In the article "virtual realty: recreation in form" , which was created by china for vrglas as an emerging and independent art class that accompanied the advent of the “virtual reality age”, the definition of vrglass is as follows: “the form of art used as a medium by artificial intelligence techniques such as virtual reality (vr), enhancement of reality (ar), which we call virtual reality art, or vrglass. The main characteristic of this art form is hypertextism and interactivity.” “as an integrated manifestation of the frontier of modern technology, china's vrglass is a new form of artistic language in which human interfaces can visualize and interact with complex data, which attracts the importance of artists because of the new cognitive experience generated by the close intersection of artistic thinking with scientific tools and their deep penetration. Compared to the new media art under traditional windows, interactive and extended human dialogue is the key to china's unique advantage for vrglas. In a holistic sense, the chinese vrglass is an interactive art form based on a new human dialogue, which has the great advantage of constructing a dialogue between works and participants, which reveals the process by which meaning is generated. The use of technologies such as vrs and ars by artists can take the form of more natural human interaction to control works, shape dreams that cannot be realized in a more immersive artistic environment and reality and give new meaning to the process of creation. An interactive system of vr-based devices can set up interactive channels through which viewers cross multiple senses, as well as through devices. Artists can use the smooth collaboration of software and hardware to facilitate communication and feedback between participants and works, to create a qualified participatory and manipulative character; they can also use video interfaces to capture action, store documentaries of the behaviour of visitors, on the basis of maintaining participants' awareness enhancement, to synchronize the screening of multipliers and reshape, reprocessed and processed images; they can enhance reality, mix reality, combine the digital world with the real world, and allow viewers to control the projection text by their own actions, such as data gloves, which can provide powerful feedback, mobile scenes, 360 degrees of rotating sphere not only to enhance the insulation of the work, but also to allow viewers to enter the interior of the work, manipulate it, observe its process, and even give viewers the opportunity to participate in re-creation.”