The five or four new cultural movements have inspired modern chinese children's literature and established the idea of “showing the child's identity and shaping the child's classics”. Through the spring and rain of children's literature, they have shaped generations of new generations able to aspire, dream, learn, work and love their homeland. The new five-four movement of cultures has done much to find out that children have done much to shape them. Children's literature, developed by the new five-four cultural movement, has become the beginning of a dream of epochal value。
The establishment of a children's perspective and the use of a scientific child's perspective to shape children have been a wake-up call for the movement of five or four new cultures. Modern chinese children's literature was created in conjunction with the emergence of new literature during the “four fours”. In china's feudal society, where children were often the object of cultural neglect, children's readings were largely religious and did not have a real concept of children's literature. By the time of the five or four new cultural movements, with the emergence of ideas such as individual liberation, personal independence, freedom, equality and fraternity, children, as unique forms of human life, began to gain social attention. As a result, children's issues became one of the focal points of the “five fours” period, where they began to be promoted and written by writers, and where a large number of children's literature was appearing in society。
Early childhood literature is based on the translation of western children's books and the search for and recasting from traditional chinese scriptures and folklore that are suitable for children. However, in 1886, long before the “four four”, the children's journal, the “sensei” and the “case books” were launched in shanghai, and in 1909, sun xiu-soo produced the children's journal and the story book series, which were soon popular with small readers. After the “five fours” campaign, in 1921 zheng jin-do hosted the children's world, which divided it into 10 broad categories, such as illustrations, poetic fairy tales, stories, songs, fairy tales, dramas, languages, novels, etc., with a focus on children, rich and far-reaching. In 1922, li jinxiang, editor-in-chief of the magazine " kids " , focused on the family, the school, and was very friendly. The emergence of these children's publications, on the one hand, has given rise to a “child-specific view” of children's literary creation and, on the other hand, has placed the subject of children's literature in society as a whole, thereby gradually gaining prominence and providing a ground for the creation of modern chinese children's literature。
The creation of a child's identity and the constant creation of a patriotic and progressive image of the child have become a dreammaker for the five-four new cultural movements to look down the mountain. The greatest value of the new five-four cultural movement for the development of children's literature is the creation of a modern concept of children's literature, which is child-centred. Children's identity, in short, is child-centred, and others or everything must serve the child's interests. Children's literature needs to be used for children and written in child-friendly language and in child-friendly literature。
The characteristics of this literature can be summed up in four points: beauty, novelty, simplicity and uniformity. It is clear that these four characteristics are compatible with the physical and psychological characteristics of the child, that children's literature cannot be measured by adult standards and that the child's characteristics and reading needs must be taken fully into account, while at the same time reflecting the image of chinese children with an age-specific character. Many well-known literature after the "four fours" have been involved in the creation of children's literature, and a large number of landmark children's literature have emerged, whose influence continues to this day and has become a classic feature of the contemporary process of childhood literature in china。
Children's novels of the “five fours” have turned their eyes to real life as soon as they appeared, such as the short novel white flag (the author's student), published in the april 1919 weekly review, depicting the appearance of a 12-year-old child (two children) in front of tiananan gate, creating the image of a patriotic child who was baptized by the five fours. In addition, there is a short novel, " two primary school students " , which depicts the story of chinese students, the centre of the state, shinsheng and the teachers and students who went to the presidential palace to petition, but did not give in, despite the repression, and the two teenagers quickly matured in the fight against blood and fire. These two novels fully reflect the creative nature of the child's identity, viewing the p-4 movement from a child's perspective, and viewing social change, which has been marked by realistic narratives of life, which have been instrumental in opening up the realist tendencies of future children's literary creation in china。
It is important to highlight during this period that lu xuan, as the champion of china's modern literature and champion and champion of modern children's literature in china, hates the pressure and harm of old-age traditions on children and young people and calls for “saving their children out” in his work, while at the same time seeing the hopes of children and young people, the future of chinese society, in his work, which advocates “let them go to wide and bright places” and highlights his great feelings and the importance and expectations attached to children。
