People are born, early years
Guangcheng
Guung, of shanghai origin, was born on 24 september 1956 at a poet's home in beijing, where his father worked。
Guang was well educated and cultured by his father. The most striking feature of the image of guang is that of her sister in the countryside, who often goes to kindergarten and sees trees and ants alone. Gu was given the "story of the nations" sign for one lecture to his classmates and, although he wanted to, he did not like to be told by a crowd. Guo-cheng had to seek his sister to be his “one-person listener” and when she was not able to listen, “he went into another room and spoke to the wall by himself across the bed”。
In 1968, when he dropped out of school at the age of 12 to raise pigs at home, he began writing poems, always alone, without playing with others, but with his own mind down. Moreover, the atrocities committed by mangji have struck his heart and made him more sensitive。
He had spent five years with his father on an army farm in guang north of shandong in 1969, but he did not like farming life, which was far from the world he imagined to be like glass, and which caused him pain。
In the bud
The study of painting began in 1973, and the writing of poetry also entered the writing stage of social works。
He was a porter, sawner, seconded editor, etc. On the street of the factory bridge in 1974. Articles such as beijing art, shandong art, and junior arts are published sporadically。
Recommenced writing in 1977, following the publication of the poetry of the bumung-jin newspaper, generated strong resonance and great controversy in the poetry community, and became the main representative of the poet of the philosophies, which received much attention。
At the end of 1978, guo city began reading the first underground poetry journal, today, posted outside the wall of the west single stadium in beijing (later known as the “democracy wall”). And through this publication, there is greater and deeper recognition of the outside world。
Emotional life
Guangcheng
Participated in an amateur poetry group at the cultural palace in the western city of beijing in early 1979。
In july 1979, she met and fell in love on a train from shanghai to beijing
In november 1979, for the first time, a poem was published in the poetry journal, as the poetry group of the colonies. A new chapter in his life was opened by a meeting with xie xie yan。
Guo-cheng and xie-chou were very much in love, but young-ying became involved. In pursuit of his free kingdom, guo city and xie chiu went to surge island. Young-il was with liu changqiu at the time, but he was in contact with gu. When gu and young were together, they were attracted to young. She took gu to germany, while ying ran off with an old man and got married. This is a marriage without love, just for the green card. Guang was particularly painful. Gu's story was written into a book called young。
Top of the career
In 1982, guo city joined the beijing city writers association. Joining the writers ' association has formally established the status of guangcheng in the beijing poetry。
In 1985, guo city joined the chinese writers association. Joining the chinese writers ' association has further enhanced his status and led to wider recognition of his poems。
In may 1987, gucheng was invited to germany to attend the minster international poetry festival, which was followed by a tour of western and nordic countries for cultural exchanges, lectures and later new zealand. This experience has enabled him to raise his reputation and earn some money, but reputation and money have not turned him on and satisfied with the cause。
Invisibility
In 1988, guo city went to new zealand to teach chinese classical literature and was recruited as a researcher at the university of auckland in the department of asian languages. He later became a new zealand citizen and later became self-sufficient in chicken farming on the island because he did not like the city's noise and the complexity of work。
In 1992, guo city visited europe and the united states and created it. Generating annuity from the german academic exchange (daad). The following year, it was also re-entitled to the german berlin creative foundation. This reflects the recognition by international organizations of the level of poetry and literary contributions to guangcheng。
♪ and suddenly died ♪
On 8 october 1993, gucheng, in new zealand, where a divorce clashed with his wife's gratitude, cut off his wife with an axe, fell to the ground with wounds, and became a mystery, left four suicide notes in a hurry during his collapse, and then hung himself from a tree and died hours after his death。
Guo-cheng left behind a lot of poetry, literature, calligraphy, painting, etc. After his death, the editor of his father's book, gucheng poetry, was published。
Characteristics of the work
Gu, fairy tale phase
The period 1969-1982 was the pre-preliminary stage of its creation, with a clear and pure whole style, and the period saw two peaks of creativity — 1970-1972 and 1977-1982. Guo-cheng wrote many brilliant works during this period, focusing on the wonderful, pure and bright things of nature, with a rich imagination, creating an amazing and incredible artistic space for readers and an ideal fairy tale for himself. He is a born poet whose creation is not based on social experience, but on his sensitivity to everything and his natural talents, and of course he is thinking and exploring with his heart, and in his poem he reveals a slight sense of vanity and decay。
