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  • To fill the gap in the academic world, more than 3. 4 million words were published in the chinese un

       2026-06-25 NetworkingName1050
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    Key Point:More than 1,300 posters have been published in recent times in china, and they have been kept in almost a thousand places so far. They are of great value in researching the social, political, economic, military, scientific and technological aspects of modern chinese society, the press and the press, fine arts, local culture and the biographies of people。The project for planning the publication of the 14th and 5th flagship national publicat

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    More than 1,300 posters have been published in recent times in china, and they have been kept in almost a thousand places so far. They are of great value in researching the social, political, economic, military, scientific and technological aspects of modern chinese society, the press and the press, fine arts, local culture and the biographies of people。

    The project for planning the publication of the 14th and 5th flagship national publications, compiled by tianjin archives, zhou li sung, the national publishing fund project, and the shanghai city financial support fund for the development of cultural creative industries, the chinese university of modern paintings (all eight volumes), have recently been published by the shanghai bookshop press in more than 3. 4 million words, with almost 2,800 photographs, covering almost all the posters published in recent times in china, covering more than 1,300 paintings, 980 files, 360 articles in newspapers, etc., and amounting to a large collection of documentation and research。

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    The chinese university of recent paintings launched a special coverage. # showers in the morning #

    “it is an original undertaking and a task to fill a gap.” at the launch and seminar on the publication of a new book entitled " china's university of recent paintings " , held at the museum of near-modern news and publications of china, experts from the departments of beijing university at the level of philosophy and social sciences, professor zou zheng chong, special professor at the university of jordan, and professor chen zixeng sun, chinese faculty of chinese science and training university of china, all highly value the “largest part”。

    “china's university of recent paints (1874-1949)” is divided into four parts of a sketch (with a summary of the contents), a public archive, a newspaper article, and the history of china's recent painting. Five volumes of the “summary books”, which for the first time systematized and presented more than 1,300 chinese recent drawings (some 930 copies are available), combed the time of their creation, place of operation, founders, editors, publishers and publishers, set-up columns, lead authors, primary photographers, aims, basic content, style characteristicsHistorical valueWait. Each poster is accompanied by a cover sheet, with a number of copies printed in full book colour format, presenting the original picture of the poster as far as possible。

    The “press papers” collected 346 articles in the various chinese newspapers from 1893 to 1949 that were of a repertoire, and were divided by content into the founding aims, editorials, character reviews, investigative reports, history reviews, theoretical overviews, seven parts of prominent newspapers, which were of great historical value in understanding and studying the aims of important recent newspapers, prominent newspapers, investigative reports, historical examinations, etc。

    A total of 980 copies of the “public archives” are devoted to the compilation of the records of applications for registration, examination, registration, supervision, management, inspection, correction, suppression, rehabilitation and so on from successive governmental bodies during the national period. The files are those of the tienjin city archives, the shanghai city archives and the beijing city archives, covering the period from 1913 to 1949。

    The “history of china's recent paints” examines the development history of recent chinese paintings. It is divided into “preliminary” “preliminary period” (1874-1884), “development period” (1884-1920), “development period” (1920-1937)”, “decline period (1937-1945)”, “lost valley period (1945-1949),” and provides a systematic overview, analysis and generalization of china's recent history, as well as of key information about its founders, content characteristics, social influence, etc., and describes the history of recent chinese drawings from budding, developing, flourishing, declining to final extinction。

    “the first was to run through the archives in kyingjin, using the identity of the archivist, to extract all the archives on the paper; the second was to complete the history of the recent chinese drawings.” the project, which has long served in tianjin's archives system, is composed mainly of writers and newspaper collectors。

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    “the newspaper is informative and reflects in a comprehensive manner the spiritual and cultural life of china in the near modern political, military, economic, cultural, literary, artistic and photographic fields. From the point of view of literary research, there is a close relationship between the newspaper and literature, and the newspaper the good friends paint, the times paint, etc., are deeply related to literature.” chen zixin。

    “the series provides important clues and basic material for the study of paintings and greatly facilitates subsequent academic research.” according to zou jin-ling, “the process of documentation and validation is particularly valuable in the current academic world”. He fully acknowledges that zhou li's follow-up plan continues to develop a common and understandable series of posters, a list of names for the examination, and a collection of humanities。

    The chen ping principles for the preparation of the master book for the university of china, led by the china museum of near-modern news and publications, are designed to consciously and systematically organize and publish important recent paintings and to preserve them in a digital manner to ensure that these valuable cultural materials are kept。

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    Publication of the seminar site. # showers in the morning #

    “the painting is not a simple piece of paper, and its term `painting' is cultural production in chinese, with unique indigenous pathways and rich research values.” in the view of chen yang, professor of the extremist school of information and communication at the university of political science and law of china, the book not only draws on the visual dimension but also involves a multidisciplinary cross-section of institutional and economic history, which provides a rich foundation and a huge growth point for future research. In particular, she mentioned that the details of the book set, image presentation and color retention reflected the editorial intent, making the reading process enjoyable and able to feel the original “nature”。

    "it's a guide, a panoramic tool to make full use of the archival system." the world's archives are a 'resource' that reflects the spirit of the archives, which the archivists sow in solitude and detail.” the shanghai city archives institute's standing vice-president, cheng jianxian, has proposed that the posters are image-based and of great historical and visual artistic value, reflecting the first scene of a given period of history. On the basis of documentation, more in-depth analysis and research could be undertaken in the future on the reliability of the content of the posters, the cultural background of the time, etc。

    In this area, the bookshop is committed to deep farming, as presented by sun yu, deputy editor-in-chief of the shanghai people's press and president of the shanghai bookstore, a publishing house whose main publication is near-modern history literature. In recent years, projects such as the “consolidation of china's national journal”, the “consolidation of china's local wills”, the “contributions of china's recent history” series, the “contributions of modern history”, the “concerning of modern history”, and the “concerning of sasakawa's books” have continued. More than five years have passed since the publication of the chinese university of recent paints, in response to the organization's landmark project, the chinese university of modern literature。

    “my collaboration with the bookshop began with a telephone call, thanks in particular to publishers for their vision and trust.” zhou yi said, "this is shanghai's vision and judgment."

     
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