The words “like others” still have irreplaceable weights today. The gap in cross-section of examinations, the impression of handwritten notes in the workplace and the sense of dignity of daily signatures make “writing a good hand” invisible. But many have practiced hard writings for several years, and the words are still crooked and unstable — the problem is not hard work, but rather the “bones code” that doesn't know the chinese word。
A recent “hard pen-book inter-legal-structured teaching map” of parents' circles decipher complex chinese characters into simple geometric maps such as triangles, ladders and diamond formations, with 28 structural patterns hitting the core of the text. Today you will be able to get through this "teaching shortcut" and the zero base will be able to produce a fine-looking piece in 30 days。
Why do you practice words never work
Many people are in the wrong zone of “blind repetition” of their writings: they are reded hundreds of times, and they strike back out of their original form; they write beautifully in individual writings, and they twist and twist; and they learn long, but they don't improve their beauty。
The central problem is the "interlock structure" that is not mastered in chinese — like building a house, steel and cement are drawings, and the layout is household design. Even if the building materials are good and the household design is not reasonable, the house will not work properly. The word is the same, the word is the same, the word is the word is the word, the word is the word is the word, the word is the word is the word is the word, the word is the word is the word is the word is the word is the word。
And the essence of this is to visualize the family design of han. It summarizes the commonly used chinese characters into 28 structural types, with geometric graphics in the fields and in the mi-grams, visualizing the centre of gravity of each word, the spacing of pens and the contours of the outer shape, and giving the verbs a glimpse of the "skeletal pattern."。
Twenty-eight structural patterns, decoded chinese writing codes
The core value of the pedagogy is to transform the abstract sense of “writing” into a replicable “normal technique”. The following are the 10 most practical core patterns, covering 80 per cent of common chinese characters:
1. Triangle structure: steady as rock
Representation: king, top, bottom, land
Normal: the following is the bottom, with a vertical center in the middle, forming an imitation triangle. Writing points: up and down, vertically through the centre of gravity and avoiding tilts. A lot of people write the word "king" in the wrong way, because vertically it deviates from the middle line, undermining the stability of the triangle。
Ladder structure: degree of relaxation
Delegates: words of speech, joy, joy, taiwan
Normal: the upper and lower width is as wide as the reverse ladder, or the upper and lower width is as narrow as the positive ladder, even between the drawings. Write points: rewinding ladders need to be sprawled below, and positive ladders need to control the width of the top pen, avoiding head-heavy or head-heavy。
3. Symmetry: spreading the atmosphere
Representative words: zhu, come, log, rice
Normal: the word "two wings" with the word "wielding" requires symmetrical stretching and a middle angle. Write points: shape the painting 45° to the bottom left, stretch the painting to the bottom right, level the end, and avoid one higher and one lower. A lot of people write the word “wood” because it doesn't stretch enough to open the horn。
Up and down: centre of gravity
Representation: fruit, beauty, anne, treasure
Regular: the first half of the text is compact, the second half is broad. The main point of writing is that the upper structure is the upper half of the fields, and the next drawing (e. G. Hooks, twigs) is properly extended, and the focus is on the top and the whole appears steady。
5. Spacing evenly: severable
Representations: ears, heavyweight, kawakawa, three
Regular: when multiple lines of the same drawings are presented, the spacing must be even. Write points: the cross-column needs to be parallel and space equal; the vertical alignment of the vertical line needs to be avoided. When the word “three” is written, many people ignore the position of the middle sketch, resulting in an imbalance between the top and the bottom, and the word appears to be uncoordinated。
6. Left to right: main priority
Representation: do, do, do, do, do, do
Regular: the left half of the words is compacted and the right half is stretched out. Write points: the left half accounts for one third of the fields and the right half for two thirds of the fields, so as not to cause congestion in the balance between the right and the right. When writing the word “doing”, the word “one person” on the left will be narrow and the word “so” on the right will be stretched in order to be single。
7. Surrounding structures: internal and external coordination
Representative: state, country, country, sentence, division
Regular: semi-envelope or complete encirclement structures, with attention to the spacing and location of internal and external writings. Writing points: the whole surrounding word (e. G. Country) is squared and the internal structure is centered; the half surrounding word (e. G. Sentence) is first written in the outer frame, which corresponds to the outer frame and avoids deviation from the centre of gravity。
8. Long-handedness: right-hand predominance
Representation: right, yes, boo, hitch
Regular: when the right half of the word is a portrait and a painting is set, it is long and short. The point of writing is that it stretches to the right, leaves the painting short and strong, and avoids taking too long to take over the space, resulting in an imbalance in the right of the word。
9. Long and short: vertical extension
Delegates: chinese, shin, dry, ten
Patterns: vertically structured words, vertically long and short. Write points: vertically, vertically, through the fields, with a medium and small size, highlighting the sense of vertical extension, and avoiding the excessive length that leads to a flatness of words。
10. Slash positive: stability in risk
Representative words: sunset, hometown, nay, nine
Pattern: the pen is tilted as a whole, but the focus is steady. The main points of writing are: the slanted pens should be presented in a uniform manner, avoiding fragmentation and maintaining the overall balance through the adaptation of local pens. When you write the word "in the evening" you can achieve "in the tilt" without slanting the painting but placing it in the middle。
These 28 structural patterns cover all common characters such as monographs, left-and-right structures, upper-down structures, encirclement structures, etc., and, with a core logic, one-on-one and three-on-one, can be applied to any writing。
30-day linguist scheme: from entry to completion
The mastery of structural patterns requires scientific practice to do more. The following is a 30-day linguist scheme designed for zero base purposes for 30 minutes per day, with efficient upgrading of writing:
Days 1-7: structural recognition period
Focusing on 3-4 structure patterns per day, first looking at geometrics and crosswords in the teaching map and understanding the structure logic; then recharging the fields five times and understanding the position of the pen; and finally moving out of the top 10 times and correcting deviations from the original map. Focus on the triangle, the ladder, the symmetry and so on, and so on, the cognitive basis。
Day 8-20: focus exercise period
Practiced by type of structure, one type of structure (e. G., left-right, top-down structure) is attacked daily, 20 times per word, with a focus on pen spacing and gravity. In practice, the book-writing process is taken by mobile phone, gaps are identified in comparison with the teaching map, and issues such as “gravity bias” is highlighted。
Day 21-30: application consolidation period
Out of the field fonts, practice the usual words and short sentences in the cross-line book and apply the structure patterns to actual writing. One page per day of commonly used words (e. G., “learning, work, life, progress”) is copied, followed by a short sentence of about 50 words, focusing on overall layout and consistency of words. At the same time, it takes five minutes per day to reset and to mark words that still need to be improved, with targeted intensive exercises。
Text avoidance guide: these 3 error zones must be avoided
1. Red only: red only knows the font and cannot develop an independent writing capability. The correct approach is to "red down 5 times + 10 times + 3 times silently" and gradually move away from assistive tools。
The pursuit of “quick writing”: the beginning of the exercise is slow and each one is directed to the structural position, and when muscles form a memory, it naturally increases the speed of writing. Blind fasting only entrenches the wrong habits。
3. Neglect of tool selection: hard writing suggests a neutral pen of 0. 5-0. 7 mm, paper selects a slightly friction-drive exercise (avoiding too smooth paper), field fonts, and migrams are better suited for initial foundationing。
Writing not only makes it a holistic, but also a more focused, patient and aesthetic. This set of 28 chinese-language patterns, like a key that opens the door to words, allows zero-basiners to make less of a turn。
