Larger than urban planning and smaller than architectural design, china has built a great deal of excellence, embodying the unique philosophical thinking, aesthetics and life wisdom of the chinese, and has flourished in human civilization. In order to promote the spirit of china's beauty, the people's daily of recent days has launched a project entitled “people's beauty and beauty classes”, the first issue of which is called “building beauty” in the form of an in-depth dialogue in the studios and an insinuation of small theatres, leading children into this multi-year construction event of aesthetics, opening new ideas and providing new approaches to beauty practices in the digital age。
Construction skills are an important expression of china's wisdom, mainly in the deep integration of structural design and materials processes in traditional chinese buildings. Unlike stone architecture in the west, china's ancient architecture can rise a thousand years through a “silver system” with wooden structures as its soul. Whether it is the earthquake-resistant miracle of the mota in shanxi, or the cascading arch of the palace and palace, the ancient “erok kong” has shown its creative wisdom. In order for the children to read this wisdom, building beauty is a child-friendly tool. From a child's perspective, it combines ai modelling, 3d animations, etc., through a question-and-answer, in-depth presentation, interactive teaching, etc., in order to break the time and space divide and stimulate children's quest in audio-visual combinations and hands-on practice。
The caps are structural components specific to china's ancient architecture and are located on the top of the pillars, in the tops, in the tops, in the tops and in the walls, or between structures, reflecting the intersection of architectural aesthetics and architectural mechanics. For this reason, a variety of arches have been used in buildings such as the palace and the temple, and in the canyon, which, in the form of “scrambles and bites”, carry the floor loads through complex mechanics, spreading them to the pillars and foundations, thereby ensuring the security of the buildings. The arch is connected through the dice. A dice structure is the key to anti-earthquake resistance in ancient buildings, which connects different wood components through complication and embedding of condensed parts. The gap between the bites of the wood components gives them some flexibility. When an earthquake strikes, the small shift of the zhids is used to defuse the energy, reducing the seismic load of the entire building to a very low level。
Colour is the language of the building. The zhu's royal and chalk-deva's virtuosos... The colours that flow through the building for thousands of years become a dual expression of protocol and aestheticism. This year has been a century since the establishment of the palace house, and the crowds of visitors have gathered, not only in their strict form, their fine skills, but also in their brilliant appearance and their beautiful colours. With the introduction of one of the little friends' questions about the colour of the palace, the red, yellow, green ethos is spelled out in " building beauty " : red represents the blessing, prosperity and strength of traditional culture, so the red wall of the palace has long become a symbolic colour, embodying the royal authority; yellow is regarded as the exclusive colour of the royal kingdom, and the yellow light of the palace symbolizes the royal prestige. The combination of the red wall and the yellow wall also coincides with the meaning of “fire-breeding land” in the five rows, meaning the consolidation of royal power and the prosperity of the nation. Thus, the surroundings of the palace buildings are often green, adding not only an inspiration to the building, but also a symbol of vitality and vitality. The royal residence is also green, with the meaning of “breathing and vibrant”。
China's ancient architecture is much more colorful, not simply adornment, but an artistic expression that integrates ethics, natural worship, the aesthetics of times and so on into everyday life。
For example, it is a feature of ancient chinese architecture and a subject of great interest to children. What are their cultural implications? Building beauty combines physical props, realistic applications, and so on, in interacting with children's games, the answers are taken to deepen their understanding. In traditional chinese buildings, the vertebrates function both as decorative and as fixed spinal turbos, as well as as as leak prevention and mine avoidance, and have a profound connotation and hierarchical symbol. For example, a dragon is a symbol of a royal kingdom, a phoenix is a blessing and a lion is a symbol of power and power. There are different levels of construction, as well as different numbers of vertebrates. The cactus are the front-end building blocks of the ancient building, regardless of the form of the building, the size of the husk, the number of beasts, and the position of the cactus remains the same, representing the way the cactus guide and the best of all. The queen behind the fairies is called the beast. Beijing king's palace is a cactus with seven gypsies, and the palace is a cactus with 10 gypsies. The place of the gypsies is also well known, and the civil people have a line that slips in their order: “one dragon, two lions, three lions, six fish, nine bulls, one monkey.” not only are these tyrannical beasts on their roofs, but they also hold up the spiritual crucifixion of traditional chinese buildings, with the most powerful chinese intelligence for survival — the power to tame everything with fear。
In addition to the vertebrates, ancient buildings are decorated with paints, tiles, etc. The dual role of different types of colouring, decorative and wood conservation also carries a good connotation. The role of algae wells and smallpox is explained in detail through specific architectural details. Most of china's ancient buildings are wood-based, and the ancients built a “algae well” right above the building to avoid fire. Smallpox is a pattern of decorative around algae wells, with a variety of aquatic plants, such as lichen, diamond, husk, etc., and has the meaning of avoiding fire. From color philosophy to decorative symbols, from structural approaches to space poetry, china's ancient architecture became a vivid interpretation of china's “technological advancement” civilization。
This year is 40 years since china acceded to the convention for the protection of the world cultural and natural heritage. Over the past 40 years, china's world heritage stock has reached 60, the second largest in the world. In particular, last year's success in beijing — from the bell drum building to the complex of yong-ding gate, where tradition coexists with modernity — inspired by chinese wisdom. Cultural heritage is a cultural asset shared worldwide. How can this cultural wealth be activated? A new paradigm is provided by the “people's mayo-presentation”, which focuses on the essence of china's excellent traditional culture and uses technology to activate traditions, to break the gap between time and time and cognitive divides through forms and language innovations, to expand the space for beauty and to assist in the development of bathing in schools。
(by the director of the academic council of the graduate palace college and the director of the committee of experts of the chinese society of antiquities)
