In static sketches, stainless steel metal bowls are of considerable importance and unique status, both as a classic target for basic training and as a “step-by-step” to enhance their configuration and observation capability. Many problems can be encountered in the drawing process, such as the whole body being gray, dark, impervious ellipse, thick chaos, interior walls, projection, reflections, and so on。
Today, a full-time sketch teacher from tada brought you the stainless steel bowl
Starter
The bowl is a classic industrial product with a full symmetry of the right and left, a circle of different sizes up and down, although the circle shows ellipses of high and wide proportions depending on the view, with special attention to changes in the width of the edge of the bowl。
Determine the structure outline
Once the position and scale are determined, the elliptical trajectories of the bowl, which are symmetrical up and down, to the left and to the left, are carefully observed and modified, and some of the more obvious inverted colours can be simply marked。
Paint
The colour of stainless steel requires observation of light sources, environmental effects on objects, pre-positioning of the high-light segment, drawing of a reflection of the environment projected on the bowl, which, because of the reflection of the white desktop, is more coloury inside the bowl. The most critical part is the clarity of the edge of the bowl and whether a clear turning line can be seen。
Paint
The painting phase has been prepared during the plaque phase, for example:
High light and reflection
2. Horizontal trends in internal reflections of bowls, vertical trends on both sides
3. Distinction between internal and external colours of the bowl
There is a horizontal trend in the reflection and a vertical trend on both sides
Clearness of the shapes and changes of light and reflection requires a full understanding of the impact of the environment on objects, not just a simple copy of colour, but both inside and outside of the bowl, which, in order to present the curves, requires a colour change on the curves, and only the plane will display a constant colour。
From a single static analysis of the essence of the japanese sketch, the above is the full content of the new series of "japanese synthetics individually" issue 3. More information on sketching techniques and japanese fine arts studies is available for further updates。
