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  • Twenty-four: "time is beautiful" in ancient poetry

       2026-04-26 NetworkingName1190
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    Key Point:"throwing into the night with the wind, the luminousness of the lubricant" prior to the opening of the beijing winter games, the world-class intangible cultural heritagethe 24-hour acceleratorran backwards from rainfall to the spring, each of which was accompanied by an ancient poem from the population, conveying to the world the traditional wisdom and romantic aesthetics of chinese culture. Where do these ancient words come from? Do you understa

    "throwing into the night with the wind, the luminousness of the lubricant" prior to the opening of the beijing winter games, the world-class intangible cultural heritage — the 24-hour accelerator — ran backwards from “rainfall” to “the spring”, each of which was accompanied by an ancient poem from the population, conveying to the world the traditional wisdom and romantic aesthetics of chinese culture. Where do these ancient words come from? Do you understand the meaning of "time beauty"

    It's "poetry."

    The opening day of the beijing winter olympic games coincided with the beginning of the spring, and when a picture and poem of the twenty-four festivals appeared, one could not help but lament: “this is the most beautiful chinese culture.” the ancient verse is more in harmony with the landscape。

    In order to interpret the charisma of the ancient poems related to the twenty-fourth festival, journalists visited the staff of the shanghai city library of literature and history, the special professor of the shanghai university of teacher training and tsai cao. “the ancients will be divided into 365 days a year, four seasons, and a round table of 24 breathers. It's a very important thing, a product of farming culture.” he said that the twenty-four agitation represented an awareness of the heavens and the earth, nature and the four seasons, and reminded himself to use the unique “temperature” of their own subjective dynamics to interact with the universe and nature。

    In his view, the table relating to the twenty-four festivals was related to the relationship between human beings and nature, the relationship between human beings and landscapes, the relationship between human beings and agricultural production, the relationship between human beings and the social system (including rituals, etc.), so that the general nature of chinese poetry and the rhythm of language were relevant。

    For example, the countdown to the opening ceremony of the beijing winter olympics is an example of a choreography. Rain has abated, with a poem, “down into the night with the wind, with the luminous tributary”, which comes out of don deedduff's spring and night rains. It is the time when the rain begins, when the rainfall increases, and it gradually enters the “crawlable land”, and the spring rains are passing by the wind in the night, so that everything on the earth grows silently. The qing dynasty, with its poems, “the rain of the days of the clear”, was chosen by don dedédou, as one of the words of the poems known to the families for thousands of years, reminding us that the time has come to think about the people of our time。

    Summer poetry is different than spring. The summer-to-summer festival, with a poem entitled "the green snack contains powder and the round snack" and the summer-to-sniffing north pool from don déwey's, depicts the summer-to-sniffing wind, the "green snack" is a green bamboo, and the bamboo festival has just been born with white snuff, and the round leaves have begun to emit aromatic aroma, and the bamboo and poach have given people a clear sense of summer. The summer festival, with a poem, "the qin wheel begins at night, the fire shines out," came from tang dynasty, "the mid-june four-america poet." the summer was the hottest of the year, and on such a hot summer, poets thought about how to stay away from the summer, and he saw the brightness of the galaxy, the light of the moon and other fireflies that were not seen in the seasons。

    Poetry of patterns

    "liu from night to night, the moon is home to me" by don duphot's "the night of the moon" and a poem familiar to all. The pompous evening of the whites is chilling, and duft's thoughts on his family are growing deeper and stronger in the light of the drums and the cries of the lost geese. Song dynasty traveled to the rains of the time: “the rains of the hour and the mankind, all around the world. The home of mai-yi mi, the hymn singer。

    The countdown accelerated in the last 10 seconds before the opening of the beijing winter olympic games, with the scenes of mountain china, winding up air, white snow willows, red rain peaches falling, springing back in the sound of the duo, leaving the last countdown for spring. Twenty-four cheers, full chinese poetry。

    Poets and agitation are natural languages

    “springs and rain are so hot, summers and summers are so close, autumns and autumns are so cold, winters and winters are so cold.” twenty-four accompanies a song。

