In the early spring of 2001, the zhejiang tai county flower market was crowded with people who bought birds, and who sold their collections. One of the groups of people who have come and come is the white man who has just come into contact with the collection, who is the master we are talking about today and who later became the local, and even national, well-known collector, shiba forest。
It's a coincidence that shi kobayashi began to “stalk” the collection. One day in 01, zhi xiaolin, a cable company operator, sat in front of a television set and switched radio stations, suddenly attracted by a live collection. And this is the next life, where he was immediately activated by these thick historical relics of his own flesh and blood. He watched every collection, and it was as if they had come to the world with their own passwords, showing their uniqueness. With the process of television, shi kobayashi dissects the present life of every collection and enjoys the ingenuity of every collection. The next day, he entered the ancient street of the taizhou flower market and began his collection road。
As a result of his subsequent work, he visited the ancient cities of jiangxi, anhui, jiangsu and shanghai, as well as the zhejiang city areas, and the collection exchange centres. The collection has become the whole of his life except for work. None of his colleagues who travelled with him, nor did they understand or share much interest in shi kobayashi, and it was understood that when they went on a business trip with shi xiaolin, they could have fun and no interference。
Zhejiang collector shi kobayashi
The charm of the collection is that countless unknowns are waiting for the collectors to explore, fall in love with shiba forest after the collection, and look at a lot of books. Upon entering the collection and fearing to buy counterfeit goods, zheng xiaolin regularly sought expert opinion. He travelled five times from taizhou to zhengzhou for expert appraisal and to luoyang for three months. After that, shi kobayashi left his job to work alone, and went to beijing home to work at the temple of the queen's land, where he worked with his friends in ancient games. This was a year's experience, as well as a year's uninvited invitation, in-depth study, and thousands of times' practice, and finally managed to get a set of “flaming eye gold”. Also at pan's home, shi kobayashi met a number of celebrities, such as zhang jiley, a contemporary ink painter, the famous actor wang bao, and mr. Lee maung, a porcelain expert。
After that, shi xiaolin opened its own doors, from its original nostrils, purple sandpots to its subsequent collections of copper, jade and china. From the perspective of shao lin, the variety of collections varies greatly, but the traces of years on every item, the hearts and minds of masters of art, and the imprints of the time of the collection itself are common and can be detected through careful and unique observation. And that's why, in 17 short years, he was able to reach out and become a collection of people with a little white。
Shi kobayashi used to say that his collection was not simply a hobby, but a career for his whole life. Collections can also be operated as a business, and only when they are managed as a business will they devote all their attention to the collection. Collection is also a profession, and it is also a job that deserves more serious effort. From the perspective of shi xiaolin, the collection is a function of the time when culture, knowledge and civilization are inherited. You can do it with your heart. You can do it with your heart。
People like to call him mr. Shi, but shi kobayashi always responds to you, and i am also a student, on the way to the collection, there will never be an end and there will never be a teacher. The rest of your life will be a good learner in the collection. Passing the collection to the next generation, the next generation, forever and ever。
Shi koolin-song china admiring:
South song dragon springs twin-knocked. The canteen is a platinum with a pair of pierced ears, with shallow grey tires on the sides, with several opening lines, a stylist, a stylist, an ancient-blown-blown-blown-blown pot, a zeng zeng, a southern song dragon spring, influenced by the repeated application of zeng technology by officials of the north song. The zhilong spring is thick as fat, zai yuen, and the zhuang qin is an ingenuity of the southern song dragon spring。
