Long shot
Concept
“long shot” means a single shot in a film that exceeds 17 metres or lasts 30 seconds. In one shot, different profiles and images are created through the movement of actors and scenes, as well as the motion of the lens (by push, pull, shake, move, etc., and change of perspective). It expresses the whole process of the object in essentially the same picture as the actual time and space。
Generation and development of long lenses
The long lens theory first appeared systematically in the 1950s. As a result of the neo-realist film movement in italy, and also as a result of the emergence of focal-point lenses and portable cameras, the techniques of multi-species, multi-perspectives, etc. Have been widely used by artists and the long lenses have been further developed. As a result, the “long lens theory” system, represented by andré bazan, emerged。
The aesthetic features and applications of the long lens
The aesthetic features of the long shot
The emergence of long lenses is not only the development of photography techniques, but also has outstanding aesthetic value in movies. The long lens, as a means of expression, is the constant expression of the process of an event in a lens, even a paragraph, the effect of which is to take advantage of the continuum of time and space to naturally present the real face (including the environment, the atmosphere) on the screen, so that it is uniquely ingenious。
Use of long lenses
The greatest function of a long lens as an artistic expression is to record reality -- nature, life and emotion. So, using a long lens technique in the film can preserve the overall effect, preserve the drama space, the integrity and unity of time; recreate reality images in a realistic and complete manner, increasing the credibility, persuasiveness and infection of the film; and project the atmosphere and the psychological activity of the person。
The aesthetic features and applications of the long lens
The aesthetic features and applications of the long lens
The application of a long shot should say that there is more room for a long shot in news and documentaries with a mandate to do so。
The application of a long-time scene control lens reflects and emphasizes the meaning of the idea that the creators have set for the lens by means of carefully crafted changes in the profile, scene, person action, image and shape factors, such as light, colour, etc. In fact, it's a multi-faceted shot, so it's called a long, montage shot inside。
Special advantages
Montaic inside the camera had the integrity to express the message because of a relatively complete and uninterrupted performance, while giving the audience the right to judge。
Montaic inside the camera is persuasive in showing the truth。
The presence of montaic inside the camera is highly contagious in narratives by keeping track of developments。
