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  • The horn of the live interview

       2026-05-09 NetworkingName1700
    Key Point:No. 8 of 2012 (total no. 273)RadioIt's the only thing that's going onBroadcasterChange of role in live interview coverage - to 2012New spring takes the grass rootsFor example, the wuhan university school of journalism and communication / wang jian li jinhan central television news centre 201-2 the new spring walking grassroots series generated widespread social resonance. In this series, the audience was particularly impressed by the fact that th

    When will the new studio be used

    No. 8 of 2012 (total no. 273)RadioIt's the only thing that's going onBroadcasterChange of role in live interview coverage - to 2012New spring takes the grass rootsFor example, the wuhan university school of journalism and communication / wang jian li jinhan central television news centre 201-2 the new spring walking grassroots series generated widespread social resonance. In this series, the audience was particularly impressed by the fact that the programme, in which the radio broadcaster acted as a mirrorer, was not only an innovation in the presentation mode of the radio broadcaster, but also a break in the image of the traditional broadcaster to the audience, which provided a useful source of inspiration for the news story's "three closeness." first, the role of the broadcaster in the new spring grassroots series has changed 1. Changing postures - experiential reporting, going into the mind, interviewing in place, living lively " new spring grassroots " , which is mostly based on rituals, live experience, experience, integration into the work and life of the interviewee. Their words and their actions became an important part of the content of the programme, and this deep involvement brought them closer to the subjects interviewed, and the stories that they made with their own personal feelings went deeper, real and lively. For example, hae hae-ha's report, "i'm apprenticeship in laundry." hae-xia walked into the passenger section cleaners of zhengzhou railways during the spring of 2012 and followed the masters as apprentices, experiencing the hardships of a line worker. It was reported that hae-xia, like the workshop workers, had changed to a uniform blue work suit, and that she had a bed sheet with the ironing master liu, and then put the wash sheets flat on the machine and ironed them, which was hard for half an hour. Master liu said, "it doesn't look like it's getting tired, and it's sore in the back all day." hae-ha said, "yes, it's been so long." this is a personal experience of understanding and identity, which conveys an extraordinary sense of truth to the audience, and it brings the interviewee closer, making him feel friendly and relaxed and willing to communicate. Master liu went on to say, "our sisters here have shoulder-to-shoulder inflammation, neck and vertebrae." and hae-ha lamented, "it's all an occupational disease." and then ha-hae-ha tried to get wet and piled up like a mountain, to wash the stains on the sheets in the defilement area after a day of experience, and ha-ha said, "i didn't know before, it was easy and easy to wash a sheet. It's only now known that there's usually 80,000 bedrooms to wash every day, up to the "spring" peak, which is 10 million. It's a very simple and heavy job, and in a damp and hot environment, day after day, the workers work hard, ensuring the comfort and comfort of people travelling by train." these are the words of hae-xia's heart after she's been an experiential experience, and this is the kind of story that comes out of a physical act that is part of the news

     
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