The analysis compares yang soo, qin pastor and liu bai yu's essay art style
Yang soo has put forward the idea of poetic essays and has focused on the idea of creating them, many of which have used the stylist technique of stone, to put their words into perspective, to use their passions. Yang soo's essays are very artistic in their structure and seek novel, strange in their conceptions. His essays, because they are very linguistic, fresh in their language, handsome, simple, concise, concise in their pursuit of words and their expression. His essay combines dissipation and dissipation, and qinji's essays seek a smooth flow of language and lively training. Liu's essays are characterized by the art of contortion, so that they can write strong poems. His essays are rich and varied in their structure, their landscapes are rampant.
What are the features of yang soo's essay
Yang soo's essay has a distinct artistic character。
He has inherited the good traditions of our essays, while at the same time emboldening into the passion of the times, with a strong poetic tendency, a fresh, poetic vision and a focus on topical topics that show the significance of the times。
Yang soo wrote the essay as a poem, and felt life in the poet's heart, as he himself said: “do not understand poetry in a narrow sense。
The spring rain of almonds, with poetry, the heroism of iron makino, is more inspiring poetry。
It is not poetry and it is not poetry that in your struggle, in your labor, in your life, there are things that touch your heart, so that you exalt, so that you rejoice, so that you grieve, so that you reflect. The passion for life, the demands of the times and the intuitive artistic insight made him purposely express the bright and bright side of ordinary life。
An ordinary florist, a few regular conversations, clouds on the sky, waves on the sea can give rise to poetic feelings and profound, time-sensitive themes。
In april 1960, for example, when the author lived from the hot springs, a glass of cool twig made him feel sweet, thus giving him a good taste for bees, and visited the beekeeping building。
The hard work of the bees touched his heart and captured the laudable image of the bees, from which they were extracted, refined, produced and joined together to associate their hard work with the hard work of the working people, in an effort to celebrate the noble qualities of the common workers of the socialist era and the beautiful world of the mind。
Examples include tea flowers, snow waves, cherry rains, etc。
The convergence of “means” and “continental” in its essays is to a large extent the application of a more dynamic approach to philosophies。
Yang soo is good at finding points of convergence between the object and the object of the song, promoting the subject matter of thought and thus achieving the purpose of love and sense of purpose。
For example, the city of the sea is a new socialist fishing village where the beauty of the sea is compared to the beauty of the sea city; the precious spirit of honey made by the gills is more noble than that of the common socialist worker who creates a new life; the fish flute opens up a series of althea, which is better than the day in which the people live; and the tea florist, which contains the appearance of a child, which is better than the face of the motherland。
