I see a lot of friends on the internet with their own drawings of clubs, some of them fine, some of them writing, but they always feel a little less. I'm not talking about it today, i'm doing it directly, and i'll break the ten core methods of drawing plums that my ancestors have passed down. Promise me you'll finish your reading, and then you'll put on a plum。
Let's get to the bottom of it, double plum. It's like a calligraphy first. What's the point? The petals have to come out of a round and smooth line, and the flowers are full of flowers. The old branch is completely different from the new branch, and the old man's wrinkles are the same as the old man's; the new branch has to be pulled out, and the shares are angry up. This isn't a pencil. We're talking about a "bone pen" in china, all with the power and rhythm of the line. Don't hurry up, just practice this line, and you can "write" the essence of clubs, and it's halfway home。
We're doing it. We're putting it on. We're putting on "dress." use ink wire to fix death, then color. It's big. It's full of flowers, it's fresh, it's unopened, it's dark. The sense of transparency of the aquatic spirit emerges when the masters use “water bump” or “spray powder” to make the colour of the paper faint. Remember, the colours are ink-serving, they can't take the threads, they have to line up with each other to live。
If you think it's too much of a hook-up, you want to be a little more elegant, then try the pen without bone powder. "no bones" means no wires and "write" shapes with colour or ink. Listen simple, actually harder. You have to use five or six strokes to "write" the shape of a plum petal, its relationship, even its pride. Each color has to change delicately. It's better to paint with a little colored paper, with powder. It's so white and thick
You want to paint clubs? It's a mandatory course for red and white under the moon. Draw the plume, which is deliberately white on the branch, which is where the snow is accumulated and where light ink or light is slowly transmitted out of the sky. So the white place is snow, the heat and life of the red plum in the snow comes out of the face. What about the painting of the moon plum, which focuses on the dye. Wet the paper first, then paint the night sky over and over again with a bit of glue and powder, and save it where the moon is. The more it's dyed, the more it's layered, the more beautiful and cold the "dark fragrance" of the moonflower。
Say the completion pen, we jump to another world -- the ink writing. That's the way you paint real hairy. The ancients conclude that the pei looks like the word “female”, which is called “no woman is a pei”. It's like writing a book, writing a pen, writing a pen, writing a pen. The old old and old, the new branch's soft, all in the wrists and the speed. It's not just a drawing, it's a writing of god, and it's a writing of the undaunted bones of the plume。
The ink doesn't have a bone to write about red plums, and it's even smoother. Clean hair pens, pens, pens, bells, fresh water, all of a sudden the petals are so thin. The same is true of the branches, which are ink-stained and dry and dry. The black branch, the red flower, the white paper, the three most pure colour collisions, have a particularly strong visual effect, and look at it
As for ink capital, it's a good game, a quest for extreme generalization. It's probably a few, and a plum tree's all out of shape. The less the pen, the more the power, the more it is, the more it is, the less it is. It's called "cut and simple." it is not a skill, but a manifestation of healing and heart. Sometimes it feels like the picture is empty, or there's not one in place, and it's a nice place for some moss, it's both a layer and a mask, but it's all about learning。
The last two, which refer to schime and yumei, are the upgraded versions. It's a trick for the ancients to paint where they want to leave the snow with the glue water, because when they're ready to smoke, it's white. The painting of moon plums, even with direct wires for months, is simple, but there is a unique elegance and imagination。
If you look at these ten ways, you'll find that painting clubs is never just a hand trick. The way we chinese look at the world is behind it, from a simplistic pen to an open mind: respect for the growth patterns of objective objects and emphasis on subjective emotions. The technique is just a boat, and the ultimate goal is to get your admiration for the plume's “singing alone”, which is tough, proud, noble, to the paper。
The drawings are rules-based, but they feel endless. These are not the ropes that bind you, but the lighthouses that guide you. When you really write, it's up to you to look at mae and feel it. There's no limit to the sea of art, what we're talking about today, hoping to throw bricks at you and lead you to the jade that belongs to you. Pick up the pen and try it
