Li baek poetry
Characterization
First primary school in eagle town

Li bai's spirit of masturbation and romance, and the creative use of the romantic art technique by individual artistic geniuses, have brought the content and form of poetry to perfection. His style of poetry is multi-dimensional, but predominantly male and natural。
I. Enjoyment
Li bai's poetry tends to give people a great beauty, which may be linked to li bai's great words. Li baek wrote in a poem called "leaves, i've seen a lot of things, i've seen a lot of laughs." the father is afraid of death and the husband is not young.” this is actually an exaggeration, which means that it is often deliberately exaggerated, and that it is modified by a huge number of words, such as "three thousand feet in white hair" and "three thousand feet in flight," so that it is easy to create a sense of magnanimity. Such good words are also often expressed in the pursuit of a great, strange, great vision. Li bai's poems are often very open. He wrote the yellow river: "the waters of the yellow river are rising up and flowing back to the sea," which is a great deal of gas and a thousand miles away, and he wrote the five old peaks: "the five old peaks southeast of the mountain, the sky has cut out the golden feathers" and the border is so beautiful. And as in "the rumours of the mount sent to the ark of lou," "assuring the heavens and the earth, the great river is not returning." yellow clouds make a sound, white waves and nine snowy mountains.” a great combination of beautiful images gives people a sense of dignity. "the mountains follow hirano and the rivers flow into the desert." when the moon falls, the sky rises and the sea rises.” the image is also very big. He seems to be particularly interested in spectacular things of great size: pegs, big fish, long whales, as well as the great rivers, rivers, sea, mountains, etc., are all his favorite objects。
Ii. Magical beauty
Li baek's life, his thoughts and his creation can be taken to heart, and that is the word “unusual”. I think li baek is better off using the word "gentle." as in yuan jiu, foreign minister of the ministry of engineering and inspection of tang, “it is li bai of the time who is also known in chiwen, who is known as li dou.” white jiu yi, “the queen of poetry, known as lee doo.” you're the one who won't catch him." the charisma of the libeth poem lies mainly in its ability to use rich and strange imaginations, to create artistic images, and in the emotional and spiritual context of the poet. A poet often combines imagination with metaphors, exaggerations, symbols, drawings, so that reality and ideals, humans and illusions, nature and people can tactfully melt into words and create magical artistic horizons. The images of the li-bai poems have become unpredictable, often unprovoked and curious, as follows: “the king does not see the mirrors of the high hall of screeching, turning white as the twilight of the twilight.” “the wind blows my heart, and the trees of the xianyang are hanging west.” it's just like i wanted to get out of here. His strange imagination often has an extraordinary connection that changes with the flow of thoughts. Between one imagination and the next one, it's a great leap, and it's a great combination of visions, and it's a big leap, and it's a great deal of agility。
Li bai also writes about strange things. It not only writes myths and imagines wonders, it brings people into the mythical world of “you are 48,000 years old, you don't smoke with the qin semen” and the magical imagination of “the qin siu zhui qi, you know, groaning and groaning with your hands”; it also writes very strangely about the nature of the landscape. Writing on the high-risk mountain and the difficult road, he said, “there is a high sign of six dragons back to japan, and there is a down and back to the river. The yellow crane has yet to fly, and the apes are dying for help.” there were high mountains raised by strangulations, and they were thrust into the sky, blocking the running of the sun, and there were deep and unpredictable rivers beneath them, surfing the waves, turning round and turning around, and displaying shocking signs. The two sentences are a combination of exaggerating and myths, and they are written in the mountains and mountains, highlighting the difficult and difficult path. Then, with yellow cranes and apes at high risk, the mountains are too high to fly, and the light, agile apes are too troubled to climb. “but see the palebird, the male and female from the forest. And smell the night moon, and the mountains of sorrow. It's hard for the sky to hear it die." the writing of ancient wood, the flying of the plume, the writing of the plume, the echoing of the valley, brought the reader into an empty, pitiful and horrifying environment, which was creepy and heart-to-heart. It's a strange and surprising description of nature。
Iii. Flow and fall
Dubert said, "the whites are invincible, they're infuriated, they're clean, they're clean and they're in the army." the term "floating" refers both to the romantic flair of li bai and to an artistic style of poetry that is superb。
Li baek, a romantic, drifting poet who was proud and drifting away, “i was born to be useful and to come back.” he can be so full of joy that he imagines the life of the fairy who rides the sky to the moon, that his death is also known as the "jumping of the moon" and the "crawling of the whale" and the death of the dead. He is a man of his own personality, a man of his dignity, and a man of his own. His personality is also fully reflected in the portrayal of the moon. There are more than 900 poems in existence in li bai, which are rich in content and many in meaning. According to previous figures, in the li baek poetry, there were 76 incidents of moon images and 400 of the poems referring to the month. In his poem, the moon became his friend, knowing: "a pot of wine in the flowers, without a relationship at his discretion. A toast to the moon and three men." he became his travel companion: "tomorrow the moon will take me and send me to the stream." it became his messenger: “i grieved and the moon shall follow me until nightfall.” under his pen, the moonlight can be multiplied: "the moon can be light, the flowers can be on a wine boat." you can stay: "a long month, hanging in east creek." on credit: "and buy the boat by the white cloud in the white and white light of the cave." it can be "buy": "want to buy tomorrow at no cost." it can be borrowed: "today and tomorrow, the sky will come to the sky." the moon is so pure and so bright and so desirable in li bai's pen. It is not only a symbol of good things, it is also a beacon of poetic ideals. There is a connection between the heavens and the earth, and the moon has human life and feelings, allowing for emotional communication. The exchange with the poets in the month ahead reflects both the personality of the poet and the spirit of the poets' expression of lurking love. Or is it precisely because of the euphoria and the extraordinary imagination of the poet who is unique to him that he has brought his poems with him the luminous hymn of radiance。
Iv. New nature
The language of the li bai poetry is clear, clear and fast, and is free from the laws, without words, and everything is united in nature. His famous work, "clean water comes out of the bouquet of nature" in "the night ride of the day after the disconnected" is just an illustration of the poet's own language style. Like the song of the sun: "the twilight moon is bought without a penny and the jade mountain is pushed by no man." "the twig of the peach blossoms is not as deep as wang lun." "when will the moon come?" i'm going to stop the cup and ask. "the gulang moon run: "the hour is empty, the moon is white and the sun is white." nightingale: "look to the moon and think about home." "sun city sees the doo-hwas": "one at a time calls for a break in the intestine and three in march." "the city of the white city of the morning": "in the middle of the white clouds of the white emperor, the mountain of the river was returned. The sound of the apes on both sides of the straits is too heavy for a canoe. Smiling into the flowers, shameless." these poems are new and beautiful and natural. Li bai also has some poignant poems, even in the form of essays, but it is also very natural: “whosoever abandons me, the day of yesterday! What a day for those who disturb our hearts.”。




