China's modern essay's autobiography
In terms of the essays, perhaps the first to appear in the mind were: “no need to say green vegetables, smooth rock well bars, tall soap trees, purple saloons”; “swallows go, and when they come back, the willows die, when they are green, the peach blossoms thank, and when they open again”; and “lips come out of water, a dress like a kiosk dancer”. The image and beauty of this kind are truly reminiscent
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I. Definitions of the text
In its view, china has, for the past six decades, collectively referred to bulk articles that do not rhyme and do not reset. The most striking feature of the essay is its fragmentation. “fragmentation” refers to both a broad range of topics and a variety of writings, as well as structural freedom. It's essentially emotional, emotional, emotional, and so forth。
He is also understood in modern literature in a broad and narrow sense, which refers to all literature-related articles outside poetry, novels and theatre. In addition to essays based on discourse, they include correspondence, report literature, essays, memoirs, biography, etc. A narrow scribble refers to an artistic scribble, which is a literary style based mainly on narratives or affections, with a wide range of materials, a flexible pen, small size, and a strong love。
That's the kind of essay we're most exposed to, such as the mountain of twilight, lu xuan, from the garden to the house of the three savories, zhu zhu qing, the moon colour of the hedge。
During the five or four periods, the core concept of “self-expression” replaced the traditional “text by channel” and the proficient body began to be autobiographical, narcissistic, personal, such as “modern proficient with more self-narrative colours”, summarized by tudolph。
During the first decade of modern literary history, the term “self-expression” was replaced by the term “text with a channel”, but the mechanism of “text with a channel” was still found in the essay, so that the term “carrier” was not separated from the term “expression”。
Ii. Transmitting your problem and transition
For example, in the five or four periods, when china was in a state of instability, there was aggression from the outside, there was no real rise for the remaining feudal forces, awakening china, awakening youths struggled in the soil of despair and hope, watching their country suffer, as intellectuals living abroad, and yudav was full of uncertainty about the “new society”, but in the face of deep-rooted feudal remnants of the real world, they could only leave their anger and disappointment, eager to save themselves with their own strength, and literature became a weapon, and the bitter “age disease” became a product of the writing of many humans, and they mobilized the power of knowledge to show through the text all the confusion, to be a breeding ground for new cultural ideas
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In 1928, influenced by the british representational writer stein's multi-friendly traveler, tudolph wrote an essay called "the pathetic travelers," which, through the "small me", was to experience the despair of loneliness and survival in harmony with tuddolph's thoughts. The sad travels, both in content and tone, are a resonance with the author's rushing emotions, with the umbrella on his back to get out of the air, with the many preparations and obstacles ahead of the trip, with the red leaves, the dark moons of the moon, a man standing upstairs to listen to the world's noises and even to be dazzled by the tides, and people who travel to the gangnam, who have a lovely view but sad story, that is, not to lose the true feelings and personal attitudes of tudolph himself, but to be more subtle and more tolerant in his expression。
In his inner world, he enjoyed the bitterness of his own creation, even a sense of inferiority, which was linked to his family's failure and his long experience of learning in japan, and the cynicism that had been inflicted upon him by his own absence abroad by the “demeanor nation, depraved nation”. The cynicism of the childhood stage, which was finally established in a state of infancy and uncertainty, is deeply reflected in the life and creation of tudolph。
This tradition is also enshrined in all of luxur's essays. There are people, objects, visions, images, who are not in the dark, who are not in death, who are not in pain, who are not in decay, and the last taste is a paradox after the text — a desire and a echo. A man, however great he may be, must have been younger and older than me. One person, always stereo and multi-faceted. In the past, it was always said that lu xuan was a “national spirit” and that for the revolution “eats grass, milk, blood”. And lu xian himself said, "hero eats, angers, sleeps."
Iii. Context realizing the reality of life and experience
The true character of the essay is that the emotional direction of the author and the author of the creation is always consistent. In the essay, everything can be said to be a direct and sincere dialogue between a writer and a life, with a direct mind and heart, rather than a medium in between, which seeks an open truth and reality, rather than a mist of flowering, whose expression of emotions is continuous and the feelings of readers resonate and resonate. The pronunciation of life is indeed the most vivid and essential feature of the pronunciation, not only demonstrating the literary orientation of the author, but also highlighting the etiquette ethics of the pronunciation。
Iii. Innovative and preservation of traditional poetry beautiful
During the five or four periods, the essays began to be written in place of the texts, creating new epochs, and in the context of a fierce anti-traditional ideology, the five and four of them were born and developed in a completely free cultural context, with two trends in essay creation, one towards british-style humor and the other towards traditional texts, so that, as a result of the innovations of the biblical language, succession to tradition remained. The essay depicts words that are naturally flowing and that are good at using images, while at the same time preferring to use classical words to create the beauty of the essay's poetry. The use of words, length sentences and colour audio-visual is a legacy of traditional essay art structures。
A passage in yudav's wandering planet described the steepness of the mountain, “one turn, one stone rises” plus the subsequent words “a slow groaning up the mountain and then finally burst into asthma”, which was vividly written. “the higher the mountain climbs, the thicker the tree comes, the more the rock rises, and the colder the climate becomes, the colder the phrase “the more” and “the more”, the more the mountain rises, the greater the steeper the mountain, but the more the form does not repeat the sense of redundancies, the unobstructed, the unbridled and the vibrant. And in the ancient scribble, "from five or six miles above the mountains, there are caves, and they enter them cold, and ask them the depths, the good ones shall not be poor, but shall be called the cave after them." the deeper the fire, the harder it gets, and the more strange it gets, the better. In the essay "when the horse blossoms rises," the author's viewing is written in a few words, "sleeping in the temple" , "the rockwoods are not as deep as it is, the dragons return to the house without its show, and the bamboo and xiao zhu, the qing creeks are around..." the writing scene is thick and graphic, highlighting a lingua franca。
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Iv. Great aesthetic criticism
Self-expression is an aesthetic revolution. The idea of “self-expression” replaced the concept of “text by channel” was a landmark in the history of literature and an indelible achievement of new literature, which, as an expression of its mission against feudal dictatorship and ideology. It is not surprising that the characterization of self-optimalism, which is not widespread in ancient chinese literature but seems to be pervasive, has developed a visible stream of new and old literature after the confrontation of the 5-4 attacks. As has been said: “we read a slang essay, and we can see what the author is like, the motion picture of his personality is in here, the voice of his personality is in here, the sound of his personality is in there, the sound of his voice is sharp, the sound of his voice is strong.” for china's modern essay, whether the author expresses “self” in the text, “real” self, and the author's thoughts and reflections, as well as the beauty of his literature and content, is an important aesthetic criterion for its judgement。
