The artistic character of the yang soo language can be described as the contemporary literary history of our country, where yang soo is a writer who, after writers like zhu qing, has made a very explicit claim to the poetry of the essay art. His essay, like a beautiful poem, “write like a poem”, is also the highest aesthetic quest of his writing. And he said, "good essay is a poem." so it turns out that yang soo's preference for poetry is that "... Every piece has its own new taste, thought, love, taste." so, in his essay writing, he said, “twisted the material, arranged the layout, pegged the words, and then wrote it”. This led to the creation of a large, poetic essay representing the city of the sea, tea and flowers, the red leaves of the fragrance mountain, the nectar and the cherry rain. The reading of yang soo's poems puts you in a better place than poetry. The author's pen, whether it's the apricot rain or the iron makino, has the colour of the times, the light of the ideals, the power of the people up, and the obscenity of the author's feelings. This organic combination of noble ideas and strong feelings constitutes the poetry of yang soo. However, poetry is, after all, something inherent, a good sense, a rich feeling, and it must be expressed in its language. The yang soo text expresses the same sentiment in the same language. The simpleness, condensation, beauty and novelty are the greatest features of the yangsong language style. Throughout yang's life, he has always lived with his people and lived with his own breath. In his many works, he rarely uses fancy words to pursue the poetry of essays. A group of hardworking people has been painted in the most accessible language. Among them are the warriors who marched to the front, before their wounds had become more severe, the warriors of mandarin, who were full of frosts, the man of old age, the ordinary fisherman who was ardent in support of the people (the snowflake), and the warrior of liang, who gave his young life for the cause of the revolution on the eve of the triumph of the revolution, the warrior of liang zhenjiang, who had the old guide of san francisco's red leaves, whose work and wisdom, soul and affection, struggle and ideals were hailed by the author's warm sleep. Yang likes to look for things that are often forgotten to paint as a spring of fresh green in a wave of flowers in the sea, a red leaf in a tree of tea and flowers in the middle of the night, a bee in a natural insect world and a small event in a group of ants' hot life. For example, snowflake wrote an idealistic and heroic character through the story of old tarzan. In the blue sea, the white waves, the golden luminous evenings, the work paints the old tarzans' old-fashioned and diligent service. Every effort has been made to build a high image of socialism that is rooted in the author's love for millions of workers。
