The first thing to write is to develop the spirit of hard work, which is the ideological basis for good writing. Secondly, the right approach is the key to learning hard words. Learning hard words must not be rushed, but must start with a post, a structure, a drawing, and a similar and accurate writing. Therefore, a step-by-step and steady writing is necessary. Either word is written, the main focus is on the body taste font characteristics, structure patterns. It's the only way you can write the same font you've learned, remember jail。
I. Structure structure
“structural songs”: untying, not too tight, not too tight, not too bad, not too bad。
Structural principles: 1. Straight end, smooth centre
2. The plating is symmetrical and symmetrical
3. Proportional and natural
4. Responsive and consistent
5. The writings are evasive, and they are sidelined
6. High and clear back
7. Tightening of the middle palace and displaying of paintings
8. Distinction, homogenous。
The pattern of "compatibility ratio" between the upper and the lower, the lower and the upper:
(i) the left and right structure is a word that is horizontally composed of the right and the right two parts. Because of the length and breadth of the parts, there are two situations in which the words are clustered that are essentially equal and different. There are a variety of situations, ranging from right to right, right and left, right and right, right and left, right and right, right and left, right and right。
1. Equivalence of the right or the left
Is the width and height of the two sides of the right and the right, which are essentially equal, with one half width of each word. It is written in a balanced manner, with each other taking care of each other, and with regard to intertwining between the drawings. Such as: collar, ancestral, tilt, swirl, pigment, release, relief, etc。
2. Left narrow right wide
Is the narrow edge of the left side, which is about one third width; the wideness of the right is about two thirds width of the word. When writing, the left part is to be narrower, the right part is to be broader, and the left and the left two parts are to be noted. Such as: e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e. G., e., e., e. G., e. G., e., e. G., e. G., e., e. G., e., e., e., e. G., e., e., e., e., e., e., e., e., e., e., e., e., e., e., e., e. G., e., e., e., e., e., e., e., e. G., e., e., e. G., e., e., e., d。
3. Left wide and narrow
The left part is a little wider, the right part is a little narrower. When writing, the right has the words of a hook, the brush is slightly longer than the left, and the pen is slightly lower than the left. For example: go, go, go, go, play, do, go, go, go。
4. Short left long right
Is a short word for the left and right parts, which are broadly the same. E. G., i. E., i. E., i. E., i. E., i. E., i. E., i. E., i. E., social, red, i. E., i. E., i. E., i., i. E., i., i. E., i. E., i. E., i., i. E., i., i. E., i., i., i. E., i., i., i., i., i. E., i., i., i., i., i., i. E., i., i., i., i. E., i., i., i., i., i., i., i., i., i. E., i., i., i., i., i., i., i., i., i
Short left right long
The left side is shorter and smaller than the right. At the time of writing, the left side was smaller and slightly higher, leaving room for the right part to write for a little longer. Such as listening, evening, viewing, ramping, cracking, end, edible, etc。
6. Left tight right pine
Is the words that comprise the same dichotomy in the left and right parts. At the time of writing, the left had to shrink and the right had to stretch. For example: from, twin, feather, forest, bamboo, friend, weak, etc。
(ii) form and requirements of monotext structure
The monograph consists directly of basic drawings such as people, large, mountain, top, bottom, button, day, month, etc. He had only one structural unit, so he was also called “single words”. The monographs are usually relatively small, difficult pens are difficult, and they are irregular in shape and can be saved by other sides, as if they had been corrupted. Each form, location and movement is therefore important. Its most basic structural rule is “natural formation”. In particular, the character of the font and the location of the centre are to be ascertained. Aim at the centre, balance symmetry, highlight the lead pen; master the centre of gravity, slant to the right, trimmed. The key to writing the monograph is not proportional, but balanced and appropriate。
Alien features of the monostem:
1. Words with cross-cuts: multiple words, depending on the length. The vertical painting should be directed to the centre of the painting, and only one of the main pens should be lengthed so that it is stable and balanced。
