During the time of the spring and autumn wars, the sword was laid on fire, a piece of furry iron was beaten tens of thousands of times, sharpened through cold spring fires and quarries, and three feet of cold and cold air were revealed, and the sword of the dragon spring was polished。
During the trio, the fire went out slowly, the heat of 1,300 degrees centigrade faded, and the porcelain face burst, such as spring snow melted and the glaciers began to rise, and the first sound of the cranium of the dragon spring was sounded。
The sword is the king of the army, the cold and hard, and it has an iron-bone luxuriousness of the “turkish tiger's cave, three cups of sword drawn and danced dragon springs”; the porcelain is a song of earth fire, which is soft and fragile, and a silent poem of the “since the moon dyes spring water, twirling the green clouds of thin ice”. A soft, strong, co-symbiotic in the south-west mountains of zhejiang, and a small town of pure matrimony。
In recent days, the zhejiang province's zhejiang department of ceramics and national swords and swords have been officially launched, not only to extend the dragon spring's “story history” of a thousand years of swords and china. - just a little. Why are you living together in dragon springs
Yu
♪ qing chong cui ♪
In the spring of the spring, the zhejiang province museum, on the third floor of the zhejiang river museum, the zhejiang cultural palace, was shuttled and a seemingly invisible small boat was floating silently on the stage. This small ship, which is just a hand-held vessel, is a national artifact, a canoe drop。
The collection, which was placed at the crime scene, was made into a canoe floating above the surface of the water, full of bouquets, bouquets and fences. In the cabin, two small people sat on the side, and outside the cabin, a man in a suit crawled with his hat and his clothes were floating。
This is the "blue" in the drop of the twilight that allows the ancients to leave the "smoking south" in the study room, and the quiet claims that there is a desperate human pursuit. It represents not only the skill level of the yongquan era, but also the aesthetic beauty of the ancient chinese。
China's famous ceramic expert, chen wanli, once said: “a chinese ceramic history, half of which is in zhejiang.” dragon springs is a shining coordinate in the history of ceramics in zhejiang。
It began in the three countries and grew in song won. By the end of tomorrow, it began to decline, leaving only one rest until the end of the qing dynasty. After the establishment of the new china, the traditional cooking techniques of the dragon springs, which had deteriorated for hundreds of years and were at risk of being lost, were revived. After more than half a century of recovery and development, the cyanobacterium of the dragon springs has returned to another peak。
“the colour of the cyanide of the spring is the colour of the emptiness after the rain, the brightness of the plum, the brightness of the lumber.” in the eyes of jiang zhejiang, the deputy director of art research at the zhejiang province museum, china has had a favourable wind since ancient times, and it is the chinese who worship the cultural spirit of meiyu and project poetry over objects。
During the period of the southern song, based on the northern process, the dragon springs were able to burn lime alkalines, achieve a revolution in the aesthetics through precision control of the temperature of burning and reduction, and create a chrysanthemum of pink and stylish plums, which became the chronology of the yongquan's porcelain cooking technique in the songwon era。
In the song yuan era, both sides of the yangtze river, the kilns were set up, fireworks were in sight, and the ships carrying ceramics in the river were woven. The yongquan qing qing china runs down from the yangtze river and follows the ports along the south-eastern coast of china to the coasts of the persian gulf, the arabian sea, the red sea and east africa。
“the porcelain carries not only fine skills, but also cultural confidence.” in the view of the representative heir to the chinese master of crafts and fine arts at the national level, the aesthetics of sang-chung also started from china, affecting the whole of east and south-east asia。
Ice cracks are a special mark in dragon springs of valor。
The family is a hundred-year china maker, and has been making since the holiday year. To the generation of yip xiaochun, he did a remarkable thing — restoring the ice cracking process that has been lost since the song generation。
In 1996, xiaochun, who was well-versed in the formula of the cyanide plaster, received a fax from a client abroad who wished to restore the icin “cleavages” of the cologne, accompanied by a photo of the icin. Look at the blurry picture, and she's lost her mind. He couldn't stop thinking about it, looking for an ancient kiln site, picking out a light, trying to see the clues through the relics。
"a chance of chance, a hexagonal road on the surface of the foam sheet inspired me, and i re-burned the tire formula." yip remembers that when the kiln was opened, the ice cracks were not present, and he was disappointed and upset, and he threw the test in the trash。
"why are we late?" little harun, who had a bad heart, recovered the test from the garbage can and suddenly found a cloud-colored crack in the cheeks, and got excited。
After five years, yip xiaochun successfully burned a stereocracker, and on 24 august 2001, he made his first cologne of ice cracks, the ice crack board。
