In a world of feverish friends, the comparison between the galleys and the stoners never stops: some prefer the warm urchins of the tubes, and others insist on the precision of the transistor. But objectively, the two are not the opposite of each other, much less the opposite, and the two are different in the hi-fi field, and the difference in technology is the result of a different voice。

The sound of the gallant machine as a whole is very warm, with its unique voice giving the medium accompaniment, a return to the natural sound, more subtle and sharper detail in the music, allowing each melody to bring its own temperature, a sense of human taste and atmosphere, as if it were in the presence of the player。

The stone machine, on the other hand, is based on the low-intensity advantage of the transistor, which is highly reminiscent of the true nature of the music, the level of the instrument, the finer detail of the sound, etc.; the wide range of the dynamic, with the great volume of classical plume and the strong explosive power of the rock sound; and the robustness and stability of the push, with all types of resistant soundbox, which can be easily driven from the bookcase to the downbox。
The current market for power, the almost dominant view of stone machines, and the reaction to the cynicism seem to be slowly fading out of popular choice, leaving open the question whether “the timidity will eventually be eliminated”。

The essence of the weak voice of the galleries market is whether it is limited to the characteristics of core components: electronic tubes usually have a limited lifespan, hence the relatively high cost of replacement, maintenance and daily use, and the need for more careful handling; if high security and hand-to-handness are the core demand, stone machines are undoubtedly a more economical and cost-effective choice, and that is why many burners have gone through the path of “coward introduction, stone-playing”。
But there's no need to worry about how it's going to end. You know, hi-fi itself varies from person to person, and the voice is never chosen by standard answer. The precision reduction of the stone machine is an extreme, with a unique sense of temperament, a sense of self-temperature, and, above all, irreplaceable, which is the charm of an electronic tube that can always be used by a group of burning friends。
It is not only because of its practical advantages of being easy-to-natured and well-suited, but also because of its technological trajectories, which have overcome the early cold and thin hearing stereotypes, constantly sharpening the fineness and adaptability of the sound, and allowing for a better integration between precision reduction and sound comfort。

As a brand in the field of deep-tilled hi-fi, there is a constant focus on stone machine development and grinding, a deep appreciation of the professional pursuit of gao polo and a better appreciation of the unique preferences of the national people for sound quality. In the light of the distant r & d concept, hb is never a cold-supplied array of parameters, but rather a technology-centred approach, with a high-resolution, dynamic, and pre-generative thrust of the work, while maintaining a high-intensity, high-intensity voice, warmer voice and more steady subtractive low frequency dives, allowing for a fine display of the acoustic acoustic acoustic acoustics, as well as a careful interpretation of the warmth details of human rumours, so that professional integrity can be integrated into everyday listening。

Of course, stone machines and machines are more like the existence of a co-optivity of leaders: courage machines interpret the temperature and atmosphere of sound with a unique electronic hype, satisfying the desire of a burner for love and personalization; and stone machines, with the advantage of high-pretitude, robustness and ease of repair, match the diverse needs of the public and become the main selection for hi-fi。
Even a number of senior burners create a mix of “pre-cautionary pebbles” that combines the two strengths, preserves both the warm fragrance of the nerve and the precision of the stone machine, and makes the sound more appropriate to the ideal sound。




