“bite the green mountains, and the roots are in the rock. It's tough and hard, and it's the east-west wind." this is a well-known piece of bamboo, by one of the "janzhou zhenhashi"。
Zheng panhashi, formerly zheng zheng zheng zheng zheng, the jiang su xing man, studied with his father at an early age and had a strong interest in literature and art. Zheng zheng zhenhashi took on the talent after he reached full age, but his career was not successful. It took him 23 years, from the show to the parade to the corporal. He summed up his own case as “kang hee-chung zhenglong, su-hyun qiang” and reflected the bitterness of his success。
It's not like there's an officer at once. For many years, zheng zheng zheng zheng zheng zheng zhen zhen zhen zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zhu has been serving zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu the incident was later brought to the fore and zheng panhashi was dismissed。
Picture from the film, "soft county punctu"
“everyone is happy to be an official, and i am suffering from being an official today.” he returned to yangzhou to sell paintings for a living and sells them for a well-known price: “six large, four large, two small, two small, one large, two large, fan, five large. It's not as good as silver. The language is frank and funny。
The bamboo culture, with its long history and deep cultural roots in china, is a symbol of tenacity and youth, and its emptiness represents the character of shibuya. These characteristics of bamboo, which were endowed by the ancients with spiritual and cultural symbols such as elegance, purity, vanity, sarcasticity and straightness, are an important part of the spiritual culture of the chinese nation。
Zheng zheng zhang zhang zhang zhen zheng zhen zheng zhen zhong zheng zhong zheng zheng zheng zheng zheng zheng zhi zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zhu zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zheng zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu is the best zhu zhu zhu zhu zheng zheng zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu zhu after more than 40 years of painting, without a teacher, it is pure writing, and during the day and night, it is practiced。
On the scene of the “f10th special exhibition of the flower land - dragon gallery”, the second left is zheng zhenhashi's work, “sushi zheng takeshi”。
Qing zheng wei bridge (1693-1765), suu-suk axe, paper ink, 239 x 122 cm
Zheng zheng zhenhashi, the zheng zhengxi museum of arts (west bank museum), is about 2. 4 metres tall and is a deep and skilful painting. From the contents of the picture, a piece of the stone is hidden among several bamboos, which, with their distinctive gestures, display their tenacity and tenacity, while it provides them with a solid foundation。
In this painting, zheng panhashi demonstrated the distance of the bamboo through light ink and thick ink, highlighting the dynamics of the painting. And he drew the bamboo, straight and forth, straight into the clouds, and expressed its taste. This fine picture of bamboo shapes and tastes demonstrates his deep understanding of and love for the beauty of nature。
In addition, zheng zheng zhenhashi has worked hard on the map. The pebbles are not in the bamboo forest, and the fineness of the bamboo is more than a touch of stone, and the whole picture is extremely hierarchical. The clever design and layout have made the map of the “yucheng shuji” more visualally attractive and powerful。
Zheng wei-hashi, suo-suk's part
Zheng panhashi, " a map of the same bamboo and bamboo " , 208. 1 x 107 cm, hidden at the beijing palace museum. Chart
In the eyes of zheng zheng zheng zhi bridge, artistic creation should be based directly on nature and its beauty, rather than on fixed forms and techniques. This idea was fully reflected in his drawings, which made the " suo-shek " map not only a highly skilled painting, but also a spiritual and emotional work of art。
Through observation and the practice of artistic creation, zheng zheng zheng zhenhashi has developed the theory of “book in the chest” and “bake in the hand”. "the bamboo in the eye" is an observation of the natural scene and an impression of it. "the bamboo in the chest" is the idea of artistic creation. "the bamboo in the hand" is the realization of artistic creation. Zheng zhang zhang zhang zhang zhang zhang zhang zhen zheng zheng zheng zhen zheng zheng zheng zheng zheng zhen zhen zheng gave deep spiritual meaning to his quest for morality, character and human habitat, and eventually rose to the status of a young man with a tenacious character of “twilight and strength, east-west wind”。
“fifteenth anniversary exhibit of the dragon gallery”
