I walked into lanzhou's modanha geological park
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Huang ji-wen
Thirteen kilometres north of lanzhou city, there is a geological wonder — the motana national geological park. The geology here is ancient, rich in landscapes and deep in culture. As an essential way to enter the western corridor of the river as the ancient silk road, after recent years of protective development, lanzhou's intensa has unveiled its mysterious veil and has been a great surprise。
The lanzhou motang xia tourist landing is located on the side of the yellow river and is located on the eastern gate of the western corridor of the silk road, across the districts of yongdeng, sigu and zhulan, and is located in the towns of yongdeng and the tree screen。
The plaza is an open area that was first entered into the area of the lanzhou motang xia view, opposite the slant, where the famous almonds village is located, in the middle of which the "almonds villagers" were placed in a few big brown words, bringing into mind the poetic idea of “questioning where the alcoholics are, the shepherds are far from the almonds village” ..
At the foot, it is the front square of the lanzhou centre for visitors in motana. The square is flat, with three surrounding hills, and the mountains are bare-stained with red and brown sandstone. The plaza began with a large sculpture of seven colour bands, designed to incorporate the cultural elements of the silk tropics and to reflect the tectonic features of the seven chasms, with a long and rolling meaning, showing a clear and rich line, a simple but profound cultural connotation。
We traveled under the seven-colour sculptures, as if we had a torch of ancient civilization over our heads. Moving forward, the grand set of buildings that appear before us is the visitors' service centre, which is also designed to integrate cultural diversity, such as silk roads, the west, pottau and tanha, with a high degree of unity of colour with the tanha landscape. The buildings are symmetrical, round-shaped, with both sides of the porch, such as a rolling horde of varnishes, a strip of wind-dancing, which mimics nature's modus operandi. The main courtyard of the ring house, with its wide entrance to the service centre, embraces the sculpture of a climousine, big drop of water that falls from the sky and rises above the dried-up tanha, a drop that makes people think of the vastness of “the sky of the yellow river” and the deep love and fear of god that naturally swarms their hearts。
As i was waiting for the bus to be free, i quickly browsed through the map of the dinosaurs on the semi-circle wall in the back of the service center. Dinosaurs of varying shapes, acting on a cliff of conflicts, competition, evolution and extinction of prehistoric species, a wall reminiscent of the ancient jurassic era, the beginning and end of a world of dinosaurs, speak of the many wonders of this ancient land。
The "silong way" was the beginning of the journey into tanxia, and suddenly my thoughts fell into the walls of yoyoyang guan road and the greatness of the road. With that crest of camels heading westward, the wind and sand in front of them, the sound of camel bells in their ears, the passage of ancient nations such as toozy, house, usun and the grand moon, the ultimatum, the purchase of wine in small towns, the sale of horses, and the search for the code of nomadic life of the ancient minorities of the north in symbolic words. All of this is in a khaki-coloured belt, where the noise and prosperity of the ancient silk road was played more than a thousand years ago. In a red-coloured tower with boots and hats, the four squares stand on the side of the coloured arch gate, and the four pyramids of "aqueous delta" are shining. The whole architecture of the "silent roads" gives people an aesthetic sense of "silentness in motion, gestation in silence" and a perfect combination of inspiration and serenity, with a strong tone consistent with the colour of the red mountain bay landscape in its original form, and with a clear western hymn。
The geological exhibition hall is hidden under this coloured doorway. The entrance wall contains text and photographs of the features of the scenery, as well as the causes and characteristics of the dansha landscape, and the fine pictures of the danha landscape are rolling on both screens. The first of these is the himalayan mountain movement, which began 150 million years ago at the end of the third century. During the era of chalk, the sedimented red crumb rock rose as a result of the husk movement, and the slopes collapsed with long periods of detachment and water erosion, resulting in the formation of red rock formations dominated by steep rock walls, followed by the creation of coloured tanha landscapes。
On the front side of the gallery is a glass cupboard, which displays meat, weeds, long-lived vegetables, bitter vegetables, soft vegetables and other species of plants and fungus that survive in a given environment, and is supplemented by other medicines, which are essentially the type of plants we know。
Here, we take the tourist-carrying van in the view area, and we go up along the twirling tantsai road mount, on both sides of the road that we see on the way, with the extremely tenacious red willow and gyro stings, a fragile green and mountain that holds their flames, like an inexhaustible contest。
