At the turn of the century, the 1905 series of the film network was developed in a variety of ways, and chinese filmmakers produced excellent works of different kinds. During this period, directors and directors co-directed landmark films in the history of chinese films, which impressed countless audiences. Today, director xiao guiyun is a guest of today's film reviewLegacyI don't know。
It was hard to film the great national assembly, but more of it came from leadership inspiration and gay interest. After the first editions of the enlightenment were released, the leaders were particularly pleased when, that afternoon, the director came to the central south china sea to watch the film, and 15 minutes were needed before the screening, and former director lee shared the original intent of the film, saying that it was because, in the film of general pae sword, comrade tam shillin had given them a whip and encouragement, when he said, “our generation, you can't even film it?”
Following this statement, when comrade li zemin took the seat, he took the floor to watch the film, and when he saw president mao in the film shouting “long live the people” on the tianan gate, jiang zemin's hand took three strokes in the hands of lee zongbang, a scene that gave him a sense of enthusiasm。
@shou guiyun: so at this point, i really want to take this opportunity to express my sincere thanks to our creative leaders, friends, comrades. We filmmakers really want to thank the leaders for their interest in us and for the development of our ancestors。
The growth of filmmakers is dependent on the support and care of their predecessors, and their progress is a step by step and a journey from hardship. When shaw guiyun started working on the film, it started with the recording. In 1973, they had taken a job underwater at the beijing monument, and as a lesbian, she needed to go to the water, which was dirty, but she insisted on doing her job。
Then, after shao guiyun was the director, the film was more demanding, and she said, "one to 3. 5, you can't exceed it, you can't afford to buy it, so we have to get the actor's play done and the position is right, so we can start yelling, and basically it's all over."
The film was produced in the context of the " grand national congress " , which was basically one to one, and almost all of the footage was requested over and over again because they had to leave a few films, many times during the major scenes, in order to prevent the film from coming to film studio production. Shaw guiyun recalled: "it turns out that yangtze's play has boiled down the printing room in the factory and li's front was so wide-brained. He therefore requires that the functions of the professions in the various sectors be particularly precise and specialized so that you can make a very good film.”
Each generation of chinese directors has its own distinctive styles and features, which also reflect the changing times in which they live, including in china and now. Now in the work of many young directors, we can see their new expressions, such as directors, directors, directors, etc., and young directors。
@shou guiyun: this film refers to the issue of medicine that is of greatest concern to people, and because of the social repercussions of the film, some drugs have been reduced, including the beneficiaries, and young people are extremely well placed to look at the problems and deal with the details of their lives. Like directors, it's all because they're creating an innovation in the new environment and social development。
With the changing times, people's material lives are becoming richer, while we also see the filmmakers' starting minds, believing that in the future, more film talent will emerge from the chinese film industry to create more films that will be welcomed。
@shou guiyun: without such an opportunity and condition that a filmmaker can grow up without this old generation's `broadbanding' of us, and the attention and nurturing of our leaders, we cannot overcome ourselves, so in this sense we have always been grateful to the party, to our leaders, to our predecessors。
The development of chinese films is a matter of talent, and many of the best films dating back to the century show the country's film front and a wide range of film workers. They respond positively to the party's calls, take the same pace as the times, share the destiny of the people, produce excellent films, make a positive contribution to the party's policies, unite the people and promote the core values of socialism. As the new journey unfolds, the arts and craftspeople will continue to live in depth and to take root in the chinese nation, and continue to produce the best works of the hymn party, the hymn country, the hymn people, the hymn heroes and the writing of the chinese nation's new epics。