2. The pen shall be written in vertical form: the middle line shall be secured in writing, the middle pen shall be long and the middle pen shall be neutral. It must be smooth, symmetrical and square。
3. Words that are written in the form of a brush: when writing such words, the interface or cross-section shall be placed on the central line, and the symmetry shall be stretched to allow the font to be stretched and the centre to be smooth。
4. Words with hooks as their lead pens: this type of gravitation is not easy to read, but it is easier to keep the gratuity smooth if it is found in every word and the trajectories are smoothed according to balanced rules。
5. Structure of rectangular characters: the font of such words is rectangular. When writing, it is usually long and short and cannot be artificially broad. The writing must be balanced and spaced。
6. Structure of short-shaped words: the font of such words is flat. It is written with a long, shorter picture and cannot be written intentionally. Otherwise, it's not beautiful。
7 words with small fonts: this type of word is often a frame structure, the font itself is small, and when writing, it cannot be written by humans, but it can be written a little rough and it does not seem too small。
8. In italics: this type of word, although it is slashed, must be slashed in a positive and evenly balanced manner. When written, it is slashed or left to the centre of the picture. It is moderate in length and moderate in length。
9 “imagine” font structure: in the single word, some pens are separated, such as: kawakawa, son, son, heart, etc. It must be prepared in such a way that its pen should be taken care of, continuously and arbitrarily. The so-called "right book" is both an expression of the need to write an example and to be as wired as a linebook。
Ii. The pattern of basic writing in chinese
(i) the basic writing:
Each of these points is written in three stages (i. E., pens, pens, pens). The entry and receipt of the pen are secretive; the pen has a middle and a side。
1. Basic text
Among the basic texts of calligraphy, it is common to have a middle, side, side, side, side, side, side, side, side, side, side, side, side. The hard pen is characterized by a special pedestal, which is largely invisible and can only be used in hard pen writings by drawing, pressing, convulsing, picking, twisting, bending, and using several pedagogues, with the effect of underwriting, meaning that it is easy to do so without the need for thought. Reference: pen raised in operation. Press: press pen in operation. St: press the pen hard after stopping. Frustration: repeatedly press the pen to write the expected form. Pick: when you're writing hooks and liftings, you're writing quickly. Turn: when writing, fold, the pen is not mentioned and the pen is changed. Erasing: when writing a pen, a hook, the pen is drawn up and the pen is reoriented。
2. Writing of basic drawings
1 cross: draw, with a flat slope. It's not smooth, but it's flat. Long and short. Longer, the next one heavy, the next one lighter to the right, and a right one to the right at the time of receipt, and the entire picture is in a right-low, right-high, down-down form. Because of people's delusions and acclaims, sketches cannot be written horizontally, but should be written at a low right-left height, with a slight stroke of the pen, so that the right-hand side of the pen becomes heavier, so that they appear stable. So, what is often said is “tangular”, which is not a horizontal level, but rather requires that it be balanced, smooth, and that it be straight. The short-tanger is written in the form of a pen that stops at about half the length of the pen, from light to right. A little bit up on the right。
2 vertically: vertically, because vertically, often plays a key supporting role in one word, is not vertically or is not correct. It is divided between tremors, pins and short verticals。
A. Pronounced: tibetan pens, pens are lighter down vertically, pens are slightly heavier and not sharp. (dry, a, no)
B. The writing of a pin: the same display, only when the pen is received, it is heavy to light and sharp. (sen, x, cow)
C. Short vertical, coding and dilation, except for short drawings, which must be short and strong。
Three sides: slash, slash, slash。
A. Slash: tibetan pen, pen from heavy to light down to left, top of the pen. (man, big, negative)
B. Set-off: tibetan pen entry, pre-stamping, up to two thirds of the length, left-handing, pen-heading. (man, joe, moon)