The corner of the scenery
Dan su-soo is located at one third of dan xia road, at an altitude of 1897 metres, with an open vision. The first time i saw danxia, the shock of beauty was a surprise, and it was amazing how the creator's ax worked. However, the peaks washed by a small rain in the early morning were slightly more moving and fresh, and the green vegetation on the slopes and the typical tantsha landscape were woven and radiantly radiant。
The colours of dansha are more radiant than those of normal times, and the walls of danha, stretching for a few kilometres, are like cliffs, mountains, and the valleys that are rare, and do not know how many secrets of nature are hidden. All of a sudden, at the bottom of the opposite mountain, there was a cloud of dust at the confluence of green and red rock, and when they looked at it, eight or nine wild goats ran like lightning, leaping like lightning and running like apes, and crawling like apes, they were the elves who possessed it and danced in their colourful territory。
When the road bends, cools, and the car travels to the point of view, dan xia road is already in motion. Standing on a tourist platform, looking away, the landscape on both sides of the watershed is in the bottom. In the long-term imbalance between sunlight and rain, the ecological vegetation is generally more fragile on the southward sunside slopes, with the grand dusan naked and even worse unbreeded, while the southward balconies are rich in water and vegetation. This phenomenon is particularly evident at this point of view in the dansha district, where the coloured hills of the sun and the green hills of the shadow form a stark contrast of ecological discoloration, with the entanglement of simanau on the one hand, and the ridges of the two geological wonders split into two, each of them, beautiful, with swings and swings。
After the mountain, the danxia road is the highest view of the landscape. Coming out of the parking lot and picking up grades along the red-coloured ramps, the peaks are so high that it becomes even more steep. Fortunately, this is a viewing platform that can reach the top of the elevator. Through the five-minute teahouses, the world of fairy tales in 600 square kilometres has opened up to the edge of the platform. It is amazing at this peak, amazing at the wonders of the mountain water and even more subjugating to nature's magic。
At the front end of the platform, “the mountain is high and i am high”, it's so far away, it's so far away, it's so big, it's so big, it's so big, it's like a flaming sea of fire, and it's like each mountain is like an independent flame, and it's so beautiful, and it's so beautiful. And the peaks are folded, and the twilight of the twilight are set in motion。
I don't know how many palettes have been placed here, or how many flying ribbons have been lost by fairies, but in my eyes, the coloured hills are their masterpieces. If it's intoxicated and ink-throwing, then the whole hill is immersed in thick brown, or the whole hill slope is dyed with grey, much more colored hills in red and white, and they are portrayed by tourists as “five flowers”. If it's a three-coloured piece of work, it's a phantom color belt, or it's like a hair on the top of a mountain, or it's like a thong, or it's like a wave。
And to the right, a few steps up the steps, a small viewing platform with two pairs of red mountain rocks in the north and the south, with "dan xia sun" and "winbow sky" in the south, with "dan dan tops" in the north stone, and a strong red big word flying around, as if it had been written by a believer. It's a different picture. Turn your eyes to the right, and slant across the mountains and separate the plume of the nine turtles down below the foot of the mountain, as if they were alive. And the crest of the north-eastern corner, with its head on its back, as if it were a floating ship. The surfaces of the ferocious red mountains are like the ships that have passed through the wind, and they are in the true form, but the best。
Here, the vastness of my eyes makes me wonder whether it's heaven or earth。
The right-handed rocks are leaning forward, the milky capsules are full of mystery and romance, as if they were specially prepared for photographers who are prepared to take the night to exchange for sundown, carrying “long-gun guns”, leaving the beauty of the world to more people。
All the buildings and the 2550-metre-long red-coloured canals in the area of the aquarium are described as medium-views and painted. On the west side of the indoctrination, the "saloon camel bells", east to the "dan's top" with a brown fence on both sides, and on the viewing points, the fences were deliberately fitted with transparent glass that allowed for an objective viewing of small tours. And the whole way was set in motion and reclining, like a white dragon, standing on its ridge, and straddled beneath the wall of danhiya, so that it was great. Other buildings, in both shape and colour, are well integrated with the features of the red sea bay landscape and the dansha landscape, as well as with the culture of silk roads, to form human and natural landscapes and to try to achieve a seamless reality。