The magazine children's literature, founded in 1963, is the new china's “citizens of children's literature” and the fifth edition of this year's edition devoted to the theme “four years of the fourth movement”, “four years of the fourth movement”, by which the two children's essays, “my brothers” and “feek kites”, were selected, in which we were able to see the images and stories of children preached in detail and reflect the profound reflections of the age of the child's free nature. At the same time, the above-mentioned novel, the two primary students, was included in the column in the hope that it would be possible for the current reader to pass the word, over a hundred years, to taste the age。
In addition, well-known writers such as guo moo-jo, hu chi, zheng dho, ice heart, ye san-tao and others have all attached great importance to children's literature. As pioneers of contemporary chinese children's literature, they have developed from nothing else. They have created a large number of novels, fairy tales, essays and poems that are new and far-reaching, and have driven china's contemporary children's literature forward in the creation of children, in the face of their lives, in the face of social change, and through the transmission of literature through genuine emotions。
The promotion of the spirit of the fourth movement and its mission in shaping children's lives must preserve the children's literature of the new era of innovation and prosperity, and bring about the great revival of the chinese dream of the chinese nation through the training of socialist builders and successors. One culture, one spirit, is most valuable not only for the advancement of the present, but also for continuity, which can have far-reaching and positive implications and implications for the future. China's contemporary view of children's literary creation and development, rooted in the five-and-four new cultural movements, such as the buds that have emerged in the spring, draws upon the beauty of the rain and the wind to flourish, and gradually grows and thrives in the following centuries, such as the great tree of heaven, which has protected a generation of children and young people from china。
To that end, we can be pleased to note that, once the original children's literature has been produced, china has flourished, especially since the establishment of the new china, which has been rich and diverse in its variety of subjects, and which, at different levels and from different angles, describes literary works with distinct age characteristics and characteristics of children, providing good spiritual food to small readers of china. For example, in the 1950s, " the great marion " , " the secrets of the wild grapes " , " the iron muir of china " , " the little soldier zhanga " , " the flaming fireflies looking for friends " , " tell the young people " , and in the 1970s, " flying to man's horses " , " the bear draws the tooth " , and in the 1980s, " the three mail readers " , " the snowman " . The great number of famous children's literary writers, such as the wolf king, the house of grass, the old man's playbook, etc., published in the 1990s, zhang sky wing, ice heart, sun young army, chen burbai, kimbo, yang shun, kojian, changxiang, zhang luang, shen shik creek, cao wenzheng, xue tao and others, have created a great number of children's literary works, which have contributed to the flourishing of original children's literature in china and have strengthened the spirit of patriotism, progress, democracy and science。
In the new century, chinese society has entered a new era. With the advent of universal reading, the country has reached a new level of emphasis on artistic creation. On 15 october 2014, the secretary-general of xi jinping hosted a cultural and artistic workshop, in which he stated that “literacy can flourish only if it takes root in real life and follows the trend of the times; only if it responds to the will of the people and reflects their concerns can it flourish”. This is also a requirement for children's literature in the new age, and is in line with the creative idea of “emphasizing children's identity and shaping children's classics”。
Fantasy and reality are two main categories of children's literature. Fantasy literature is more in keeping with the children's taste of reading, their imagination and their diverse ways of expression, and the work of reality is more resonant with the young children's learning life. In the new era of chinese original children's literature, which has become more varied, fruitful and brilliant, among the books of the book children's literature, which aims at “making china's original children's literature and publishing highlands”, is a series of "my love" with fantasies and passions, a series of "my love" with a focus on reality, a family-like approach, a series of "wood cotton" with a strong culture of literature and a real culture of love, and a series of "young youth flying" and so on. A wealth of original creations to give children and adolescents a better reading experience in the new era. “poetry continues to flow around the world, and every day, new works are being created, bringing fresh blood to chinese children's literature, and the realization of the chinese dream has created a ladder of dreams and dreams。
On 30 april 2019, in his speech celebrating the 100th anniversary of the fourth movement, the secretary-general of xi stressed that “youth are the most active and dynamic force of society as a whole, and that the nation hopes for youth and the future of its nation lies in youth”. Children and adolescents are the future youth, children are the best, adolescents are the best, and young people are the best. We must take seriously the strategic ideas of secretary-general xi jinping, “from the moment the dolls are caught” and “the buttons of life must be fastened from the start”, and we must create and publish children's literature that is chinese in the new age, write children's literature stories in the new age, and shape the new people who are the masters of the chinese dream! (the pictures come from the web)
