“yon xing - color aesthetics of song won-ming's color list” was recently launched at the zhebojiang palace and will be on display until 8 december, when many viewers indicated that it was coloured。
China's ancient china appreciations have two important angles: one is of a type, and two is of a platinum. The type is the art of ceramics, while the gill record the constant exploration of mechanics and color aesthetics by kiln workers. The exhibition, structured around aesthetic features, divides the three elements of the “cleaning episode” “small-of-the-world” “small-of-the-choose” unit, in which the representatives of the kilns are colored, to discuss the sociocultural psychology of the times and the representation of the ceramic process in the china。
The exhibition, which was supported by the henan court, the institute of archaeology of henan province, the shaanxi provincial institute of archaeology, the china tea museum, the hangzhou western lake museum general museum, the li shu city museum, the wuyui county museum, brought together 106 pieces (groups) of ceramics from the song yuan mingqing period, including the tianchong temple in the final year of song north, the zhang tong province in the song jin period, the zhang tong province in the zhen province, the zheng cheng zhen cui, and the zhen zhen zhen zhen zhen zhen zhen zhen zhen, as well as the zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen zhen, the zhen zhen zhen zhen zhen zhen 。
The curator yang xia told us that “yan colour actually represents the three layers of ideas that were originally planned for the exhibition, namely, “colour — a viewer”, “choose — a porcelain” and “long colour — an old color for reuse”, and finally melts into “yon — a beautiful colour”。
South songzhou milky way
Dr. Song's taste
Initially, grass-wood ash rises on the watch when the kiln is set, passing through a high temperature above 1250°c, forming a star-lighted and hydrophobic substance, or a glass-like “kill sweat” in the inner wall after the long-term use of the high-temperatorium. It was reported that during the summer commercials, people had been inspired to burn the grass-wood ash together on the china, so that the basil appeared. The earliest tan is green or yellow because the raw materials of ceramics contain iron, and iron oxide makes the gills green to varying degrees in a reduced atmosphere. The difference in the calorie ratio, the atmosphere and the temperature of the burning, makes the “blue” of the china made from the kilns a thousand times different, even if the ceramics from the same furnace are of a subtle colour。
In the song generation, various types of ceramics have appeared, which, in addition to daily use, carry dr. Cheese' taste. Customers ' taste and appreciation of the different greens of tan is one of the driving forces behind the calorie industry. Controlling tan is not just aesthetic, but also technical。
The southern cuisine “soft-like ice” has long been praised in tang dynasty; in north song, the northern yoozhou kiln changed fuel from fuel to coal, burned to higher temperatures, and the acupuncture was warmer and more transparent, notably with a sense of power and embellishment; and your kiln passors are rare, with the mammoth of manau entering the accelerator, with a low temperature of about 1,200°c, with a high amount of air bubbles and unsolved plume, giving it some tan。
The north song yiu can carve a bowl
You've got to wash your mouth
Your kilns, zhang alley kilns, nan song kilns are official kilns specializing in the burning of china by the crown, and the three kilns produce colours of chalk, representing the royal aesthetic choice. Royal kilns are expensive and nan song officials have experienced many burning techniques that give porcelain taste. In the middle and late years of south song's dragon springs, where north-south ceramics were condensed, the burning of pink and plum plums became the peaks of the platinum。
South song dragon springs plum plum cricket
In the exhibition, this is a white-eared double-heart cup in the town of cinnamon, which has recently gone round and round。
"isn't the gap the two of them gnawing around? @lepi his flying island god。
The platinum has traditionally been hailed as: "the jades" — produced in the state of raquel and with a similar colour to the jade; "the blues" — the thinness of the fetus and the passing of the light through the china; and "the muscles" — the cleanness, thinness and evenness of the womb. During song kingde's year (1004-1007), the true emperor zhao hengnan ordered the town of changnan to burn the city with white and white china and gave the town of changnan a place name. The name of “cinde town” continues for millennia to the present。
The same is a purely simple aesthetic, but different from the green, white, warm, black china is another style。
Most of the black tea is found in tea and temple tools. After entering song, the “dial tea” became widespread, the tea was coloured first, the tea was white and white, and the tea soup was followed by tea soup, with the tea and soup first contaminated with water around the tea cap, and therefore the black tea was preferred. In the course of burning, due to the unique formulations, black plasters naturally appear in different stripes and colours, such as millicorns, plasters, plasters, oil drops, and tans. Perhaps, as in the case of the emergence of the thorium, these phenomena originated by accident, but one sees in them the possibility of nature creating another beauty. And above the black, which is solemnity, is the manifestation of dynamic change. The colours of blue and white are named after stills and plants, and the textures of black gills are named after dynamic and animal, reflecting two different aesthetic interests。
