilfully, and the different pen clips were different in weight. By focusing on changes in the strength, attitude and angle of the pen, his entire book of calligraphy is full of rhymes and rhythms, mutated, awkwardly interoperability, grass in the line, and flaunting. With its peace and lightness, it emerges from the brooks of twirling water, the air of natural flow, the air of guayas, as the wind enters the air, and the earth hears。
The qingtao year said: “the book is high, the first of its kind, the best, and everyone weighs his pen, and he admires others.” the right of the willows says, "the heart is right." a teacher who is traditional, lonely and fully integrated into the creation of calligraphy, and who naturally travels along the course of the calligraphy, is a monument and a symbol closer to the way of calligraphy, a testimony of maturity and perfection, and a symbol of any calligraphy, theoretical worker and practitioner。
And the books of yu qi's are the faces of the yellow valley, and they are the spiritual. That's what the yellow valley said: "doctors can do everything, but not in the least. It's uncorruptable. "it's a fair bone, love is a heart of buddha." in the present time, individual booksellers have come out of the game for the sake of the eyeballs, the ugly book, the weird book. All of these kinds require bookstellers to hold their hearts and not to lose themselves in the multiplicity and complexity of philanthropy. It is the written path, which may be difficult and long, but it is true that the way is right along with the fratricidal side. "the journey has been long and long."
The secretary-general of xi stated at the seminar on arts and art: “the history of human arts and arts development shows that the rapidness of the work, the exploitation and exploitation of fish, and the indiscriminate nature of the work are not only an injury to the arts but also to the spiritual life of society. Secrecy is not free, desire is not hope, and mere sensory entertainment is not spiritual pleasure.”
Man with the channel, the school track. May i join you
Introduction by zhang bai xin, former secretary-general, china calligraphy association
