Economically speaking, the decline of hong kong's entertainment circles was backed by the great times of financial capitalism crushing, the complete retreat of idealism and the collapse of morality。
1970s-80s: global idealism prevailed, as did hong kong
In the '70s and '80s, there were idealisms all over the world:
In the united states of america, hong kong, japan, all of you are friendly, moral, artistic and artistic
Capital exists, but it does not eat completely, and morality, humanity and ideals are binding。
Back then, hong kong's film industry:

- artists rely on work, talent, personality
- big brother, but he's mostly professional and professional
- zhou yunfae, zhang guo wing, mei yanang and tan tsang are idealistic and impotent
So even then, rules, ethics, ideals can crush capital and privacy。
2. After the 1990s: full occupation of hong kong by financial capitalism and rapid disappearance of idealism
Hong kong itself is a highly financial city

After the 1990s, financial capital, real estate capital, the primacy of interests ruled society:
Everything looks to money, to interests, to power, to relationships。
- capital doesn't care if it's good or not. It's just whether it's profitable or not
- boss doesn't care about the future of the industry. He only cares about his own interests
- artists no longer pursue art, ideals, but resources, status, teams
Ideasism is gone. Moralism goes down。

So there's loyalty to man
When idealism is gone, capital is for profit
The industry is no longer bound by ideals, ethics, rules, and rules
In turn, they are run by human beings, by teams, by private relationships, by big men。
- zhang chi wei: not power, capital, human power
- guo fu-cheng will be the king of the day: capital packaging, flow interests, no professional rules

- junjo has a monopoly on the queen: capital binding, obedience, not artistic power
Capital requires controllable people, not idealized, individualized and principled。
The idealist, the rule-maker, in the logic of financial capital, is “defunct, disobedient” and is simply eliminated。
4. End result: no one has a monopoly over the top, industry is failing
Capital + human, double-pressure rules and ideals:
1. Capital-for-profits — just listeners

2. The human rights team, loyal to the human being, turns away from the rules
3. The disappearance of idealism
4. The result is a top level mediocrity, a brain fault, a complete collapse of the port ring
Summary
The decline of hong kong's entertainment circles is based on human dignity over the rules, deep down on financial capitalism that devours idealism, ethics and culture, and the complete benefits and tools of industry。



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