Because of its location in yongdeng county tree-screen town, this landscape was also called a tree-shirk danthai, but during the development of the landscape, it was discovered that the natural landscape and the first half of the paper ink painted by the famous man of the millennium, "founding hills of fuchun" — a realistic version of water motang blue — had been officially renamed "matana of lanzhou", a view that came out of the famous painting, which was the "cyan of nine colors". The thousands of rocks before us are within reach. The colours are so intense that they're all woven across a thousand walls, and they're so coloured and soared. Here, the great males, the strange, the dangerous, the dark, the handsome, are all the best techniques of the great modang。
In motana, large pieces of danthato hold the sunrise or embrace the sunset, this place is called "siru hako"。
At more than 3 p. M., it is not appropriate to talk about sunrise and sunset, but i gather all my imagination and common sense for life and bring it into the sight of the present, drawing a picture of tantshai and tantshai: the clouds are around the top of the mountain, and tantsia awakes in her dreams. The red sun rises from the ridge of the camels, and the bright light of hope rises like a golden sting to the peak of tanxia, and the rising sun ignites the passion of tanxia, and the radiant colour becomes even more glamorous at this time, when the image of america's radiance is multiplied by the light, and the thoughts of the radiant twilight rises, and a light blue structure, like a hawk, appears before you. At every view point, i've spent a lot of time looking, looking, looking, looking, looking, looking, looking, looking, looking, looking. I'm very serious about looking at the mountains as a poet。
“behind the mountains, far and low,” it is natural to have a deeper experience and image of this poetic life after the passage of 2550 metres of water. At this point, i'm like a hawk on a cruiser, hunting the sights of a man. All of a sudden, on the top of a hill not far from the opposite side, a temple was laid in the curtains, and the temple was at a level, looking far away, like a young man standing on his feet, with his head slightly adorned, looking far away. The mountains in front of the temple are shaped like a camel with a load ahead, lion heads and camel heads, all of which are formed by long-lasting weather erosion of the red-brown rock walls, and are extremely authentic. I asked the staff of the viewing area, and learned that the mountain, known as haitong mount, was the highest mountain in the almonds village, which was called the temple of the sea。
♪ lanzhou's motanya tour ♪
If culture is the backbone of the landscape, then the lanzhou motang and xia are deeply engraved in silk and sandy culture, both of which give the landscape a unique charm。
The shahi tribal cultural square sits under a cliff with a distinct red-mounted gulf landscape, with the cliff walls that have been cut off by a broken wind as a anchor and background for shahi tribal cultural square, which is shaped by the sand well culture and the atmosphere, pale, ancient and thickness of the silk culture. In the inner edge of the square, arc-shaped murals were built along mountain lines, most of which focused on the development of the culture of trace sand wells, border culture, the culture of silk roads, the music and dance of the west, the trade camels with hulls, the epitome of the battles on the side of the military brigades, the hymn of hymns and the hunting of nomadic peoples. The whole sculpting line is simple and dynamic, and each piece is a story, and each story is a story of history, a picture of life, a story of beauty, as if the river of history had passed before us, allowing us to swim in the mountains while understanding ancient historical cultures and social life。
It's about the theme altar of eagle rock sacrifice. The altar consists of a base, which is shaped in circular shape, with more than 20 iron bars headed by the head of the sheep, and a circle of equals, which is shaped like a pile of flames drawn together by firewood, and then a threaded piece of iron, which opens up like a flame, then rises up, and the gold-coloured disc is firmly above the spark. On both sides of the altar there were two pillars of iron on each side, each of which had a pair of hawks on whose wings strung, which, i think, should be inspired by the hawks that were buried in the tomb of zhao bay, the culture of shahi。
Without realizing that our journey is coming to an end, and we are on our way back to the village of almonds, as far as we can see, with the pavilion bridge rising to the ground, the landscape of the rocks and rocks and the construction of the buildings on fire. In the middle of the night, the "apricot village's liquor fest" became a reality, and a pleasant source of beauty was laid out in the vision。
On this trip, we looked at the glamorous geological wonders, touched the thick and far-reaching history, and listened to moving old legends. When the wheel turns and looks back at the water, it is as the beauty of a poem as it is painted, and it is written in the depths of its memory, a beautiful mark that never fades。