    Cao zhou compared the twenty-four aerobics to the 24 stations that people would walk through in a year. Long-distance vehicles drive for 365 days a year, passing through 24 stations. Four large stations, spring, summer, autumn and winter, were subdivided into 24 small stations, reaching one every 15 days or so. There are regular changes in time, climate, material, landscapes, etc. At each station。

    “the human being is part of nature and conservancy, and the poet is part of nature and conservancy.” he said that the twenty-four festivals were natural languages, so poets used words, poetry, to correspond to nature's language and the language of conservancy. In fact, poets are speaking, depicting and emboldening different emotions. This expression has many dimensions。

    For example, a poet is a child of nature, and in the face of nature he has something to say and feelings to express. The natural landscape and the natural ecology are to be praised and the song is to be heard, while the four seasons of change are the different poets' “poetry pack”。

    Poetry of patterns

    There are landscapes, there are temperatures, there are matching flowers, there are flowers, there are flowers, there are spring bells, there are sunflowers, there are autumn daisies, there are winter plums, and so on, and all the flowers are four seasons of "advocacy" and ancient poets can't write. The poets captured these sketches and made poetry a symbol of 24 airs in four seasons. That's what's important about the gasp。

    For example, in addition to the natural factors such as climate, there are also social factors such as social and festivities. There are various festivals in spring, summer, autumn and winter, which themselves contain many “poetry” and poetry elements. Such as the expression of the rain of light, displaying the thoughts of poets about their loved ones, memories, etc。

    In cao xue's view, the poet is a member of society, so when natural agitation intersects with social identity, his own situation, etc., he writes different poems at different agitations. For example, the poem by doo fou, " heading to bong county for 500 words " , interwoven the coldest cold of the year with the suffering of the poet himself and his family from starvation, writing about the condescending malaise of the great monument。

    Nature is nature in the heavens and the earth, nature in the universe. This naturally also has geography factors, such as rivers, mountains, and so on, changing more faces and landscapes in 24 different forms, as the face of a child changes. This different change also gives poets the same subject matter. As tang dynasty meng ho wrote in "mankind is metabolism, ancient. We're back on the road." the poet wrote it and left behind the poems of the generation。

    There's a pattern of euphoria. Poet expression is diverse

    "it's like a place of origin where countless poems can be exposed." in cao xu's view, poets' feelings are diffuse and pluralistic, and their expressions differ. Poetry related to air-conservation is therefore diversified。

    For example, in "the seen wheat" , the white house wrote, "the family has less time to spend in the month of may. At night, the southern wind rose and wheat was yellow, and he used his air to describe life and to express feelings. And the poem of don dynasty's poet, liu changqing, “frost drops, falls and falls, and the sound of the wind drops is an expression of the mind of the traveller.”。

    Poetry of patterns

    The four seasons of landscapes and objects are fixed and regular, and poets' emotional expression through poetry is constantly changing。

    For example, spring is a season of extraordinary pleasure when everything recovers and spring blooms, but duft writes in spring hope: "the country is in the mountains and rivers and the city is in the depths. Wept and wept and hated the birds." when chang an fell, only the mountains and rivers remained, spring came, and the town of chang an was thick in grass, but the poets were sad about the country and the tears were splattered. The birds were beautiful, but at that time they were shocked and filled with sorrow。

    And, for example, winter cold, boring. But liu zongwon wrote in jiangxie: “a thousand mountain birds are flying away and the people are missing. It's so lonely, it's so cold." in the snow, the poet used this poem to justify his personality and spirit after being struck。

    “every season, every ceremonial moment, the poet's feelings are diverse, and each ceremonial moment has its own feelings. A poet also writes 10 spring poems, which can be written differently from emotions." cao xu said。

    At the opening ceremony of the beijing winter olympic games, we demonstrated the greatness and glory of chinese culture with our twenty-four acrimony and its related poetry. What time is full, the moon is short; what time is long and the night is short; what time is iced, the river is open, the wind is coming, the rain is coming; when insects wake up, the land is ready to grow and crops are growing ... As the chief director of the beijing winter olympic opening, zhang zhang, said, “there may be no such number in the world”, but we have deep cultural confidence。

    A year, four seasons, the wind, winter and spring, the "time is beauty" in the ancient poems, and the fainting becomes countless beautiful images of eternal wisdom. (penny)

     
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