Hundreds of years of pronunciation, or writing, or writing, or writing, or writing, without any false record of the evolution of the twilight of the era and the evolution of the aesthetic feelings of humanity. In the modern sense of the word “pronunciation”, which is critical of the tradition of ancient chinese essays, it has gradually developed into a body known as novels, poetry and theatre, drawing on the “in writing” features of western literature。
Pronunciation, which is both straightforward and comprehensible, is considered to be a free and diverse form of writing; it is close to the day-to-day and most sensitive to the emotions of people, and can directly purge their hearts. This is why the classic essay is known as american, has a wide audience and is still popular over the years. In order to present a full picture of the creative achievements of china's contemporary essays for more than a hundred years since the twentieth century, the first edition of the “hong kong monograph collection” (40 collections), published by the people's literature press, has recently been published。
Photo of the author of the chinese collection of contemporary family members (first edition). (show by host)
As stated in the publication “china's present-day collection of family members”, modern chinese literature began a literary revolution more than 100 years ago. Since then, closely related to social realities, new literature that can be accepted, appreciated, inspired by thought and enjoyed by art by the general public, such as the spring of the rain, emerges from another, one after the other, a classic work that has affected the time and the time. In the process of contemporary literary development in china since the “four fours” new literature, the essay is undoubtedly a shining star。
On the evening of 10 june, a new book launch entitled “why is the episcopal so charming in china's present-day collection” (first edition) was held at the people's literary press in an online combination. At the event, the guests jointly reviewed the history and current status of contemporary chinese essays and explored the future and path of new age essays。
“china's contemporary collection of family names”. (first record)
The essay is the literature with the greatest audience. Category
According to the director of the book board and vice-president of the chinese association for the development of books, nearly 80 collections are planned for publication. The first edition, a total of 40 copies, has been published. It is based on a quick-dissemination, and includes a collection of essays from many prominent writers in the modern and contemporary history of chinese literature。
The launch of the new book was held on the site of the chinese collection of contemporary family members. Zhongming, vice-president of china, china publications group ltd., member of the party group, li iwa, general manager of china publications media corporation ltd., secretary-general of china as co-secretary, editor-in-chief of people's literature, war army, writer zhou dae xin, liu liang, professor of chinese people's university, sun yu, special professor of shen yang teacher training university, he shou jun, director-general of china's co-operative research and development department, ho ping, professor of arts and science of nanjing teacher training university, and zhang li, senior vice-president of the memorial museum of pakin, and professor zhang li, professor of arts at beijing teacher's university. (show by host)
Sing jing ming said that china is a major literary power with a very deep tradition of writing, and that the essays are the longest literary category in chinese literature. Since the beginning of the five or four novels, essay writing has played a very important role, “mr. Ruther once said in his essay “the crisis of small texts”, “since the five or four”, “the success of the proof is almost based on novels and poetry”. I think it's a very objective assessment." the authors selected for this series are novelists, poets, dramatists and literary theorists, but they all write very good essays。
“china is a great probate country, and the source of the probate has been long for thousands of years, and it has continued to this day.” the general manager of china publishing media inc., li iwa, mentioned that, since the twentieth century, modern essays have made remarkable achievements, with the birth of essays such as luxhen, guo moo-jo, mao lik, bagin, shen yuen, ice heart, and toyako, which have left behind a large number of people's cards, feeding on the hearts of successive generations of chinese. Since the creation of the new china, the creation of contemporary essays, which are more focused on life, reflect reality, and record the great social changes and times, is widely appreciated by the reader, with the emergence of a large number of provocateurs, such as sun ploughs, wang zeng, xiao zing, stein, jiapang, and steel conden。
Why is the essay so charming? Faced with this problem, the army, editor-in-chief of the people's literature, stated that the essay, which is a literary class with the largest audience, is the preferred of the widest reader. The essay is the truest and most authentic text, and it is the human one that best demonstrates my personality and the most binding. Such a body, which is readable to everyone, can be understood by everyone and can produce a fascinating feeling about it。
It's a modern essay that regenerates the chinese from a desperate point of view
In the “thirty years of modern literature: legacy and innovation”, author zhou zhou xianxi said, “i feel that the essay is a `brother' and a `brother' compared to a novel. Because the essay was born earlier than the novel, it contains the most written text. In the broad sense of the text, except for poetry and novels, it belongs to it. So in my heart, the essay has always been the most important." zhou has divided his own essays into two parts, a sensory essay, written, written, written and confided, and a part intellectual, introspective, speaking of some of his thoughts, some of his insights and some of his insights。
In the view of sun yu, a professor at the chinese people's university school of literature, modern pronunciations follow up the living art of ancient chinese articles, re-emerging the chinese language from the dead. “it can be said that the generation of luxun and zhou zhou, including those who have been given a bad name, succeeded the living part of the ancient chinese literature.” sun yu said that, in china's long history, the words and words of the white word have gone a long way, expressing only others' thoughts and not one's own. In history, there have been some very important and valuable texts and articles that have been obscured, so the “four fours” have knocked down kong's store and saved confucius, which is the rediscovering of life's writing。
