When it comes to "press radio", many people have a face in their hearts: steady, decent, secure. You may share the same feeling — no matter what happens, when they arrive at 8:00, when they see that smile, the sound of “good evening” is settled. It's not an accident, especially when it comes to..Kang huiWhy do so many people favour him? Not only are they “good people, good operations”, but there is also a set of long-term training and time change stories behind them. It's even more interesting to start with the key people, with the features: - roking: duly put in place, the words are rocky. The power to calm the mood down is the “specified needle” that many remember from childhood to adulthood. - lee ree-in: be gentle, restrained, benevolent, a representative of “trust”, which later faded and left behind a standard. - zhang hongmin, wang ning, qianbin: each has a style, but the common denominator is “stable”, no noise, no play, and the news station is in position c. - hae-ha: the sound is bright, the camera is clean, the town is sitting on major airs, the professional is full. - o'yan shadan: it's nice and nice, it's very contagious, and many people are “comforted” by her smile. - lee chung: it's nice and fresh, and it's nicer and more comfortable. - just as strong: the name is "stable" and the style is young and unchallenged. - kang fai: calm down with temperature and serious humor. It's the same thing as the old man in the radio, and the new media, the anchor says it's on the air. Why does this “special trust” form for the anchor of radio? There are three levels. One is to grow a common memory. Every day, at the same time, in the same image, in the same way, constitutes the rhythm of life for all. The human instinct is to feel more secure about the "stability signal" over timeModeratorAnd then the face becomes "a safety anchor in the heart." two is the professional threshold so you can't see. The training is behind “looks normal” the back of pronunciation, air control, stop-to-back re-processing, sudden-onset response, spot-to-peer memory switching, accent design of key words. You're looking at a flat and light sentence, and they spend decades of practice. Three are changes in role positioning. In the past, it was more like a “broadcaster”, emphasizing accurate communication; in the present, it was more like a “broadcast”, requiring a bit of temperature and interpretation with some rigour. The short videos, serials, interactions of the new media make these “people at the table” three-dimensional. The kind of self-restraint humor that kang fai has in “leave on radio” is the fit for a new era. A lot of people say, "they look like people's faces in thailand," and it's kind of funny. What exactly is the "taimin's face"? - aesthetics: 5 official, lined, non-aggressive. Look comfortable, don't distract, don't take your emotions to extremes. - emotional: smiles can't be cold. The balance of "you say, i hear, i believe" is over and over again. - technical: the sound band is in a relaxed area, the speed of the speech is stable and the pause in the sentence is good. You think it's "relationship" and it's "engineering": it's a fine control of hearing, cognitive load, screen attention. Let's talk about what you might not know about, but it's all a professional business: -- there's a strict diet ahead of it: try not to eat too spicy, not to eat anything that's easy to say, coffee and cold, and tea with your voice. - the manuscripts are not “read-in”: they mark pauses, accents, emotional movements on the manuscript paper, encounter names, place names are backed up with pronunciation forms, and the “inverse” is avoided. - the red light of the plane is a “command stick”: when multispaces are switched, the eye must find the red light with precision, the face must be neither empty nor snatched, and the handcards must turn silent. - it's a very delicate plan: there'll be instructions in the ears, and the hosts will be “suspend” without panic, so that the audience can be reassured and the facts made clear. "why do so many people like kang fai?" he said. I think it's three points: -- steady: there's no emotionalization in front of big events, and there's a rhythm to keep you up to the news, not to be dragged away by the news. This “motivation control” is the top capacity. - correct: words, messages, logic are clean and credible. You're willing to give him your attention because he won't let you waste your time. - warm: the temperature is present in the expression, without loss of weight. Sometimes a slight laugh and a drop in tone can lead people from “passive acceptance” to “willing to understand”. Many people think that the broadcast is “only saying”, but they are “producer of order”. In the age of the information explosion, you need someone to give you a ruler: what are today's facts, what is the focus, and what rhythm to understand. That is the meaning and value of radio news. If you switch that ability to your own life and work, you can have an immediate effect: talk calmly, short sentences, just one thing in every sentence. - important information is pre-designed for accents, pauses are required to give others a “digestion zone”. - in the face of an emergency, without a rush to explain, set the facts straight and draw conclusions. - don't "hot" on your face and tone. It's the content. You don't show off, people prefer to listen. And finally, close it down. Take an inventory of the hosts, not just nostalgia, but how generations of “credible voices” are made. Like kang fai, in the end, like the combination of "stable, straight, warm." this is a steady one that keeps us safe in a complex world; this one that makes the information clearer; and this one that is warm and reliable. Remember these three points, you may not be the anchor, but you can also be the one who wants to believe in your job。
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