A plum step is drawn in a circle
The flower's shape is sewn out of ink, usually five petals; it can also draw four petals and three petals because it has a positive side cover. With bright red dot-opened flowers, side-lined pens, popping petals, focusing on dark changes in colour and the pre- and post-flower sense. It's a lot of ink ink, a little bit, a little bit。
Draw red plumes, with light tiding and red. Zenium
2. Water shall be taken from the petals and buds after the pen has been swung or swung with the pen. Zenium
3. The petals should not be rounded, one petal at a time and pen at a time. Zenium
4. There is a change in the size of the perceived shape between the petals and the petals, not every flower being round. Zenium
In order to be intuitive, there should be a “living eye”. Zenium
6. Scratch it from the inside with a thick ink and a little ink. Zenium
Red plums are painted in thick ink, and bellows can be used to draw husks. Zenium
8. Draw side-by-side faeces, with attention to the relationship between a bouquet and a bouquet. Zenium
Draws the first layer of stem and branch in darker ink, plus attention to the focus of the picture. Zenium
10. Draw out the shape of the flower with a dim ink to address the gap between the flowers. Zenium
11. Draws a second layer of dry and branch with a lighter ink, with a sidebar. And intensible is the lord of the front flower, and above the branch is the lord of the buds, half the flowers. Zenium
12. The flowers, the flowers, the buds, and the branches. Zenium
A red-mei drawing step
1. The ink is lightened with a quartz pen and the ink is slightly altered by a millisecond, starting with a pen below, with a side-lined pen in the main. Zenium
2. The pen should be less watered and ink-deep, drawn by paragraph, to draw the taste and form of the old dry. Zenium
A thick branch extending out of the painting can be painted in ink-throwing or double-ticked. The thick branches must be strong and unambiguous. Zenium
4. Draws the main branch with a slight ink ink and turns the pen around. Add a few more branches to the branches. Note that the long stem is being pumped with the smell of "resisting" and "sweet". Zenium
The heavy petals are thicker and thicker; they are well above the surface, when the remaining part of the pen is removed with a light twilight twilight or twirl, and when water is taken out of the petals and buds. Zenium
6. A small branch of the flowers is worn in thick ink to bring them to light. It's both a wake-up call through the addition of branches and an increase in the image. Zenium
7. Note that there is a change in the size of the petals in perceivable shape, rather than each flower being a few dots, with neither a shallow nor a small ranking. In order to be intuitive, there should be “live eyes”. Zenium
8. Continue writing about the petals on the back of open flowers and a few missized flowers. Red may should draw more flowers and less open flowers. Zenium
9. Ink with plum pens, with flowers, flowers, bouquets, starting with flowers. Zenium
10. The picture is improved by drawing the branches and flowers, with the moss as the final enrichment, and by distinguishing between the mosses in size and thickness. Zenium
