In the midst of countless urban dramas and hot pursuits, a life drama that does not sell on dog blood has suddenly hit the audience. This shift is reminiscent of the genre of the phenomenon of the mountain sea in previous years, as well as the resonance around the globe of last year's korean cure, our blue time. There is no complex scheme of power, no inverted suspense, and even the emotional line is extremely simplified, but it still crushes " love without myth " on the ratings list, making it the country's top gold. More rarely, it took 20 seconds to make a special recommendation in newsleave, and its weight can be seen。
The show moved the stage from the high-rise forested cities to kash in south korea. At the beginning of the story, shaz was on a thin ice in the city's workplace, with poor performance giving her the possibility of being laid off at any time. The moment the mother brought her father's ashes, the stress of life came as the tide. In parallel with the cold reality, the undecorated warmth in the camel bell station — the arms of grandma, the support of friends, the goodwill of strangers — has made this exotic life warmer. Kash had a coloured house, room decorating, red carpets, sculpted doors and windows, and a unique visual system. Neighborhood sits, plays the piano and sings, and the true human face is transmitted with extremely contagious images. The group took a field view and recreated the sunlight of the highlands, the high market and the pyrotechnics of the residential complex. ThisSlow rhythmLife was written in japan's deep night cafeteria and taiwan's "your child is not your child " , and it was also a day-to-day effort to impress different cultures。
On the actor side, lelandi's performances make people forget the distance between the character and the actor. The moment when she bowed her head to tears contrasted with the darkness of the weeks in " hello, old time " , showing the persistence and softness of urban youth. Guernsey, though small, was a gentle and steadfast father who was able to pass it on in a few short plays. Kwok jun-geo, for his part, has completely dropped the iconic label and has played zhou chang-sung with maturity and youth, especially with reference to the girl's father's hesitation and guilt, succeeded in showing the level of role. Such indoctrination requires actors to put aside customary exaggerations and routines and to be completely mired in emotional fluctuations of ordinary life. A similar attempt can be seen in the 2022 opera " pause of the heart " , where the real interaction of the protagonists in the ordinary scene is more dynamic。
There is, of course, the viewer saying that he is not comfortable with this lack of big ups and downs. In the age of fast-paced consumption content, some people have become accustomed to information-intensive bombardments and feel that such slow dramas are “silent” and even difficult to follow. In 2023, for example, sanjoo had a new job on the same path to cure because of the slow pace, which had been abandoned by many young people. This feedback reminds producers that while sweetness and truth are important, rhythmism remains indispensable in terms of control and plotting。
The emergence of the kashi song opens up new ideas for the creation of a live play in the country. It paints an idealized utopia with careful lenses and real emotions, but not short of realistic temperatures. The suffering and tenderness of life are brought together, allowing viewers in busy cities or faraways to find their own comfort in this land。
