The lessons of tea are so deep that “water is the mother of tea, the instrument is the father of tea, the tea is the big, the tea is the day and the moon”, and the tea people know that. Don lue yu's tea book, “it's water, with mountains, with rivers, with wells”, and ming chen yu's test tea, “it's better from the springs, the tea tastes better from the peaks”, considers tea and water to be very close。
Water and instruments are mediums and carriers of tea, and they are highly specialized. In the old beijing, the nobles, and in many of the high-end restaurants that followed, built tea again. Three pieces of these cups, bottom, medium bowl, top cover. It's called the "three bowls" of tea. But the heaven, the earth, the people. The tea is covered in the name of "the heavens", the tea toe in the name of "the land" and the tea bowl in the name of "the man". A cup of tea sends a small universe。
Tea, unlike tobacco and alcohol, and especially green tea, is characterized by euphemism, fineness and a fragrance. Zhou's writings are known as “light”, as if there were no pens. "lemaran head, sisters are married to the back of the door." the word "light" is like it's from a rural old lady. It's too common for a sister to be married in the back door. Today, our village has six or seven pairs. “there is also a type of veggie, commonly known as weed, commonly known as purple clouds. After harvest, farmers sow their fields as fertilizer, which is a very low-profile plant, but eat with a soft tuber, which tastes like peas. Yoon-ying, i've been calling it "grass" in my hometown, and we've been picking and cooking, sometimes for pastries, but not enough. It is recalled that for one year, the cattle of the production team were swollen alive because they ate too much, “grass drums”。
It's home-grown
"little" is not a "black" but a "close" word. Like fly:
The golden fly is the fly, and so is the so-called “head in red caps and purple robes” in the enigma of a child. We bring it in, we take a leaf from the season, we crucify it on the back, and we see the green leaf creeping on the table. The east an market has paper-sellers of all colours, and the title cloud “flies plaything” is the same intention. And we put his back on the linen, took a little bit of the lantern, and put it in the middle of his foot, and he put it up and down, in the name of a “dramastick”; or we put a white note around his intestines and flew away, but it was good to see a piece of white paper flying in the air。
Flies, people hate to see. But zhou's fly, it's interesting and even cute:
The fly was said to be a virgin named muia and to be beautiful, but to speak too much. And she loved endymion, the lover of the moon. When he fell asleep, she spoke to him or sang to prevent him from resting in peace, so the moon became angry and turned her into a fly. Later, she commemorated endimir and refused to let anyone sleep, especially when she liked to disturb young people。
A fly becomes a beautiful, loving girl, and a young man will be disgusted when a fly bites
Zhou's little writings, besides "uninterested" and a little "suffering." "suffering" is the essence of tea. "chat, bitterness." the man says, "no pain, no tea." look at cho's "the rain":
I'm sorry about the rain these days. In beijing, there has been little rain, so not only do the tools are incomplete, but the house is built, but it is not well prepared. Apart from the real rich, there is little use of brick-walled walls, so that nothing can be done except mud-walls. Recent weather changes, cold in the south and obscenity in the north have led to deficiencies in both buildings. A week ago, the rain broke the western wall of the backyard, and the next day, a man of the beam came to search for the barbed-wire windows of the north house, and from the following day, seven or eight craftsmen were invited to work for two days, to be built from the beginning。
The writings of the chorus are very extensive, the vast skies, the ancient days, the incipients, the rich, “uninvited, innocent”, so much as social life, so much less everyday. Zhou's pronunciation/simplistic body was prepared, and attempts were made on a variety of pronunciations. Political discourse, paranoia, playbooks, stencils, letters, serials, etc. Have all been explored and have been widely successful. This is rare among simultaneous writers。
Quarters of enquiry, the books society, april 2016 edition。
His essays/scrolls combine the focus on components, such as spoken, heard, european, dialects, etc., into a “simple” and “sweet” language style. It's plain, simple, simple, succulent, uncomplicated, pen-written, but without a scratch, which means that it's fun。
Rudolph said, “the writings of the zhou people, who come to their place, appear at first hand to be scattered, too cumbersome, but look at them carefully and feel that he is light, and has a great deal of weight.”
In his late years, hu commented very strongly on the articles of zhou, saying that “it is worth looking at only zhou's things”。
Tsao zhong praised zhou as the “first hand in small writing” in the 50 years of the forum and added: “we also recognize that zhou zhou ́s achievements in literature are great, not in luxuan, whose understanding of literature is still above luxuan”
The editor-in-chief of the new night's journal of hong kong, rourfu times, has been a zhou brother since high school, “duplex worships”: “i love to read both lu xuan's articles and zhou's articles, not only reading them but also learning them in secret ...”
The american writer edgar snow asked lucifer, “who is the best proficient in china?” and he answered, “chou man!”
Zheng jin-do said, “without them, the new literary history will be overshadowed.”
