My opera ii system has been home for some time, with a fu81 fragrance machine, and when it started, it felt a little darker and less relaxed, especially low frequency. There's nothing else to do in the meantime. Search the information online. Please teach the gods. In total, it took more than a month to get out of my box and out of my slurry, ha ha! But let's not forget, after the blast, the whole sound was rounded up, the hf's hair sting was gone, the low frequency was relaxed, and it was accepted. Here's to sharing my casework。
First of all, why did you pick up the box
The acoustics and car grindings are similar, the newly purchased acoustic units are condensed more closely, and in the case of a relatively close animation, the sound of the new acoustics is clearly felt (dry, cold, hard), the high frequency has a hair puncture, the low frequency is loose and condensed, with visible back noise. However, after a period of time of remembracing, due to pressure from sound and air, the ability of the remembracing ring to contract will become more resilient, and the effect will naturally improve as the remembracing loop becomes more resilient。
The first step of the machine: stretching
Specific approaches:
Player volume within 20-30 hours - 30 hours in sequence
The machine music recommended: the ferry, the west floor, the crying sand, the red army, etc。
As soon as the new box opens, the most important thing is to get all the parts active and warm up before the game with the athletes, so i call the first step of the machine "convulsions." it's a little bit of soft music, with the best voice, not too loud, and it's a small amount of vibration, and after more than 30 hours, i feel a little bit softer and more comfortable than before, but the change is not too obvious。
Machine two: communication
Specific approaches:
Player volume is within 35-45 hours - 80 hours in sequence
I'm going to make a music presentation
After the soundbox has been “weaked”, the spare parts are running, and the next step is to keep the whole link smooth from the moment the signal is entered to the vibration of the horn unit, which i call communication. The key to this step is that the music of the machine cannot be so gentle and soft, that the music i've chosen is a bit of acrimonious, like the tibetan plateau, but it's still medium, but it's not very soundable, and it's the most critical, so it has to take a long time, and i've spent almost 80 hours, and after that, it's already working, and it's a lot more full, and it's a bit more natural, and it's a lot better than before。
Step three of the machine: learning martial arts
Specific approaches:
Player volume is within 50-55 - 50 hours in sequence
"the city of the skies" "the ten-five improvise" "the rain's mark" "the drum poem"
After the first two steps have been completed, we have to move something real, to adapt the audiobox to the sound of the various instruments, so i call it a high school low frequency. So i call this step a “teaching”, and the music that i have chosen is more musical, popular, like pianos, drums, biblicals, guitars, and so on. After about 50 hours, the sound is more smooth, sitting on the emperor's throne, feeling better than before。
Number four: fight
Specific approaches:
Player volume is within 60-65 hours - 40 hours in sequence
"shostakovic's 24 preludes, " "the first piano concert of the b-minus"
When all kinds of instruments and other kinds of martial arts are practiced, it is time to test the results. It is time for a small set of classical music, where mules are taken out of the horse, so i call it a "combat" and a system that can play these small pieces of home music, which is a great piece of cake, and i've had about 40 hours, and opera ii has a very good profile, which is based on the character of the 10-inch contour unit, a good positioning and reconciliation, a very good whole band, no more drying, natural hf penetration, low frequency cleanness. And it's really good to hear opera two at this time, more natural than when it's new。
Machine five: out of the way
Specific approaches:
Player volume is within 70-80 - 20 hours in sequence
It's recommended: "the 9th symphony of dwoshak" "the 8th marle" and "shobon's 31st down b"
Redwood and so on
When the equipment goes through the battle, it's the last of the machines. It's the classics, the dynamic studio music, it's time to keep the volume under control and turn it up as loud as you can, but do not dry up the unit, because it's like when the car's grinding up, you can do as much work as you can. I've heard about 20 hours, it's sour, it's huge, it's very cohesive, it's very flexible, it's low frequency, it's very fast, it's the difference between front and back, and if the equipment isn't ready, the low frequency of opera ii will look weak, it's slightly slow, it's not dense enough, it's gone。
Well, that's what i've got, all of my own practice, but i need to remind you that not all of my equipment is made in this way, in this direction, but also in this way, depending on the characteristics of the equipment, with a more targeted describer, with a more focused sense of frequency density and low frequency, such as opera ii, which is the focus of attention, but with a soundbox that is not suitable for a large dynamic music, which is easily dryed up by the horn, which is a gradual process, which does not change the sound of a soundbox, but that it does improve the sense of hearing, and that it is hoped that the soundbox will be used。
