Who would have thought that the pen ink of a master of national science was the magic of penetrating time. These ink marks of mr. Zaiqi, or the ingenuity of the male, or the euphemism of the queen, range from the absence of the “twig huts” to the softness of the “early return home” and the philosophy of the book's final words. Today, we can read from one inch to the other about his pen。
I. “faculity and root”: an ultimate code written in writing
"the flesh and blood of each other will return home soon!" this 1983 book is a “family book” written by mr. Qiang to calligraphy。
He said that flowers and bones were the same roots. It's like a calligraphy and pen power. A flower without bones is a plume of softness, and a bone without flowers is a cold, deadness. And he told us in this line that it's never about writing, but about finding the balance of the symbiosis。
Look at his pen, as if it were spread out, and every one of it is hidden in its bones. And between them are petals as tender, and branches as dry. It's like a drifter who finally finds his way home in a penthouse — a calligraphy real, impartial and impatient。
That's 20 words, and it's clearly written by mr. Qianqing to a post-school “concentric pill”: don't get lost in the technique, calligraphy root, never in your heart。
Ii. The book of the book: the truth of the millennium calligraphy
Mr. Zaiqi's book, 100 words, is the fruit of half his life's work. From 1935 to 1974 and almost 40 years of finalization, he hid his thoughts on the history of written law in these seven final words。
"it's hard to know a dog and a horse, not to paint a ghost." that's what he's talking about. How can you paint a ghost without taking a shortcut or making a trick
“how difficult it is to use a pen, and it is most relevant to disperse.” he spoke out loud, and many were superstitious and ignored the structure of words. It's the soul of a word。
"show zhao dong and ouyang first, and be true to his good looks." this is his own course of study, and it is a recommendation for his future generation: first to learn the spirit of zhao meng yi, dong chi chang, then to learn the rigour of oyang's inquiry, and then to fall in love with the strong of willow power, so that he can write his own bones。
With his most popular poems, he has broken a thousand years of myths about calligraphy. The poems were his books and notes, and he gave a “respondence” to the history of calligraphy。
“the rain shacks”: four words, written in the absence of a man
In the autumn of 1983, mr. Zaiqiang wrote these four words, like the same ink, which brought people into the “one smoke for the rest of their lives”。
It's a classic "starter" word with a strong pen, full of ink, and a heavy lifting. The word “rewards” spreads like a tilted rain silk outside the roof; the four points of the word “rain” fall wrong, like a tumbled bead; the grasshead of the word “hush” is light, like a moth in the wind; and the head of the word “house” is strewn and holds steady all the wind and rain。
In all four words, there is nothing to be worried about, but an absence of “rain in a hut”. Mr. Zaiqi has been through a difficult life, but he has kept his scribes in contact. And in his word there was never a sword drawn from the wind, except peace and clarity。
Looking at these four words, it's as if you can hear the sound of rain, and you can read the poetry and deviance that a poet still holds in his misery。
“strench the middle palace and hold the four corners”: the sole heart of calligraphy
A lot of people like the word "good" but don't know what's good. In fact, the calligraphy for the initiation of power lies in an exclusive mind known as the “cleavage of gold” — the “tightening of the palace and the holding of the four corners”。
He focused on the gold partition above the square, so that the core of the words would fit in, while the master pen, such as twig, spread around. It's like the bones of a human body, with a straight body, a stretch of limbs。
Look at his writings, even with a large number of "yes" and "yes" drawings, the internal dots are never loose; even with a simple "day" "home" of the pens, they are never thin. It's a structure that has both bone power and attitude to every word。
His pen is also very sophisticated, thin, and he paints silver hooks, but he does not appear to be hard. The ink is so thick, it's true, it's flesh and bones, it's no wonder it's called “not only books of books, but also books of scholars and poets”。
V. Beyond the pen: a real, accessible mr. Quest
We read the words of enlightenment, and we thought he was a master who didn't eat people's fireworks, but we didn't know that his words contained the truest smoke。
He is the ninth-generation grandson of the emperor, who has lived his life calling himself a “name-caller” and never mentioned the status of the royal family; he is a master of national science, but he is a poor man in his life, and he spends his most difficult time on duty; he is a calligrapher, but he never fights, and others ask for words, and he almost never refuses。
His book is not a high theory, but a book of his own, which he has studied for decades; his title is not a trick, but an expression of truth。
His words are clean like his men, not a bit tacky. The four words, qing, qing, zing, and ya, are his words and his people。
Now, looking at these ink marks, you can still feel the temperature in the pen. It's the impeccability of a man to calligraphy and the tenderness of an old man to the world。
These ink marks are not just a calligraphy work, but a gift from mr. Zing. He told us with pen ink, to learn calligraphy, to learn to be human, and to practice writing, to practice heart。