South song jizhou's black plaster
The life of song won
If monochrome is the pursuit of change in the colours and the detail of the stripes above simplicity, the life of a private kiln is based on monochrome, and the passion and vision of life is squandered. Between yams, vientiane senro。
Song dynasty, with a well-developed textile printing, paper writing and paper cutting industry in jiangxi, the gizhou kiln has moved the flat art of the cloth and paper to the table of the china, creating a black-tip cutter and paste process, which is very simple and promising. On this basis, the gizhou kiln has been burned into a masterpiece of song china tea, a wood-leaved cortex, with few completes in its existence, with the expression “one leaf falling, one gold in two”。
South song jie state's black paper clippings and phoenix tattoos
In the song yuan era, the hebei magnificon kiln, known for its white and black bouquet, broke the pattern of monochrome, drew drawings, and brought the subject closer to life and was a stand-alone piece of the exhibition. Magnificent kilns produce a large number of china pillows, which are often branded on them, and some of them also use propaganda for themselves, such as “the ancient beauty of the past and the great place of the home”. At that time, as at present, there was a strong brand name and awareness。
Momentum state brown man's pills
The colours presented by some elements in aluminum are associated with a variety of complex factors, which are difficult to predict before burning, and result in a "chromosomal and colorful kiln" phenomenon. This phenomenon, represented by kilns and canton kilns, has become a means for craftsmen everywhere to show style。
Henan kilns have been burned with copper-element variations into radiant roses and seashells, mainly in palaces. At the beginning of the generation, the kilns produced the sky-blue and rose purple ceramics, colour-coated instruments, each with a unique beauty。
The roses from yuen's temple will rise
♪ i've never seen ♪
The kiln transformation technique for the southern länder kiln is another technology system. Under the secondary upholstery technique, the kilns of the cantons are burned into emulsions, with light brown colours on the ground and sky-light colours as decorations, giving a sense of the colour of the china。
He's got a bowl in his stomach
The royal manners are clear
As for ming ming, the establishment of the king's town kiln symbolized the royal government's determination to advance the porcelain burning technology. The quartet has been able to produce a large collection of craftsmen, large numbers of them emulations of the past and new ones. The technology peaks in the era of chongxi, xingzheng and dry dragon, where the output of the kiln is also known as the "clean three generations" china. The emperor prefers monochromium, and while he is in his position, the kiln works to make all kinds of colours, known as “silver water”, which require a small amount of gold to be used for cooking. Tan ying, a purifier, has documented 57 varieties of zheng jianli, 35 of which are coloured。
Qing qing zheng dynasty
In addition to burning china for the royal family, the kiln has an important task to undertake — the manufacture of ceremonial ceramics. During the year of minghong, china began to become a ritual. Porcelain, as a mass, enters the highest degree of ritualism。
The first sentence of the qing man's "the heavens and the heavens, space and floods" was written by the chinese in the early days. Zhou wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei in the nine years of kaing, the kiln burned green (blue), yellow, red and white china for the royal sacrifice of heaven, earth, sun and moon。
Quantified landing cinde county blue sketch dragon cove (source network)
Yellow was considered to be the most noble colour during the period of light, and the yellow bellow was only eligible for use by royal members. Within the royal family, the hierarchy is very high. The qing dynasty decreed that the emperor, the queen and the queen would use the inner and outer yellow saloon; the princess would use the outer yellow vermin; the princess would use the yellow ground green dragon; and the princess would use the blue ground yellow dragon。
You will find that in order to highlight the theme of "soft colour", the exhibitor chooses the exhibit without a complex china, and the display of the exhibition hall and the music of the environment is out of touch. Audiences can see in the exhibition halls a device for magnifying the pane of time, such as microscopes for observing micro-gas holes in the thorium layer, as well as opening windows to see the simulator formula. The device was restrained, effectively presented, and did not take the attention of the audience。
It's always on purpose. Somewhere, the white china is surrounded by curtains with natural scenery and by devices displaying porcelain porcelain colours, and the rose purple porcelain porcelain is in the background of wall holes, such as in the screen. The exhibition also designed cultural colour cards as a souvenir, which can be marked with the corresponding displays or give new colours to objects of their own liking, ranging from “watch colours” to “colour collisions” to unlocking different exhibition experiences。
