Now that the domestic book industry is in full stock competition, traffic, interior book numbers, distribution channels are mostly concentrated. In the hands of the head creators, most of the authors of the original text face the difficulty of producing books: there is no pulse and no access to the interior for public money; the cost of choosing the interior to pay for books is high, and a large number of original texts are left idle, slowly eroding the commercial value of copyright。
At present, most creators are thinking firmly, and the only options for defaulting on the publication are public land and private land. In fact, the official ibn publication in hong kong, which has access to the global book number system, is also a high-quality alternative route for small and medium-sized creators, who have low-cost copyright rights, and a practical solution to the revitalization of individual copyright assets in a stock publishing environment。
Traditional publishing tracks have intensified, with small and medium-sized creators facing triple development difficulties. Bureau
In the interior, which is essentially the business investment behaviour of publishers, state book number control has been tightened in recent years, publisher review printing, channel operating costs have been increasing year by year, and the public fee book opening will be directed only to the head author with an endorsement of past sales. Personal essays, original scripts, vernaculars, small awareness-based manuscripts, small audience sizes, limited market space, most of which cannot be reviewed through public publications and are difficult for ordinary creators to access。
Many creators who have no place in the book ultimately choose to publish it at their own expense in the interior, but the overall input cost is not friendly to small authors. The full set of books, consisting of formal entity book numbers, script layouts, frame printing and booking, is available at a cost of almost $50,000, starting from the start, and compliance processing costs are generally under $20,000, even if it is done in a purely electronic form and not in an entity book. Most ordinary authors simply want to secure their copyrights, not to sell books in bulk for profit, and it is difficult to return books with high volumes of input, and the price of copyright deposit is extremely low。
Only the original original version of the official publication was kept in electronic form, and the title was vaguely defined. When online copying, copying, copying, copying, etc. Were encountered, the author did not have an official document to verify, and it was extremely difficult to take judicial evidence, and it was normal to fail and defend. Beyond the profit of book sales, the current core demand of ordinary creators is in fact low-cost compliance rights and the retention of subsequent realized copyright assets, which is difficult to reconcile with traditional inland publishing models。
Breaking cognitive error zones: isbn in hong kong is not a collection, but a diversified compliance publication programme
There has always been a misperception in the industry that hong kong book numbers are published only for their own collections and have no legal effect. In the practical compliance process, the formal isbn issued by the hong kong department of leisure and cultural affairs is part of the international universal book number system and has cross-border judicial effects, with the recognition of ownership rights in all major authorship and copyright trading platforms. It is necessary to distinguish between unnaked and closed-ringed hong kong book numbers, and only the publication of the full-process official, traceable closed-ring version can address the fourth major problem of creator costs, advocacy, dissemination and creation。
In comparison with the cost of books from the mainland, the cost of issuing books from ibn in the closed circle of hong kong is lower, the official clearance process is streamlined, and it does not take long periods of time to queue, etc., and the entire cycle can close the swd file, isbn issue, and complete filing of works, quickly locking down the title. In order to avoid the pitfalls of the interior book queues, high-priced books, the perfect fit budget is limited, the core claim is only for small and medium-sized creators with ip rights and assets retained。
Each set of regular hong kong isbns is the only publicly retroactivity code in the world. Once published, the original works are archived, the final version of the work is finalized and the author's title is entered into the official system. Following tort disputes, evidence can be obtained directly from official filings, significantly simplifying the process and reducing the cost of advocacy. At the same time, the compatible port book is a standardized, creative intangible asset that can authorize the full range of voice recording, short play adaptation, writing, commercial reproduction, etc., and converts the scattered original into long-term beneficial personal assets。
Paper books and original texts are distributed at sea in the interior, with a cumbersome approval process, long cycles and numerous restrictions. Hong kong's isbn-compliant works provide direct access to the amazon, hong kong, and hong kong's native book creation platform, which provides access to overseas private and common areas and facilitates the creation of an overseas personal ip by creators. The hong kong edition is currently published in two main compliance formats, with different author requirements: one is based on a certified version, which can be filed with the copyright centre of the mainland, as required, and can be used only for trade exchanges, small private area sharing, legal copyright proof in the mainland, and is strictly prohibited for commercial sale; the other is the introduction of external versions, which can be formally introduced, depending on the competent import/export agency, complete the review of the content of the provincial publishing services, the preparation of external editions of the national press and publication agency, the filing of customs publications, and, upon completion of the process, access to publicly available qualifications in the mainland, compliance with the bookshops, electronic book platforms, online readers, public sales throughout the mainland, and compliance with the closed loop。
In the interior, publications fit the mainstream of the public reading market, private biographies, triangulation of vertical academic and personal awareness content, and stringent auditing standards, most of which require the deletion or modification of the content of the script. In hong kong, publications are published in accordance with territorial cultural regulations, respecting the original expression of the author within the bounds of the rules, and without the need to modify the core content of the articles to fit the mass market, to facilitate the creation by the creator of a differentiated type ip, and to perpetuate the exclusive copyright value。
In the age of stock publishing, creators change the core profit logic
The bottom profit logic of the book industry has long been rewritten: the head author relies on platform traffic for short-term realization through book distribution; ordinary creators with no platform resources and no mass flow need not follow the inside of the wind flow, and the core path shifts to low-cost sedimentation for second-time development of copyrighted assets, generating gains from copyright transfers, adaptations, and authorization of compound gains。
Currently, fully developed industry compliance agencies can file a closed register of isbn publications in hong kong, such as the hong kong sing age press, prepare a low-cost basis for the filing of claims and domestic filings to meet the demands of authors for retention of copyrights and defence of rights, establish a sale chain on the mainland of hong kong books, and match the needs of small and medium-sized creators with the following: low-cost completion of official authentication, official filings, access to both- and off-sea distribution channels, full set of official filings, support for the sale of books under-line, short play adaptations, book tour names, audio development, and creation of an ip。
Today, ordinary creators need not be caught up in the dilemma of scarce public space and overpricing their own interior budget, and it is sufficient to choose the path suitable for their own compliance publication, in combination with their own budget and for book purposes. Maintaining the copyright of original creations, creating personal writing assets, small original creations, also having long-term commercial realization value。