“porcelain is a lifetime of work for my father, and the porcelain is my familiar partner, and a natural sense of purpose has dragged me back.” after graduate studies in 2019, ye xiaochun's son returned home with his father to develop the cuisine, incorporating modern pottery and combining the kilns, cuisine and different tans and materials to bring the cyanobacture closer to young people。
In the generational relay of the porcelain man, the porcelain fire has continued to this day. In 2006, the first national list of intangible cultural heritage conservation techniques was established for the traditional cooking techniques of the cinnamon; in 2009, the cinnamon tradition was included in the united nations list of representatives of the intangible cultural heritage of mankind。
Awe
It's the best way to get together
The spring wind runs through the south qin creek hills of dragon springs, and the apricots of the sword pool lake site park, like the general yuleneks of the temple. The stone pillar is bounded with a combination of seven star wells in the old sword pool, the ancient temple, and the hysteres of the past。
According to the east han's narrow book, in the spring and autumn, king chu called the vietnamese to cast a sword. “eumera visited the famous yamadagawa and forged three great swords under qin creek, creating the river of the chinese iron sword.” zheng guo wing, president of the sword industry association of dragon springs。
The european metallurgical has also become the spiritual coordinates of the swordmaker of the dragon springs. After “twenty-eight-style process”, such as beating, stinging, polishing, embedding, and flaming fire, the sword of the dragon springs evolved from its initial steel sword to a steel sword, folded with a garbed sword, which created the characteristics of “strength, twilight, soft-tangled, well-dressed”. In may 2006, the first national inventories of intangible cultural heritage were selected for the yongquan sword exercise。
The history of the sword has evolved not only as an instrument and a craft, but also as a historical and cultural change。
In the words of shinshin jianli, “hung zheng, from heaven to heaven, has a sword, followed by a sword.” this three-foot front, which initially symbolized force, gradually evolved into an instrument of power and became a symbol of identity in the clothing system。
And in the civil class, the sword is the symbol of the ideal of “mixed martial arts”. When li was in the grass, he had the ambition of “nining to know the world of grass, with dragon springs under his waist”; when wang wei was strong, he had the feeling of “testing the iron clothes as snow, talking about the sword and the stars”; and when he was upset, he expressed the sighs of “thirty springs in the east mountain, the book of swords and dust”. The sword echoes the zealous spirit and the ambitions of the man who fought the sword, and the spirit of the sword becomes the cultural symbol of the festival, faith and ideal personality。
As the fourth generation heir to shen guanglong's sword shop, china's master of crafts and crafts, and a representative successor to the national non-remote project, yongquan sword, shen xinpei, sought 65 cases in the sword world. When he grew up with the smell of iron and water and the sound of exercise, he learned to cast swords with his father from the age of 13, and learned the “triple frontier” of the swordmaker - to make swords, to make styles and to do swords。
In shen xinpei's view, “swords are humane, and swords and men need to be purified by a thousand hammers, so that they can be just enough”. He has developed new skills based on the legacy of his father's skills. He has improved his exercise tools and developed the “cooking steel” process so that the sword of the dragon spring becomes the sword of the kingdom。
Following his father shen xinpei's “strength stick”, shenzhou, aged 46, has cast a sword in excess of 30 years and has become the fifth generation leader of the shen guangkang sword shop. Shenzhou has continued to “smelt” innovative thinking and has developed over 100 swords that are more modern and aesthetic, based on the restoration of ancient swords。
A 90-year-old web star with millions of fans (also known as liang ji) is shen xinpei's “honorful homemaker”. And in the spotlight of the live air, he put his sword into his twilight, and the hymn of the twilight of the twilight twirling. He has become a living “culture of culture” with a single broadcast that attracts nearly a million viewers, and has brought in more than 10 media teams in lungquam to speak about chinese martial arts and sword-setting in short videos。
At present, the yongquan sword industry has been extended from traditional handicrafts to art collections, animations, video-visual industries, to more than 100 varieties, and electric competition for the export of the sword covers 15 countries and territories. The light of the fire, it's getting worse。
Transport
"sword and china holding hands"
The water of the dragon springs, softly porcelain, pure sword. How can the soil and water of the same party produce two distinct processes
“the dragon springs are located at the source of the river, surrounded by mountain waters and rich in iron ore and green logs, which provide the raw material and fuel base for sword-making. The unique local resources of ceramics, such as gold and highland soil, provide critical raw materials for cyanide burning. The water flow of the dragon springs is abundant and clean, providing the ideal conditions for the gill-fire process at the time of sword-making, making the sword more robust; and the smoothness of the aqueous water from the pure springs is conducive to high-quality porcelain cooking.” zhou xiaofeng, a researcher at the china institute for the design of non-returned arts, said that the sword of yongquan was the perfect combination of time, air, beauty and craft。
