The work is reproduced from the mass: the guitar further steps
1. A large number of steps, all of which are used by the eight fingers of the foot, which are capable of practicing the balance of the dry fingers。
The sound scale exercises are capable of mastering the tablets, which are made up of 24 large fine tunes, which are almost the same as the most popular european music that we have。
In essence, music consists of all or not all the steps, and more so of melody。
It would be difficult to do so if the tone appeared pure and the original harsh request was balanced, fast, grainy。
5. Distinguished rhythms, accents, and strength in the syllables, using right-hand combinations that could be considered together
(i ask students to use the combinations of im, ia, ma, pi, pm, pa, ich, mch, ach, ami, ima, mia, mai, pima, pami, etc., which may be thought out, some of which may lack applicability, as in the case of squarech, which points to the combinations present, but which are extremely intent on the right.)
The lines of the sound scale are observed. The sound scale exercises are very much intended for foot-to-foot and dry exercise。
My feelings, after practicing the ch finger, a mean that the difficulty of being self-righteous is similar to the problem. It turns out that the exercise finger is only a drill to dry the enemy finger of the brain, to receive and react to messages, through neurotransmission, to give judgment, to give instructions and to retransmit the nerve back。
The exercise on the limits is complete, and i don't think it should be done because of the small number of fingers。
1. Incoherent, as a sound。
2. Particle perception is poor and ambiguous。
3. Sound, uneven strength and lack of integration。
The right fingers do not have an independent stringing initiative, and sometimes one finger brings another。
5. The movement of left fingers was accompanied by excesses。
To exaggerate the rate and ignore the sound。
7. The left finger of the four-and-five-string is not allowed to go up and down。
8. Lack of music and demented dry paralysis。
1. Finger pens rise and fall, and the height of lifting is too high to fit a single centimetre。
2. For the sake of consistency, the next pointer does not lift the previous finger。
3. The left hand is always connected to the right radians and cannot be moved by changing strings。
4. The left finger is as straight as possible with the fingerboard, strung with the finger。
5. Strength is based on the real chord, not too big. Left-finger initiatives need to be coherent, gentle and natural。
6. In the absence of a high rate of risk, gradual progress should be based on a clear, consistent and balanced pace。
High-strength defensive acoustic limits, not “deficient”, and right finger strength。
8. It would be preferable to exaggerate the lowest and highest voices。
The right-hand fingers are certain to be independent and independent of every stringing initiative, not to be carried by a “slow” and to be united in the sound and strength of the defensive neighbour。
10. It would be preferable to add separate rhythms and robust exercises。
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It's a high-quality live guitar
Five steps to make your chord cool
100 rules of fundamentalism
It's chinese guitar