Gu's early fairy-tale poems are simple, child-linguistic, pure, often short in style, beautiful in sense, and fine artistic senses mix everything into a wonderful world. A child can be said to be a more unique image, and a child in a poem from guo city has its own unique meaning. The creation of such poetic images is supposed to be quite successful, and the creation of images in performing arts is sometimes the same as the creation of different ones. Guo-cheng writes about the content of poetry, such as fairy tales of animals and plants in nature; uses humanism more technically; is a child's perspective in writing; and is a child in art style. Gu's poem is natural. While his poems are a little further from the complex appearances of social life, he is close to the true state of life in the quiet and self-righteous universe. This is just the truest and best state of poetry. Guo's poems are easy to read, with no visual, linguistic or formal obstacles. The poems in guo city are usually very brief in style, not isolated in language, and are commonly used in terms that are plain and simple. In " i am a child of willful will " , the poet has built a new world of fairy tales, with the unique imagination of the poet, to break the constraints placed on him in the real world and to achieve freedom in the heart. In the lonely one in the north and in the snowhouse of the eskimos, guangcheng not only learns the true meaning of marriage and love in the art world, but also spends his whole life in the real world, even fighting morality for the true love of his heart against the secular world。
Transition period
The period 1983-1986, which was the medium term of his creation, was a period of self-exploration and transformation of poets, with mixed praise. From this part of the work, it is clear to the reader that the difference and connection to the earlier and later stages of the work is evident that, after the beginning, this phase is a transition period for poetic creation. The writings of this period are still rich in fairy tales, but they also have a deeper connotation, which may have contributed to the conflict between reality and ideal in guangcheng, preventing him from continuing to make simple poems, having to deal with internal contradictions and suffering, and having to change。
Dream phase
After 1987, it was later in its poetry. After leaving the country, guang city almost stopped any effort to rewrite his poems, and he is increasingly feeling that writing poetry is the most basic and natural phenomenon of life for him. His poem was written everywhere, in old newspapers, on paper, and he himself said in germany in 1992: “i write very well on the island, i can write when i have time, i can always feel”, “but there is little to keep, and there is no place to put it”. He also used to say that his poems were "none written." the poet thinks that the work of this period is his best, the most moving one, and that he was in a state of “no me” at the end of his life, completely independent of himself from the times, following dreams, thoughts, inspirations, poetic language and its image with a broken beauty, from which he seems to have returned to a state where he had just begun writing poetry, but when he was a teenager, he was building a fairy tale world, and now he is building a more fantastic castle. However, the beauty of fairy tales, however phased, has been throughout his creation, which we cannot give up while reading and analysing guang's work. Even after that, he was still looking at the world in the eyes of a child, only then he had an adult body and a heavy heart, and his quest for the beauty of fairy tales had never changed, and he was determined to go to an island and build his own utopia。
Literary achievements
Guangcheng
Guo-cheng is the representative of our new era of poeticism and is known as the “magazine poet” who looks at the world with a child's heart. The hymns that emerged from the late 1970s to the early 1980s were an important part of the current wave of exciting ideas, literature and “liberation” and the beginning of the movement of new poets of the 1980s。
In 1975, he completed his own " fantasy of life " with the gift of the child and laid his own creative style. The world of the songs, created in 1984, contained reflection and calm tone. Poetry such as gu's "a generation" and "arc" has become a “poetry” repeatedly mentioned in the poetry debate。
From 1987 to 1993, the only autobiography long novel, young-e. His poems often create a fairy-tale world far away from the world by jumping short phrases, the colours of drift, the monologues of mumbling。
In the early 1980s, the city's own self shifted from attachment to nature to cultural dependence. I'm a child of choice, a generation, a grave of red guards, and other works with a strong intellectual and social consciousness. Guo-cheng wrote a lot of poems to thank you. These poems contain ideas that transcend reality and strive for an extravagant, simple, isolated world。
Personal evaluation
Shenqi (associate professor, henan university of industry): in the contemporary chinese poetry of china, which is full of ideological troubles and utilitarian hopes, the “psychological autobiography” of guo city poetry, like “crystals”, and its pure and transparent existence, is indicative of other meanings of spirituality and aesthetic values, easily creating a world of poetry that belongs to all of the city. The contemporary art of chinese poetry has returned to its essence here in guangcheng: both from the creation of life and life, and from the way life and life itself exist。
何 (professor of the nanjing teachers college of literature): guo has constructed a heavenly kingdom of poetry with its children-like poetry and language, a kingdom that is in fact tense with our world because it is above the world and towards humanity。
Zhang qinghua (professor at beijing teachers' college of literature): from a moral point of view, guangcheng may not have been written here, but he becomes necessary if understood at the level of a tragedy and poetry of greater significance. The gucheng text has more influence than almost all contemporary poets, which is why we cannot circumvent him. While he has a more negative perspective, his poetry also contains more dark and deep human complexes, which in its simple expression is rich in information。
