Li bai's poetry style is unique, with such characteristics as euphoria, imagination, immaculateness and freshness in the language, leaving a big ink-colored record in the history of chinese literature。
Romanticism has a distinctive character, has succeeded in shaping itself and has strongly expressed personality. Li baek's poetry is filled with contempt for power, such as holding a daisy and laughing at 2,000 stones, and showing his pride; at the same time, he has deep sympathy for the working people, and his kindness and compassion is reflected in his "throwing tears and rain." when the community fell, and the people died, he was so generous that he said, “before the river flows, with a desire to clear the land. Draw swords to the fore, it's hard to say. When he drinks with his friends, he's naive and he's like, "the two of you are scrambling the mountain, a glass after a glass. I'm drunk and i'm gone, and ming wants to hold the piano”. In any case, his poem was a living expression of his obnoxious character and image。
Use of rich artistic expressions. Li baek's imagination is subjective and objective, and his imagination is extremely rich, almost as full as it is and sometimes as full as it is. Reality, natural landscapes, mythology, history, dreams, are the medium of his imagination. He often uses imagination, transcending time and space, to combine reality with dreams and wonders, and to entangle nature with human society to recreate objective reality. For example, in " sleepwalking in the heavens " , he built a beautiful ideal world by using the fairy of dreams to capture images of super-realities. One of the romantic art techniques of the li bai poetry is to concoct the author with metaphors, to move to the object and to compare it to the human being. Another romantic art technique is to capture a particular feature of the thing and to exaggerate it boldly on the basis of life. His exaggeration is not only an imagination, but is always combined with something that is so natural and untraceable; it is so bold and credible that it serves to highlight images and strengthen feelings. Sometimes he combines bold exaggerations with sharp contrasts to enhance artistic effectiveness by increasing artistic contrasts。
He's good at seven words and words. Li baek's seven-spoken and chorus structure, such as "the dynasty of the way", has become a vagabond of mythical writings, with the artistic display of the ancient troupe, the hymns, the swollen, the rugged, and the vastness of the artistic landscape. Lee baek's 5-7 words, like "the city of morning and white" and "the great hills of mon," are brilliantly phrased as "the vision of one's eyes, the words of one's mouth, the sound of a string, the smell of a fragrance, and so forth."。
Language is natural. The language of li's poems is natural, and it's related to his pursuit of natural beauty and learning folk songs. His language is fresh, even unconventional, and everything is unified in nature, such as “the water comes out of the roses, the natural decorating”. His poetic language, as if it had been spoken, but it had been introduced into it, was a full expression of his quest for natural beauty. He inherited chen ziang's literary ideas and took the job of reinstating the poetry tradition. He admired the "purity" and the "innocence of the sculptor." his poetic language is clear and vivid, and is the result of a careful study of folk songs to understand the ethos。
Two, li bai's gossip
The hymns of the yellow crane house, a play of four, then gave up the hymns because of the hymns of choi, and made it a beauty。
Li baek went to the hwang crane building and had a great choreography. However, when he saw choi choi choi's walked on the wall, he left his pen behind. This poem by choi qian, "the people of the past have gone on the yellow crane, and this place is empty. The yellow crane is gone and the clouds are empty. Yinchuan hanyang tree, fragrance parrot continent. Where's zhiguang? It's sad on the smoke river. @libekzan: #yemen later, the story was made up of a little story that lee baek read and then wrote a poem: “one punch to crush the crane building and one kick to the parrot's continent. There's no way out of sight, and choi's poem is on the top.” although li baek didn't write it later, li baek's writing was real. As a result, the eastern side of the crane building also built a “blank booth”. Li bai didn't stop and then, one night, he and his best friend went to nanjing phoenix and wrote, "the phoenix is on the phoenix stage and feng is on his way to taikong." wu miyagi's grass is buried in the shadows. The three mountains are falling in the sky, and the two waters are divided into white quail. For the clouds to keep up the sun, and for the peace of life to be unforeseeable. The two poems look very similar, and it is clear that li baek is determined to compare with choi。
The friendship with wang lwin, who met wang lian by the ten mile flowers, left wang lian。
Wang lwin learned that li bai had come to the water side of the city and drove a boat along the river. He lied to li baek about a good place to go, where there's "the ten mile flowers, the ten houses." li baek-hwan went to the garden of the peach blossoms and found that it was not what wang lan said. But there's only one peach flower on the shore, and there's a tow shop on the side of the peach tree, and there's a flag of wine in front of the door, and it says, "the hotels." the owner's name was wan, and the place they passed was the mountain of ten miles, and the peaches in front of the shop were "ten miles of peach." wang lan confessed his deception to li bai, who was touched by his heart and made friends. Li bai spent more than 10 days by the pomegranate and received warm hospitality from wang lan and the village. On the day before his departure, wang was in love with him, singing a mountain song for him, and li baek shing, with his mouth full of words, "to wang lun," "li baek will go and hear the sound of singing on the shore." peach blossoms are so deep, they don't give me anything."
