The art of the two wars: constituentism, style, and the constituentism of the baustructivism (constructivism) was the soviet vanguard art movement at the beginning of the twentieth century and practiced mainly in the fields of architecture, sculpture, painting and graphic design. Its core philosophy is to emphasize functionality, practicality and industrial aesthetics, with the aim of reflecting the values and ideals of socialism through art and design. The constituentism emerged in russia in the late 1910s and early 1920s, following the soviet socialist revolution, when the state vigorously promoted industrialization and modernization. Artists have begun to explore ways to combine art with social construction in order to promote progress in the country. Functional constitutive works emphasize their practical use and social function, rather than merely expressing ideas and feelings as abstract artists as aesthetic objects in abstract form and geometrical graphics, in contrast to traditional iconic arts, where industrial materials, such as steel, glass, concrete, etc., are frequently used in the compositional works of industrial materials to display industrial aesthetic glamour, vladimir tatlin's third international memorial model is one of the constituent representative acts, reflecting the idea of constitutiveism and the style of de stijl, which was an artistic and literary school in the netherlands at the beginning of the twentieth century. Its core philosophy is the pursuit of pure, concise and abstract forms of beauty. The styles originated in the netherlands in 1917, after the end of world war i, when artists began to reflect on the limitations of traditional art and to seek new expressions. Abstract-style works emphasize abstract beauty in form, reject the use of colours and lines by traditional iconic and linear artists, express ideas and emotional cross-cutting cooperative style members from different fields in a concise and pure manner, and work together to promote the arts and design of his paintings in horizontal and vertical line, original and neutral colours, embodying the core philosophy of style, bauhaus bauhaus, an art and design school in germany at the beginning of the twentieth century and an important source of modern design education. Its core philosophy is to combine arts, crafts and technology to develop designers with innovative and practical abilities. Born in 1919 in weimar, germany, after world war i, german society and economy faced reconstruction. In order to contribute to the modernization of the country, the weimar government strongly supports art and innovation in design. Interdisciplinary education baghaus focuses on interdisciplinary teaching and practice, combining the fields of art, crafts, architecture, theatre, and developing designers of comprehensive quality, practicalism and functionality of design, and a combination of arts and technology that address practical problems and social needs, which considers to be complementary, and artists should understand and master the technical means to achieve their own creativity. Walter gropius, the founder and first headmaster of bauhaus, advocates an interdisciplinary conception of design education and designs a number of landmark architectural and furniture works for comparison and linkage constitutiveism, style and design, although they are all artistic and design genres of the early twentieth century. The compositionism emphasizes functionality, practicality and industrial aesthetics; styles pursue pure, concise and abstract forms of beauty; and bauhaus focuses on interdisciplinary education and practice, combining arts, crafts and technology. Despite their conceptual differences, they are all committed to promoting innovation and development in art and design, with far-reaching implications for modern art and design. At the same time, their exchanges and collisions have left a rich and valuable legacy of artistic history. Conclusion constitutiveism, style and boehaus are important genres in the art and design of the two wars, each with its own distinctive ideas and characteristics, but are committed to promoting innovation and development in the arts and design. Through the study and understanding of these genres, we can better understand the evolution and trends of modern art and design and provide valuable inspiration and inspiration for our creation and practice today. The comparisons and linkages between the three (continued) also have clear links and interactions between them, despite their respective focus on the arts and design practices of constitutiveism, styles and bauhaus. All three are pursuing abstract and simplified artistic expressions to varying degrees. Constituentism and styles simplify images through geometric graphics and pure colours, emphasizing the purity of form and colour. Boehaus also emphasized simplification of design, removal of redundant decorations and functional predominance. Constituentism, style and bauhaus all encourage cross-cutting cooperation and communication. They cover not only traditional artistic areas such as architecture, sculpture, painting, but also broader areas such as industrial design, graphic design, theatre, etc. This cross-cutting collaboration promotes integration and innovation between different forms of art. All three schools have had a profound impact on modernist art and design. They have facilitated the transition from tradition to modernity, emphasizing functionality, practicality and simplicity, as important agents of modernist art and design. At the same time, they provide important ideas and methodologies for subsequent design education and practice. The influence on future generations has had a profound impact not only on the artistic and design fields of the time, but also on the artistic and design development of future generations. All three schools emphasize the functional and practical nature of design, focusing on practical problems and social needs. Their design ideas and works not only contributed to the design innovation at the time, but also provided important ideas and lessons for subsequent design development. Constituentism, style and bauhaus all focus on interdisciplinary cooperation and communication. This cross-cutting collaboration promotes integration and innovation among different forms of art and provides important inspiration for subsequent interdisciplinary design education and practice. All three are pursuing aesthetic concepts that are pure and simple, emphasizing the purity of form and colour. This aesthetic concept has had an important impact on the artistic and design development of future generations and has contributed to the rise of acquitism and extreme simplisticism. The finalists, styles and bauhaus are important genres in the field of art and design between the two wars, each with its own distinctive ideas and characteristics, but all committed to promoting innovation and development in the arts and design. By studying and understanding these genres, we can better understand the evolution and trends of modern art and design, while also providing valuable inspiration and inspiration for today's creativity and practice. Their impact is not limited to the art and design areas of the time, but has had a profound impact on the arts and design development of future generations, becoming an important milestone in the history of art。
