The qin han period
;; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; and ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; the height of qinhan buildings is based on the growing maturity of building technologies, mainly in the following areas:2 (b) visualization and psychology of indoor space by improving the continuity and permeability of building space
Maximize the above. Second, flexible space is divided. Qinhan used to be a temporary building used for military brigades, hunting, rituals, and it was only during qinhan that it became a place of use. It is applied in a flexible and casual manner, either on a wall, or on top, or on a shelf, or in a bundle of beams in a variety of forms and expressions. Bills and other furniture [such as screens, beds, couches] the combination of applications can be combined into small space with a hypothetical dry connection, making indoor space organization more flexible and rich in space forms, scales and layers. The composition of the account is dominated by fabrics, the characteristics of which determine the following characteristics: a rich decorative, universal, comfortable and personal。
Thirdly, in order of courtesy, and before that, in the way of life which the former qin had lived in, the table was a separate piece of furniture necessary for people to live in. It is both a seating device and a sleeping device and a participant in the organization of the indoor space order. More importantly, there have been many courtesies in the seat-centric interior, and a complete ceremonial system has evolved in the way the seat is laid, the place is laid, the way the seat rises and falls, the difference in the material, the order of the seat, etc. In the case of seats, there is a strict hierarchy of numbers, which is multiple in value. The tenth protocol reads: “the gift is to those who are worthy of it ... The son of god has a seat of five, the lord has a seat of three and the doctor is a doctor. "for example, the 10th communal party has the words, `impressed, do not sit' and `you must eat first'." and those who are with them, there is order up and down, and the upper and the upper. Despite the changes in the height of furniture during the qinhan period, the furniture was laid above the qin courtesies, in order of age and inferiority. The handei protocol stipulates that at a gathering “the group of five, the elders shall be different. "a single seat shall be set for the elders and the upper ones, to show respect。
Following the widespread application of the couches, the polite idea of the kneeling did not change and the seating position on the couch was maintained. The couches, and couches, shall be made for the sole seat of a single person, and they shall be made for the honoured or the elderly. In events such as meetings, feasts, etc., assuming that the elders or the superiors pass through their own faces, the gift of retreat, i. E. Leave the table and then kneel on the floor, expressing respect for each other with humility. For example: "drinking wine, wu an rises to life and sits away." "in low-grade furniture periods, the furniture of the halls is equipped with a readily available feature. Whether it be a guest or a drink, the furniture is set up in a manner of courtesy and order, in which people live in harmony with people, people and things, and in order to create harmony and harmony in the indoor space. ; paint-painted wood beds (2180 long, 1390 wide, 190 high) zhou's capital city, as recorded in the zhou rio examination, reflects the “middle of the king” and the strict symmetrical planning of the city; the four and the qin dynasty handai main building is well-opened, and interior design uses the mural to decorate it. As stated in the monument no. 11 of 1976, in the qindu xianyang i palace building site bulletin, the frescos are found “of more than four hundred and forty pieces ... The murals are colourful, colourful, organized and diverse, with a fairly high level of style, showing the artistic character of qin culture”. The murals are mainly painted in the form of car horses, ceremonials, buildings, characters and clouds, and in the form of continuous diamond flounders, and in the form of black, jade, yellow, red, red, stone, green, etc. It has been documented that the handai palace house is heavily muraled, with most of its contents depicted as saints, loyalists and a fairy symbol of shang shwe. Following the example of the court of the dynasty, they have built palaces and made murals. Qin yun yuwa don