Five, and a bitter tea for the cold
On january 16, 1934, after 50 years, zhou wrote two poems of his own life, one of which was born and the other of which was:
The family of the previous generations is home, and they don't change their robes。
The whole day on the street, the whole year under the window。
I've been playing with my bones for no reason。
If anyone asks, they will go to the cold and eat bitter tea。
Half the confucian family, even less bald。
Middle-aged fun window front lawn, out-of-the-way snake。
I'm jealous of eating garlic。
Talk about ghost things, only about tea。
As far as "know your destiny" is concerned, 34 years have passed since zhou became “new” and the soldiers who fought during the new cultural movement are now indecisive about whether they are “home” or “home”. In fact, this contradiction was not just a matter of propriety, but a general phenomenon in the cultural world at the time. There are, of course, those who agree and those who disagree。
From a myriad of poems and poems, different views can be seen:
(a) liu hannon “counts the rest of the way”, shen yoon-moo “slause to bring down dragons and tigers”, “only to love crabs in the shibba sea”, shen-seong “suffering or bitter tea”: concurring
Cai won-bae, "the robes and the hyenas, the world was a family": the comforter
Cheong-hyun and “the corrupt heart chooses the evil spirit and slashs the snake” and “mr. Hu chi is home as if he were home, despite what he said” “the world specializes in fighting ghosts, loves snakes in arms”: critics。
These are moderates。
On april 13, riyo mosha published " what's the world? " in the declaring-libertate talk, with a poem: "what is it that you love the monks and rhyme with your pen?" it's not hot, it's like a crane. I'm afraid of getting in trouble. Who is to blame? Talk about a cup of tea.” the language, though harmonious, is more critical. He published "the ghost of the past" to criticize zhou and to say that when he fought for the liberation of the poems, the author of "the river" was here now “talking about ghosts"。
Little river is a new poem created by zhou in 1919. To the extent that the river is blocked by the earth, the metaphorical violation of natural law will lead to tragedy and warn people of the need to conform to the laws of nature in order to be harmonious and perfect. This is a way to draw a picture of the anguish and distress of intellectuals who seek independence and integrity when their personality is suppressed. The poem is plain, fresh and natural, and in its narrative it shows the poetry of eternity。
"the ghost of the past" is a fairy tale created by eroschenko and translated by zhou. The book was published in 1924 as the new china series by the shanghai people's book office. Through the eyes of the tigers locked in cages, a negative view of human society reveals that human beings are free to be slaves or to seek freedom。
The criticism of lyo moth and typhoon is justified, but the language clearly smells of gunpowder. There is no shortage of hateful attackers。
For more than three months, the "fifty life poetry" wave went on, and zhou's "suspendant on the fishing platform" was ignored。
But he couldn't resist it, even though he had “lost” his brother for more than a decade, and he stood up when zhou was attacked. Lu xuan, in his book to cao zhou, dated 30 april 1934, shared his views on the subject of shifu:
The hymn of zhou's life is true, but it is a word that is nearer to the flesh than the youth of this day, so that it adds oil to the fire and is directed against the people, and there is no word for it in recent days. It's also “old-fashioned” that the mortal beauty will bear the responsibility of the dead, and it seems that the perceived death of the dead will be brought to light or public opinion。
If clean tea is life aesthetic, bitter tea is life philosophy. The bitterness of the tea is a sobering thought, and zhou has named his own study as "sad chai"。
He said in "the tea of pain":
A friend bought a special pack of tea for me because he remembered the words of bitter tea. This is a friend i know very well, and i thank him for his kindness, but this tea is so bitter that i can't eat more. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In february and march, the natives took the first medicine for the interruption of their production
Zhou's life is a cup of bitter tea。
Zhou is a controversial figure, one of the influential representatives of the “four four” new cultural movement. Following the events at the lu jiu bridge, beijing university withdrew from north ping, where he was entrusted by the grand chancellor of the north to guard the premises, becoming one of the four “professor lupin” (the other three professors were monsen, ma yuga, and feng zuyong), and finally became “cultural traitors”。
In his memoirs (wide of the west and new wave), the north lord commander jiang manzhu said:
And when he remained in the battle, we said to him, "don't go away," and he did not go away. Then he was arrested in nanjing for his cultural cooperation with the japanese during the fighting. And we sent them to him, and gave him things and money. One time, he sent a letter to his friend saying that the court wanted my evidence. He told the court that he had stayed in north ping not to be a traitor, but that the principal had asked him to take care of the school. The court asked me if i had any of this, and i wrote back to prove it. I didn't ask about him because i left nanjing in a hurry and didn't think of him。
Zhou is not only good at essays/smallty, but also good at others。
Among the five or four new cultural movements, his thesis, human literature, civil literature, ideological revolution, children's literature, etc., had a significant impact at the time。
He has translated a great deal of ancient greek literature, such as the "the god of wealth " , the greek mythology, the iso fable, and the " euripidus tragedy " , translated in cooperation with rodin. He said:
This year we are 80 years old, and we have no regrets. And i shall pay the cremation upon my death, or i shall leave the ashes, as i wish. It is ideal that people die. For the rest of his life, the words " the greek dialogue " , translated only in the twilight years, have been the wish of 50 years, and those who know it must know it。
In december 1960, in response to cho's agreement, he wrote a memoir for the hong kong new night's journal, the pharmacy monument, and in november 1962 he was renamed the icsu reconciling. Published in april 1974 by triple book and stationery. At the beginning of 1995, with the support of the son of zhou, zhou fongichi, and his family, a continental edition of the book was launched by the hong kong shun arts and arts publisher, known as hard tea — a reconciling of zhou. It contains the following text:
Time is running like water, and it's been 50 years and 100 years, and people and the environment are still the same, so there's nothing hard to understand in the past, but it's very different now. The social situation has changed too much, and some of the events of the decade or 20 years ago have been described as being isolated, and the so-called "gods" have been alienated, which i think is due to the lack of links between them. Older persons tend to tell stories in the past and talk, and in some places they are afraid of being young and they have to say more, so that they are too close and, in recent times, educated youth are dissatisfied。
Zhou's words were emptied of lead, simply as words, and served only to record history in truth, saying that “the article is acceptable”。
From the tea of zhou, suddenly i think of don zhen, laughing。
Eat tea
