Yang soo's tea and flowers
The article is a song. The song is the circle, and the beauty is the ideal for our classical poetry. Yang soo insists that “good essay is a poem” and that this artistic goal is deeply practiced in his creation. And the verses of the verse are the beautiful bounds. His essays were so open, they were so good at using the words of classical poems, the words of love, they were so good, and language was so solid and far-reaching. He was greeted with the sincere approval of the ancient quizun family: “it is as clean as water, as simple, as clean, and as fresh as it is fair, so as to make people groan and not be able to bear.” " tea flowers " is the title of yang soo's essay and highlights this feature。
Full-text coding, fine layout, layered mats, silk buttons. The author, who had been living abroad for a long time, had tried to draw the face of his country with a great hand from tang qing, in an attempt to shed light on his thoughts. That's a problem for painters. How should they think? The author then set aside this thought, but it has since taken root in his heart, and it has indeed set the tone for the following, and for the whole text. Yang soo's essays tend to be spoken in love, and in narratives, where they are closely integrated and comprehensible, and his narratives are always poetic. The article, in the narratives of the wretch, sheds light on the atmosphere, with the author's joy spilling over to the paper, through the subtle words of “teaching”, “go fast”, “move fast”, and “like a mother”. Because it's the flower season, and it's tempting him. As a result, the steps were advanced and the notes were successful until the end of the tunnel, where the message was clearly articulated。
The centre of the essay is the beauty of the tea and flowers, but from the writing of the clubs and the writing of the jade and the writing of the cuisine pens in which the flowers are made. First of all, the plum blossom of the valet temple, and then from the plum flower to the tea florist, it is said that the poignant poignant poignant poignant “spring as deep as the sea”, it lit the “deepest spring colour”. Like stars, the tea rose from behind. However, writing a tea flower is not the purpose of the author, who, through the beauty of the tea flower, combines the idea that everything beautiful is created by labour. This is natural, and very few of them have focused on drawing his hands “with cocoons and fresh dirt”. It's the hand of an ordinary worker, and it's the hand that constructs a beautiful life. The author has further developed his philosophy, revealing the true meaning of a new life for millions of people and of the image of the young country, and only the presence of the person of puh-ren is able to link “flowers” to “motherland”. Because he introduced “i” to many kinds of tea flowers, such as “damanau”, “snow lion”, “farfly wings” and so on, especially “boyface”, and so on, it was best to open up, so that the final part of the article, by drawing details about the emergence of a group of “red scarfs”, led to the final idea of a painting, “if you use the brightest and brightest red, you can paint an open-faced child tea flower, which is a symbol of the country?” as a pen, with a long line. This piece then begins to create a puzzle, and then gradually opens it up, one by one, one by one, and falls down one by one, as people, events, scenes, and objects are written, and the poetry of the nation and its people is soared and soared。
This essay is also unique in that it draws inspirational poetry from something that seems to be very common, in a strange scene, in which deep love is expressed, through the meaning of poetry, in the shape of the times. " tea flowers " , with beautiful tea flowers, shows the joy of the country. The beauty of the tea flower symbolizes the youthful beauty of the country. Its vitality symbolizes the country's prosperity, while those who look like a new generation of “child faces” symbolize the future of the country. The metaphors are very precise and innovative, and they are integrated into the landscape。
China's drawings are created in the sense that they are made in the light of the truth and the truth. The creative aspect of yang soo's message, drawing on the drawings, pays great attention to this traditional bogus treatment. This paper depicts the concrete image (real) of the capable craftsmen of tea and flowers, and sings about the youth of the socialist motherland (false), and gives rise to false and symbolic ideas. The beauty of the tea flowers, the beauty of the plume and the infinity of the plume, inspired the readers to think of their country as a new and new country. How is the country changing? What kind of construction is it? It's not specifically written in these works, but the poetry of “false” outside of the picture, based on the beauty of the boy-faced tea flower, makes it clear that the reader has a wonderful connection to imagination。
Yang soo is very sensitive to the hammering of languages, his linguistic style, his poetry, the creation of artistic languages, and his writings are in harmony. In the final analysis, the language of the paper is purified, fresh, and in natural, simple words, it is poetic, and the author's narratives have benefited from precision and clarity. In this regard, qin ying, for example, wrote two sections of tea flowers, “the best place to go ...”. And “it is not actually the deepest spring...”) and appreciate the clarity and performance of its linguistic landscape: “it brings us as close as we can to our land, and it shows the bouquets of flowers, the bees of butter, and as if we smelled the fragrances of the flowers”。