C. Suspended: written in the same way as slanted, except for shorter drawings. When a truncheon appears, the writing is more uniform, such as the words “in one thousand, in the other, in the back” and when a truncheon appears at the top left of the word, it is more inclined, such as the words “at noon, in life, in loss, in zhu”。
4 捺: it is difficult to write with a rough breakdown. There is a slant and peace。
A. Tilts: the pen can be hidden, the pen can go down to the right from light to heavy, the pen can go down to the right, and then the pen can be pulled out from heavy to light and the pen can be collected. (spring, chong, tai)
B. Ping-tao: written in the same way as slant slants, with slightly smoothing down. ♪ that's it ♪
5: the dots are right, left, vertical and long. Min
A. Right point (east-live-cooking): quest pen, with a light-to-heavy pen down to the right, a small press and a receipt, which cannot be recapitulated and made at once. There is a pen process for writing the key, and it cannot be written on paper。
B. Left point: is essentially the same as right point in the direction to the left. The receipt point to the next entry。
C. Points: when points appear in front of the word, people are used to connect the point receipt and pen to the next drawing, so the point is relatively straight. (home-suk-dang)
D. Longer: it is the reverse, it is longer on the right, and the pen should be slower. (l-l-l-l-l-l-l)
Six: the next one is heavy, from heavy to light, and the next one goes from the bottom to the top right, and the pen is to be collected. Draws, with slightly different angles and lengths in different words. A distinction should be made in writing. (cold-flow-land-street)
Seven。
A. Tilts: the next pen is vertical, the hook goes up to the starting point, the top left is slightly stopped, the pen is sharp, the angle of the hook is about 45 degrees, and the part of the hook is shorter. (water-to-be)
B. Cross-cut: tibetans cross the pen and pick it down to the left after the pen at the end. (pi-procedure)
C. Curving of the arc: the next one is light, the pen is bending from the lighter to the lower right arc, and the pen is ticked to the left at the starting point. At the end of the pen and hook at the time of writing, you shall have a vertical line. (mumbling)
D. Tilts: the next pen is tilted, a little bit to the left, round at the bend, flat at the bend, and the hook is left up or up. ( also-hole-electric)
E. Tilts: zoot in pen, leaning from top left to bottom right and curved up to the arc, leaning up to left at the end, pushing out the hook. (current-bergo)
F, cross-touching: used in the same way as a ticking. (bong-mart-bow)
(ii) attention
"twenty minutes a day." it is important to learn how to write in hard writing. It is said that it is possible to do this through practice, and that no one can write without it. In practice, there can be focused exercises. At the beginning, emphasis can be placed on basic drawings, with the side of the head, followed by exercise of words, words, short sentences, etc. Writing can take the form of horizontal or vertical writing. You can choose your usual italics. Writing exercises are conducted in order to be effective, to be able to find patterns, features and techniques in practice. It is only through repeated practice that the know-how of writing can be learned, that it is possible to put words right, to write aesthetics, and that it is possible to gradually develop its own style of writing, so that writing in hard pens is more artistic。
During the exercise of writing, it is necessary to be conscious, to be aware of the form and call of drawings, to be aware of the spirit and the sensitivity of the circulatory body, to be aware of the dynamics and desires of the word and the word, to be aware of the distribution and affinities between the act and the act, and to be aware of the formation and harmony of the whole text. The so-called “portrait” is nothing more than a profound understanding of the external morphology; in order to be able to grasp the sense of style and spirituality of the message, it is necessary to “aware” — to think about and sense the emotional changes, the dynamics of the pen and the inner content of the work that preceded it. Thus, in the psalms, the monsignor said: “the book is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good way, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, it is a good thing, and a good thing, it is a good thing, and it is a good thing, if it is a good, a good, a good thing, and a good, it is a good, and a good, it is a good thing, and a good, and a good, it is a good. That is to say, the calligraphy is the essence, the writing is life and the dynamics of the mind. It's only second-class. If a man writes in fine and beautiful words, he inherits from the ancients。