The stories of close friends like meng hoon, wang changgi, dufu and song sheng are indicative of li bai's friendship and affection。
Lee bai's best friend meng ho is 11 years older than he is, and li bai worships him. “it is li bai who wrote the farewell poem for mon-ho in the yellow crane building.” li baek's best friend and yuan danchu, and li baek's best friend will tell him anything he knows, writing " will be drinking" when he's at won danchu's house. Li baek's fan dov once wrote 20 poems to li baek. There is also a fan named wei wan, who travels thousands of miles for the sake of a glimpse of the true face of the poet, who was moved to hand over all his poems. The story of li bai's many friends shows his friendship and affection。
And the story of guo zi yi, they saved each other。
The story of guo zi yi and li bai is well documented in history. According to reports, li baek had been arrested and imprisoned for the cause of young wang li zheng, when guo zi yi, a high-ranking and powerful man, resigned voluntarily to save li bai. There are records of guo zi yi saving li qi's life, but there are some doubts about whether li zi yi saved him in his early years. First is the issue of location, where it is documented that the two men met in the same state, but the history book does not record guo zi yi's experience in the same state. The second is the status issue, where guo zi yi, who was in his early years, was successful in his career, and li zhi yi, who had no official position in his early years, had difficulty in saving him。
However, it is clear from history that there were three people who saved him after li bai went to prison, the first being his second wife, zongxi, who had written a message of gratitude to his wife for her efforts to save herself. The second person, chinese chancellor song roths, then became a member of song roth's staff and was heavily valued by song roths, while the third was general choi choi, who also wrote "chou sang-jun in prison" and "chou sang-hoon in prison" and asked choi to come and save himself, while choi helped him so much later. The story of guo zi yi and li bai remains a good one, although there is a lack of strong evidence in the history book about whether or not there is an intersection between them。
Li bai's influence in tang dynasty
Lee bai is known for his influence in tang dynasty。
He's been hailed as the "founding man" by a hyena, and he's been drinking with li baek。
Li baek went to chang an to visit the seal with his poem. It reads "the hard." it's called "the fairy." hampshire loves li baek's talent and insists on having li baek drink and freeing his own tortoise for wine when he finds out he has no money. This has also become a good story that has been circulated to date。
He was given a post by his cousin tang。
The badge recommended li bai to tang hyun-song. Tang hyun-sun called to see li bai, who responded to the current affairs, and wrote a complimentary article about tang-sun, tang-gon yong-gwan. He gave li baek food, made himself available to him, and gave him his official duties. In the years that followed, li bai was accompanied by tang hyun-song, who wrote poems and was blessed。
After retirement, he was recruited as his grandchild。
Lee baek's first wife, hsu, is the granddaughter of don dynasty's master. Mr. Xu is an ingenuity, a learned man and a smooth walk to the throne. After retirement, the family lives in anjiu. The 27-year-old li bai wandered around and was told that meng ho was in touch and that li baek and hsu were married. The talent and charm of li baek, even the house of chiefs, were also very fond of him。
All over the world, wang lwin invited li bai, a fan, to pursue the stars。
Li baek is famous in the world, and wang lwin of anhui nam adores li bai, and wrote to him inviting him to call it the "ten miles of peach" hotel. Li bai was pleased to go and found that it was not in line with what had been said, but was moved by wang lwin's sincerity and enjoyed himself. When he left, he wrote "to wang-lun", which gave him the name of the world. Wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei li bai also appreciated the fan and gave his poem to him to write a collection and to write a long poem, sending the wang qi wei wan home。
I've met duval three times to make him miss his life。
Tianbao met with a 33-year-old dov in three years, along with the seymour poet, and three people came together to swim, drink poems and visit xian. In two years, lidu met three times, but after a short period of time, dufu wrote more than a dozen poems about li bai and saw how deep li bai's influence on dufu was。
In tang dynasty, from the temple to the city wells, everyone loves li bai, and mid-night tang has gained a high status。
From the hymns of the seals, the favors of tang hyun-zong, his son-in-law, the invitation of wang-lun, the fans' thousands of miles of follow-up stars, and the deep affections of tofu, it is clear that li bai is very popular in tang dynasty. In the mid-tang era, han's evaluation of li bai, dufu, “li tu's article is in the air” and tang wen zong has sealed the chinese royal title “pei's sword”, “li's poem”, “zhang xuwei's book” as “tang dynasty three”, which shows that li is now in high standing in china。
