Enlightenment and thin gold are two distinct, but often paralleled, peaks in the history of calligraphy. One is like a gentle man, one is like an immortal child; one is a perfect blend of reason and law, and one is a great wave of personality and talent. Below is a comparison of the dimensions。
I. Line of law: strengthening blue vs. Reach
Enlightenment: iron and steel bones, needles hidden in the sponge
The lines of the utilised form seem thin, but they have a strong presence. With a pen that is pure and sharp, such as a "cricket of sand" , every one of them is hard-core, flexible and resilient. The line is not a rigid “wood stick”, but rather a “stretch” that is so strong that, in seemingly flat pens, the balance of the line is maintained by a slight push-down convulsion, showing the incipient strength of the “stretching iron”. It's easy to draw, it's easy to write and it's moving。
Skinny gold: bladed bamboo, sharp and thin
Thin gold transport pens are drifting fast, their handwriting is thin, so thin they don't lose their flesh. It's a very representational style: drawing a pencil hook, embroidery a belt spot, leaving a dagger, a knife, a sticky hook. The turning point of the pen is clearly visible, as is the sign of the operation of the tiding, the side of which is like a bamboo, and the convulsions of which are visible. Such lines require a high degree of calligraphy and specially designed long-strung pens。
Ii. Cyclical structure: the golden law vs
Enlightenment: gold. Rational
Mr. Zaiqiang presented the famous “gold sword”, which provided a scientific summary of chinese-language aesthetics and advanced. Its word structure is secure, symmetrical and well-introduced, reaching the perfect balance of “one extra cent long, one less short”. The writings are thin and hard, but they remain thin and thin. It also advocates “recognize” and pursues the visual effects of co-optivity。
Thin gold: tightening the middle palace, four-dimensional stretch
The thin gold crumbs are glitter, the meadows are tight, and the limbs stretch out, presenting a fine and fine windbone, like a “cut of gold”. There is a connection between words and words, between drawings and drawings, but there is a connection between words and words, and between drawings and drawings, and it is simple, simple and powerful. This structure is based on the strength of the former generations, such as the quixuan and xue qi, and ultimately creates a unique face。
Iii. Quality of style: confucian gentlemen vs. Fairy bones
Enlightenment: ambient, scholar style
It is as warm as jade, and as fratricidal, as the wind of a man who is incorrigible, implicit, moderate. It gives people clarity, wisdom and peace, and it displays the wisdom and serenity of the quizun. As the commentators have said, “initiative confucian, like a confucian”。
Skinny gold: man in the air, king in the air
Skinny gold, with its brightness and pride, has a superb, non-eating pyrotechnic spirit. Its “pretentious and funness” is a manifestation of the family's ethos and the emperor's talent. This type of font needs to be done in a self-contained manner that is beyond the reach of an ordinary writer。
Iv. Historical sources: individual
Zhao zhao zhao zhu zhou zhou zhou is a self-styled group
Mr. Zhao qianqian has described his academic history: “the zhao dong qianyang and the zhao qiang qiang qianjin”. In his early years, he studied zhao meng zheng and dong zhi chang, and after he studied zhao yang qian and liu zheng, he became a strong student and became a good teacher in liang zheng. Although common to thin gold, it is not its evolution, but rather its own。
Scrawny gold: que sauer, genre
Song chui's first student, the late sui liang and xue yi and xue xian's brothers, drew inspiration from xue xian's poetry, in particular, and made their own choices. Its creation is much more mature than that of xue-chul, and it has led to an extreme expressionism, the creation of geniuses that are unprecedented in the history of calligraphy。
Impact and value
The dimensions, the light, the thin gold
Historic status, the contemporary model of calligraphy, has been hailed as the only chinese bookstand since dong qi chang's time
The aesthetic value of the aesthetics, the aesthetics of the aesthetics, and the stylists of the time
It's difficult to do this, to have the delicate control of the golden stylist and the middle-line pen, and it's hard to copy. Kim. Body
The effects of the hereafter affect the modern aesthetic aesthetics, and form a "light-starter" genre that is popular
There are critics who think it's too "broad" to "aesthetic" to "exercise."
These two “scrawny” peaks, one in ancient times and one in the book of scholars, jointly interpret the aesthetic proposition of duft's “scrawling hardware”. They represent the different aesthetic orientations of reason and sense, internality and exclusion, legality and talent, respectively, but they all establish high standing in the history of calligraphy by virtue of their impeccable skill and uniqueness。
Appendix: photo index of classic calligraphy works
Since the system is unable to display pictures directly, the following list represents the work and its collection information and you can search for high-resolution images by name:
Skinny gold classic
1. The autumn poet
