(it will be said): nineteen. He will repeat it. He will speak of the rising of the sun, and he will see it。
Fiction 19, external. Fathers don't mediate for their sons. And his father is not as his father, nor is he our sin, nor is man's sin. Be one, not the other; be one, not the other。
Restatement 17, so it is also said for ai. But those who are old before the age, and do not pass the last longitude, so that they may be old. There is no one before him, nor is there any human being, nor is there any human being。
The rising of the sun, and the rising of the sky, were brought forth for many years. There is no word, no word, no word, no word. No words, no words, no words, no words, no words. There is one, and there is one, and there is one, and there is one. Evil? Yes. No, no, no. Evil is right, it is right, it is wrong? There is nothing in it, there is nothing in it, and there is nothing. It is not for the rising of the sun, nor for the sight of heaven, that it may last. And all things are seeded in different shapes, and they begin in different shapes, and they begin in different shapes, and they are the balance of heaven. And the men of the heaven are not afraid。
It's called "false." it's so unconventional
Most of the book, shoguna, is based on the verb of “three words”, which means “three words”, i. E. Fables, reverences, verbs。
9 out of 10 in the book, 7 out of 10, the fables appear and grow and fit into nature。
The fable is a metaphorical story that is based on profound reason. As if the father could not mediate his own son, the father would say that his child was good, even if there was no lie, and no one would ever believe that it was not his problem and that it was easy to suspect. Consistency with one's own opinion is a matter of peace and opposition to one's own opinion. Consistency with one's own opinion is a matter of certainty and rejection of one's own opinion, so that the fable is used。
For example, in the first half of free travel, the mantle, with a lot of fables and reverences, has added a fantastic literary colour to the book, beyond the philosophical elements, by making it obfuscated, seemingly false imaginations and fictions。
It's a big deal
Seven out of ten words are used to expound the words of the elders, the superiors and the famous, so that they may be accepted by the elders and the superiors。
The key to the word “heavy” is the word “heavy”, which means two things: the heavyweight, the heavyweight language, and, of course, more often, both. Quotsu often uses the predispositions of the huang emperor, old man and confucius, and even imagines “mr. Uchi” as a means of interactive debate and discourse. Of course, if older generations do not have the skills and the wisdom to govern, there will be a lack of humanism and a lack of probabilities。
The use of the word “heavy” has brought to the book “the house of the houses” a colour that is also comprehensible, and has made the idea of the house of the house a new expression。
Man's words are unexpected
Words are funnel words. The funnel is empty, and any amount of water will leak. The mantle uses a funnel as a metaphor, meaning that every word he says is unprejudiced, as if it were water leaking from a funnel. He's just speaking out for nature. He's just leaking what nature wants to say through his funnel。
Words expressed without prejudice are constantly new as things change and can be reconciled with reality, with the nature of the thing, and in accordance with the inherent patterns of change and development, and thus continue to flow. There is no need to express it in words, the nature of the thing is natural, and the original nature is often different from the one that distinguishes it from that of the object. Since there is an irreconcilable and consistent difference between it and the nature of the objective thing, it is better than to speak. That is to say, when you haven't said anything yet, the matter is not settled, and once it has been said, the things that were not settled will become complex and diverse。
So, "speak silently." words that are silent are words that are meant to be spoken throughout their lives. There are valid grounds for saying that they are not. To say it is is to say it is and to say it is not and it is not. In any case, everything is not presented for no reason, can it be, can it not, and have reasons. There can be no change from an outsider's intervention to what it looks like。
Right now, why is it right, why is it wrong, and why is it wrong? In other words, your current state of good and bad must have its own reasons, good and bad, and why? Because everything is constantly changing in time and space, alive and endless。
There is a right side to everything, and there is a positive side to everything; there is no right side to nothing, and there is no positive side to everything. And who can last long without the uninvolved words of the day and nature
It is natural that all things have a common origin, but they are replaced by different forms, beginning and ending the cycle, and that no one can dictate their patterns. Nature's balance is what is often called the natural divide. So he wants to jump out of a non-controversial circle in the form of a “talking” that avoids self-stereotypical interference, fits into the natural context, follows the path of the road, and stands on its own。
In the world, the shogun claims that his method of creation is “in the form of words, in the form of words, in the form of words, and in the form of fables”。
Guo eu has a very good explanation of the words “three words”, “repeated words”, “pronounced words” and “sented others, 10 words and 9 letters”. And ten words and seven letters are the highest of all. "the sun rises" when the man is full and the sky is empty, and when the word is changed, it is the other. The sun rises and the sun rises, and the sun rises, and the sun rises, and the sun rises, and so on, and so on.”
Thus, the so-called “fiction” is the interpretation of its own reasoning in the guise of others, the so-called “heavy” is the expression of respect for the ancients, and the so-called “suppression” is the ad hoc, fragmented and fragmented narrative。
In fact, no matter the fable, no matter the accent, no matter what, it does not work as ludming said in the book: “there is no faith in one's own soul, so there are others, and there are no words but faith.” it is a way to describe one who does not identify one's own stereotypes, but only what he experiences, or to place them in a false situation, or to speak out in the mouth of a prophet who is believed in, or to speak out in the words of a prophet, or to speak out in accordance with the laws of physics。
The fable, the reverence and the rhetoric are indistinguishable, they complement each other, they mirror each other, they use the three words to break the dichotomy of words and meanings, and to create the fine words that are extremely romantic and contagious, feeding the spiritual world of the poets。
All the knowledge of the shogun is put on the circle, which is an indication of the generalization of everything. Things between the heavens and the earth are like a circle in which no interface is found, and they turn around from here, and then they turn back. It's a cycle that never ends, never ends. In any case, everything goes on and on and on and on. This is the inner core of the philosophies of the shogun。