Iv. The life of the chinese poet li bai
In the early years: at the age of five, the literary talent is shown and is generally considered to be the changlong county of mongzhou。
It was amazing at the time that li baek was a child with an extraordinary literary gift and could recite six aces at five. His birthplace, changlong county, was perhaps the foundation for his literary path。
Youth study: 15-year-olds write poems calling for fame and study in places such as the river oil, the sword's inn, etc., influenced by the minds of the dows and the warriors. Twenty-four-year-old swords traveled far and far。
Fifteen-year-old li bai began writing poems and actively demonstrated his talents to the elites of society, eager for their appreciation and inspiration. He was deeply affected by his studies in the river oils and swords, and by his exposure to dows' ideas and guest cultures. At the age of 18, li bhai went to live in hiding under the sun to learn swordsmanship and make friends, and spent a time full of ambition. Twenty-four years old, li baek, with a desire for the outside world, swords and swords traveled away from home. He traveled from the river, through chengdu and mount zephyr, to learn and learn from different ways. During his study tour, he not only enriched his life experience, but also met many like-minded friends and provided a wealth of material for his future literary creation。
Marriage and career: married to xue, many times in vain, he received a gift from don hyung-gong and was given back with a gift for his personality。
Li bai's marriage and career paths are full of setbacks. He was married to his granddaughter, the former chai-shu, and, with the help of his family, wished to open his way. However, li baek has repeatedly failed to meet his wishes. Nevertheless, he did not abandon his ideals and continued to seek opportunities. Finally, li baek's talent was recognized by the seal, which recommended him to tang. Tang hyun-sun called to see li bai, who responded to the current affairs, and wrote a complimentary article about tang-sun, tang-gon yong-gwan. He gave li baek food, made himself available to him, and gave him his official duties. In the years that followed, li bai was accompanied by tang hyun-song, who wrote poems and was blessed. However, li bai's personality was indissoluble and eventually released from the grant for the sins。
Ensemble of the history: ensembleded in the rebellion of the king of everest and subsequently freed by amnesty。
Li bai's life has changed dramatically since the outbreak of an shi. He was involved in the rebellion of yonggyu li and was convicted of exile. During the exile, li bai experienced many hardships, but he never gave up his desire for freedom. Fortunately, li bai was released after an amnesty. He then proceeded along with the yangtze, as the city of premature and white, expressing his joy to regain his freedom。
Life in the queen's land: the migrant easter, who lived in the “shoe creek” and then became acquainted with joo-chi, and the an shi who fled to seek refuge, ended up dying of disease。
Li baek moved to toru in the late years, living in hiding with bamboo creek, living in a casual life. Later, he met zong thi and had a good time together. Li bainnam sought refuge in the chaos of an shi, and was displaced. In the end, li bai ended his legendary life when he passed away。
V. What's lee birth's poet
Li baek's poetry is diverse in style and subject matter, leaving behind many classics. Among them is the observatorio falls, which, in a vivid depiction, displays the beauty of the falls, “the radiant fragrance of the sun, the smoke, and the distant view of the falls in front of the river. Flying down 3,000 feet, suspected to be a nine-day galaxy, paints the great beauty of nature. "the waters of the yellow river rise and flow to the sea. In the absence of the king, the mirrors of the high hall are pale and white, as is the twilight of the snow, and the poet's sense of life and his sense of glory. In a strange imagination and exaggerating tactics, the dynasty depicts the dynasty of the dynasty, and the words "the dynasty of the dynasty is hard to reach" become ancient. "speeding in the sleep" is romantic, and poets travel through their dreams, "and i can't be happy because i can't be happy" . "the yellow crane building for meng's magnificent hills" is a beautiful display of the separation between poets and friends, and it's a resonance that the "single sails are empty, except for the yangtze trend."。
In addition, li bai's words enjoy a very high status in the history of the term, and the only callingigraphy truth is " on the balcony " . It was done by li baek with "sith" duft, with 25 words: "the mountains are so long, they're like millions, they don't have old pens, they're poor." eighteen days on the balcony, too white.” it records the author, the time, the place, the pen, all the way up, the male and the male, and is classified as a national cultural relic, category a, and is now stored in beijing's home。