“the porcelain, conceived in the soil and made in the fire. The sword of gold, and the work of fire. The two coincide with the crystals of gold, wood, water, fire, earth-to-earth confluence, and the twin attributes of water and fire, which combine to work together, and reflect the philosophy of the living and living together.” li qi, a senior crafts artist and special professor at the people's university of china, stated that swordpowder was a form of objects resulting from a combination of science and technology and cultural art, a material and spiritual vehicle of chinese civilization, and had achieved the upgrading of power from a tool to a path。
The sword and china “hand-in-hand” are also constantly breaking physical boundaries in new technologies。
The maximum temperature of iron burning is 300°c higher than the maximum temperature of the mine land of the dragon springs. These two objects, which cannot coexist in harmony in the traditional kilns, have achieved a “dialogue” in the hands of hu xiaojun, director of the swords and swords institute at yongquan. In order to overcome the difficulty of integrating swords and ceramics, hu xiaojun began a long experiment with the beijing university of science and technology, working with a team of uibo mentors, to produce the cuisine of dragon springs with meteorite. After thousands of adjustments to the formula, technical difficulties were finally overcome, resulting in the creation of more than 100 varieties of meteorite iron cups, teas, etc., and the patenting of state inventions. In 2024, sky iron integrated new materials as a scientific test payload, successfully carrying the “satellite xix” into space。
Sword and china, melt into the city character. Sword culture provides a deep historical foundation and cultural nurturing of the dragon springs, building the urban windbone of "sword and porcelain quality, extreme craft heart." “the sword carries its own sword, and it does its best. And the porcelain contains tenderness and all that is in store, and it is as warm as jade.” in the early hours of the week, well-known writers believe that swords and china can live together on the land of the dragon springs, and that they are mutually reinforcing, in the same way as the two very romantic branches of the national spirit。
From the non-removable display of a sword-making ceremony at midday, to the dynasty of the dragon spring during the appearance of milan fashion, from the tailor-made hero sword in the title of the enchanté, to the `zhuong tsai' sky in the sword of manu, and from the appearance of the "song yingcheng cui" in france, to the establishment of a dynasty display in five countries, including romania and singapore, which is moving to the world through multiple carriers。
"the swords and swords of the dragon springs are becoming an apostle of dialogue among civilizations." zhou xiaofeng said that the culture of swords and china, like the air, was spreading from the south-west mountains of zhejiang, as a result of civilization shared by humankind, with different flowers in different cultural soils。
The confluence of the porcelain and the porcelain
In 2009, the traditional cooking technique of yongquan and the chinese art of chastity were both selected as “united nations representative for the future of humanity”. How can two ancient skills be integrated across borders? The team of the craftsmen at the dragon springs gave the answer -- the dragon spring porcelain。
In a porcelain studio on the west side of dragon springs, the cedar seal on one side waits for identification. This cross-border integration, which is based on the chauvin, is not a simple addition, but rather a deep confluence of art and aesthetics, with unique artistic features and many practical difficulties。
Compared to the traditional stone, which is hard in texture and has a clean sense of swords, the porcelain body is wet, the knife is extremely fragile and broken in half-dry conditions, and the delicateness and restraint of the knife is extremely demanding. According to the burning process, square china seals are subject to a high temperature of 1,300°c, with a high risk of disequilibrium and deformation, and solid seals are also required to be completely ventilated to prevent fragmentation. The constriction rates of 15 to 18 per cent for mudslides make it more necessary to pre-empt pre-empt space in the pattern. "twenty-thousand units per trip to the kiln, only two or three of them were successfully discharged." the dragon spring innovator and the director of the dragon spring institute of sword and porcelain culture have a sense of peace. The tradesmen's team continuously optimizes process details through many years of repeated testing. Today, this cross-border technique has been steadily developing, with the completion rate of dragon spring china having gradually increased from 10 per cent to 40 per cent。
The dragon canal is based not only on national honour, but also on the transmission of eastern aesthetics from the country. In france, the exhibition of chinese traditional chinese crafts was held in france, where dozens of chaste works, such as china seals and china, integrated into the engraving elements, crossed the sea, and made the foreign people feel the charms of traditional chinese crafts and attracted multinational pottery artists to exchange experiences and learn。
The dragon spring porcelain, which combines two millennia with each other, preserves both the roots of traditional skills and gives them a whole new age of life and is a vivid microcosm of the transmission of innovation from china's best traditional culture。
