With reference to mr. Chong, all the world knows that his calligraphy is unique and that it creates an “opening” incriminatorium, whose pens are beautiful and lively, and which is an example of contemporary calligraphy. And the early exercise of mr. Zaiqi's manuscript, which was exposed in recent days, allowed us to look at the pen ink work behind the master's back — the absence of a natural calligraphy, which could only be brought to light by day-to-day gestures, the grinding of hammers, which was the most precious revelation to all those who loved it。
Mr. Zaiqiang's calligraphy, which is self-contained, has a lean, convoluted pen, has a natural spirit, has a classical rhyme and modern aesthetic, and seems to be a hand-in-hand ink behind decades of solid work. And these early exercise manuscripts faded from the purified fire of late calligraphy, and were hidden in the purest of the beginning of the exercise and the harshest of the ink requirements. The pedigree and commitment to the pen is the beginning of the master's path。
Mr. Seeker's early manuscripts were most impressive in that “dumb kung fu”. There are no shortcuts, no showmanship, but a painting is written over and over again to the tablets, and it's smudged, it's stubble, it's stretching, and even a simple word is written dozens of times, hundreds of times, until the pen is accurate, it's circulatory. This seemingly boring repetition, which is at the heart of calligraphy learning — the foundation of calligraphy — has always been in writing, in adhesion. These manuscripts are the truest illustration of the words of mr. Zhang, who said that there was no secret to the law, but that they should be read, written and written。
The manuscript also contains a unique understanding of calligraphy, which is not a mechanical imitation, but rather a convergence after a deep understanding of the essence of ancient texts. From the strictness of tang's laws, to the soundness of the book, to the sheerness of the book, to the obscurity of the book, the gentleman is involved in hunting, drawing on the fineness of his writings, obscuring the ink, and slowly developing his knowledge. This “in and out” approach to learning has allowed his calligraphy to remain rooted in tradition and personal style, thus laying a deep foundation for the formation of subsequent “starters”. It also tells us that calligraphy is the foundation for learning, but only the ink of thinking, reading and reading can truly get out of the way。
These early manuscripts show us more about the ordinary and great of calligraphy. As a master of national science, mr. Qiqiang tsai, who has never downplayed the fundamentals because of his talent, he has become more bitter and firmer than usual, and has integrated his writing into everyday life and engraved his pen into life. In that era of material deprivation, the man was still plowed, a piece of paper, a pen, and he was able to immerse himself in the world, a pure love of calligraphy that had nothing to do with fame, but his own heart. At the moment, a lot of calligraphy lovers are eager to achieve it. They want to write good words at once, but they don't want to go down to practice their basic deeds. I don't know. All the pen and ink achievements are hidden in what seem to be ordinary daily practice。
Calligraphy is never an art of speed, it is the deposit of time, it is the accumulation of kung fu, it is the holding of the beginning. Mr. Zaiqi's early exercise of manuscripts is not only a valuable calligraphy material, but also a mirror that reflects the essence of calligraphy learning: there is no natural master, there is only perseverance. For today's calligraphy lovers, this manuscript is the best model, and it tells us that, in order to write well, we have to put down impatience, sink our hearts, start with the basic work, start with the post, experience the charm of pen ink in a drawing, and build up the foundations of litigation。
There are marks in the pen, and there are no boundaries. Mr. Zaiqiang's calligraphy path began with a paper manuscript and was maintained throughout his life. The pen ink that is written over and over again, and the exercise that is so refined that it finally becomes the ethos and the hymns of the pen, the one-size-fits-all "starter" and the model of calligraphy for the generations to come. May every calligraphy enthusiast draw strength from his early manuscripts, hold on to the beginning of his practice, hold on to the ink grinding, and believe that time does not belong to the heart, and that the kung fu written will eventually become the light of the ink。