Sun yuu said that after the efforts of the ruthen generation, white language was made more beautiful than ancient texts, "they created a new format and a new expression. In this style, the self-consciousness of the people emerged, and the spirit of nietzsche and kelkegar was felt in mr. Ruther's text, as well as the spirit of the author's personality. We've reached the middle and the outside, and we've reached the ancient days." at the same time, sun yu mentioned that in the 30 years of modern essays, a great number of writers have emerged, adding flexibility to the chinese language, “they know that white language can also be used for new calibrations in languages, dialects, translation ... We can see the plainness of the chorus, the buddhist nature of toyoko-kyu, and the strangulation of the chinese language, as well as the appearance in the white language of a different view, written in chinese
“at the level of public acceptance, the essay is embedded in our daily lives, as is the writing of writers.” in the view of the people around the town, the vice-governor of the memorial home of bagin believes that essay writers such as luxhu, bagin and shen yuen, including the generation of luxhu, ice heart and tuduff, have played a significant role in shaping chinese aesthetic feelings and spirituality through textbooks and educational mechanisms. What a modern chinese person should look like, in fact, has a great deal to do with their creation, “the essay may have irreplaceable functions from here”
“our present essay, you know, was created by the zhou brothers. They are not only the foundations, they are also the highest achievements in this field. And all of them came out of their way." literary commentators have pointed out that the source of the white text is not just ancient, but actually articles from around the world, including british, french and japanese. The luxuan and zhou brothers put together these things, together with their original probative tradition, to bring together a new body. Here, the capricorn believes that “it is not too important to talk about the importance or the height of these two people, because without them, there may not even be our modern essay or even modern literature”
Women writers bring essays closer to everyday life
During the “screeching and flowing of contemporary texts” session, he shao jun, a special professor at shenyang teacher training university, described as one of the salient impressions of contemporary essays to him the female one. He shao jun stated that the contribution of women's essays in contemporary essays was particularly significant and related to the broader social context of china's reform and opening up for more than four decades. Forty years of reform and opening up have been four decades of real chinese women's consciousness. It not only brings in wonderful and rich essays, but more importantly, women writers are more able to reach their souls。
According to ho sho jun, essays are more suitable for women, because women are able to express their advantages more fully, “like a woman's honest and sincere account of her feelings, emotions and feelings in everyday life”. Turning to the contribution of the female essay, he shojoon believes that the most striking point is that it brings the essay closer to life and that the beauty of everyday life is evident in the contemporary essay。
“speeching and flowing of contemporary texts” at the launch of the new book on the site of china's present-day collection. (show by host)
The writer liu liangcheng first wrote a ten-year poem, then wrote a long one, half a long one, and then started writing his essay. “when i started writing the essay, i felt like i was back in my language. Because of the language, the sense of speech, you are free to write in the language. All the trivial details of our daily lives, all the lost years, i will write it into a essay.” liu ying said that although he was writing long novels, it seemed to him that novels should be placed further away, “it is a long time to be with us when we come back from novels, especially from the world of novels, to return to the text, to the language system of the essay, to the day-to-day context of the essay, and then to settle ourselves down”
When it comes to reading its own essay, liu liang said, “sometimes reading translation literature and reading it long enough to go back to our tradition of doing so since the ‘54s’, and looking at the writings written by former writers in chinese at that time, there is a sense of going back to their language home. For me or for many more, it is a companion, a long-term, warm, spiritual companion.”
The essay has evolved into a national character
“we now speak of essays, which began in the 1990s, such as yu yu, zhang xing, yu jian, wang xiaobo, lianghong, zhou tao, liu liangcheng and li zheng, all of which appear to have been spoken only after the 1990s.” professor ho ping at nanjing teacher training college of literature said that, in fact, the column "cultural bitter travel" of the autumn rain came out of "the harvest" in 1988: "in the 1990s, the writings and writings were actually a hundred flowers, and i agree with the daily aesthetics of the essays, but we must not forget the important traditions of modern scripts -- - such a writing is directly related to the spirituality of the intellectual community as a whole.”
From ho-ping's perspective, a people's unwritten border may be that of a nation's soul and spirit. From this perspective, the essay certainly has a day-to-day aesthetic aspect, but in china's 100-year history of modern literature, it has assumed the meaning and value of the ideological text, which was particularly evident in the essay of the 1990s. In the new century, after the advent of the network, from forums, blogs to the present era of micro-intelligence and microblogging, it is clear that the essay has evolved into a national writing。
Returning to the question of why the essay is charming, one of the important reasons why professor zhang li, at the faculty of literature at beijing teacher training university, is that it is able to enter deep into our hearts and to stir up our emotional storm. The charm of the essay is that there is a resonance between it and its readers, which can run across time and space. “we are still reading tudolph, still reading xiu shimo and still reading zhou's brothers, but at the same time we are also reading mr. Liu's essays, reading mr. Feng's essays, who may not live in a single region, but who are still very fond of reading.” according to zhang li, diversity and inclusiveness are characteristics of the essay, as well as those of “the collection of chinese current and contemporary family members”, “a great number of readers can read it and see that the original text can be written in such a way that it is so free and so open”
Reporter ho ann
Editor
- yes, sir
