The last one tells you about the drawings of the eyes of the five officers, and the drawings of the mouths of the five officers today! As they say, "the mouth eats all over," x x, it should be "the mouth is the biggest face-to-face movement" and the most face-to-face change, so it's important not only for five officials but also for five officials to paint their mouths
The mouth is the most abundant expression in the face, and paints as much as possible with simple lines depicting complex, real lips. The first thing to do is to get a good mouth. As can be seen in the figure below, the skeletal parts can be divided into upper, lower and teeth. On the surface, the mouth can be divided into the middle, upper lip knots, upper lip, teeth, lower lip knots, lower lip knots, lower lip grooves, which are the main expressions in drawings。
The muscle structure of the mouth is also important, and when drawing the mouth, the pen moves in the shape of the muscle. It is easier to draw when the students know where the mouth muscles are, the specific direction of the muscles. It's a very important part of the mouth that connects with the face, and it's a very important detail in the mouth performance, and it's a very dark relationship that's formed from the corner of the mouth that intersects with the edge of the lip。
Because of the different angles of the painting, the introspection of the mouth is to be seen in the human body, in proportion to the relative size of the mouth and upper lip knots, according to the near and far-reaching pattern of vision, which cannot be painted too wide, it must be shown in contrast to the overall width of the lips, and it must not be painted blindly to emphasize the red colour of the lips, which are usually slightly heavier than the lower lips. And again, when you express the edge of your lips, you don't have to scratch the contours of your lips, which means you can't paint the edge like a pictography, but you have to show more of the size。
The mouth is a semi-cylinder feeling horizontally, so try to draw the sense of the middle lips and the two sides of the mouth. At the same time, in terms of presentation techniques, the middle of the mouth can be lined in the direction of the shape with some relatively clear lines, and then the line in the corner of the mouth will be dashed, so that the real thing goes forward, the false thing goes backwards, and the spatial sense of the mouth will naturally increase。
There's a lot more to be done about the mouth, for example: different ways of men's and women's mouths, and the way in which young and old people's mouths and muscles move
