About yang soo's art style
Executive summary: yang soo is an outstanding author of contemporary literary history, whose essay, drawn from a wide range of materials, shortness, fineness of design, euphemism and poetry, is both open and comprehensible. It is perfectly integrated in art and thought. It is full of poetry, which, together with the fineness of the language, the intuitiveness, the novelty and the harmony of the voice, has a strong artistic charm. It is very popular with readers and leaves a profound legacy in the contemporary history of chinese essays。
Key words: yang soo-doo-doo-doo-doo-doo art transfer techniques
Personal profile
Yang soo (1910-1968), formerly known as yang zheng, uncle zheng, from the town of penglai. Today's famous writer. Famous writer. After liberation, he served as director of the foreign literary committee of the chinese writers association and as standing committee of the defence for world peace congress. After mangji began, yang soo was singled out by the chinese rebels as the main target. At the end of july 1968, the request for access to the chairman and the request to speak to the head of the unit were rejected. On august 3rd, the desperate suicide took place with sleeping pills。
Yang soo, an outstanding contemporary romantic proficient, at the same time a hard-working poet, a deep literature of classical poetry, the idea of writing the essay as a poem, the method of writing it together, the way it is written, the way it is written, and the achievement of an excellent essay full of poetry, made an active contribution to the development of the contemporary chinese essay with its unique poetry proficient text. The paper is based mainly on the creation of poetry, philosophies, structural arts, skills transfer, language analysis, etc., and the exploration of the artistic style of yang soo。
I. Investing in creating the meaning of the essay, the beauty of fiction
The charm of yang soo's essay is that he created the style of poetry, image and philosophy that melts into a pot of poetry. His essays have the same meaning as poetry, the same structure, the same layout, the same language。
Yang soo often uses a variety of ideas to find poetry. There's something about this. In the text, the author first adopted the concept of "bee is a painter's love, but i don't like it" and "every time a bee is seen, it's emotionally uncomfortable." later, the author learned about the habits of the bees: “favorite labor”, “the honey made is so limited that he eats himself”, and “never contests or counts of nothing”. The author can't help but say, "what a lovely little living soul the bees are small; how noble the bees are! "then, using the synonyms and metaphors, the author thinks of hard-working farmers from the “labour-loving” habits of the bees; the authors compare the noble qualities of the bees to those of the people who work hard and give in silence. And finally, using a fictional approach, the author wrote at the end of the text, "this night, i had this strange dream that i became a little bee. ”expresses the ambition of the author to devote his life to his people and to create a sweet spiritual life for mankind, and expresses his deep desire for respect for and participation in the work of the working people. The authors went from “eating bees” to “seeing bees” to “honoring bees” and from “honoring bees” to “honoring bees”, and finally from “honoring bees” to “dreaming bees” to “dreaming bees” as a whole of emotional change, before and after, using synonyms and metaphors, before and after, and after, creating a new sense of freshness, tasteless and poetic artistic context in which the real life that can be felt everywhere is shaped by reality and image。
Yang soo's essay, like the poems, always uses the convergence of situations as an important means of creating the mind. The author is a big hand in the scenery, and his essays are often made up of a series of different images, which are difficult to read and visualize. But the most intoxicating thing is that yang soo's subjective feelings are immersed without trace in the drawings of the scenery, making it live and seems to be talking to you。
–the words of the love, and their rich and richly poetic texts, and their incisiveness and novelty, often relying on the means of love, and devoted to the creation of poetry. So full of poetry. This is accompanied by a strong artistic charisma, accompaniment, novelty and harmony。
The idea and poetry are conscious aesthetics of yang soo's writing, and he said in the east wind's first piece, little zone, that china's classical poems had their own meaning in almost every piece, so he went to this side of the story and sought the meaning of poetry in the essay。
Ii. Context, context
"poetry," "singing love." how can the subject of all literary works be represented by the subject of "ide" and "love"? The ways in which literature is presented in the past and beyond are not less than these two broad categories: either to speak out, to speak out, to speak out, or to speak out, to speak out. Most of yang soo's essays are based on a message of love。
Such as: the beauty of the tea flower, which says that the country rejoices in its face (? Tea flower? ); the power of the labor force to create the people's mountain by striking the rocks with the power of the waves; the miracle of the ant mountain, the power of the nation's struggle against colonialism (? Ant hill? ); the glorification of the modern working people by making honey bees. The use of the expression technique allows for a deeper exploration of the intellectual content and aspirations of the work and for a fuller use of its artistic effects。
It's very valuable to use the "together". And if he were to use the red leaf in the red leaf, it would be very appropriate for him to use the old guidance of the red leaf. “i went to the red leaf with a desire to look at it,” and “unfortunately, the leaves of this day hurt water, were not red, did not see a good red leaf, and some of my companions felt the lack of beauty.” and it says, "i took the most valuable red leaf and hid it in my heart." this is not a normal red leaf, it is a red leaf that has been blown by the wind and rain in its life, and the more red it gets in the autumn. Needless to say, i mean the old guide. "the relevance of this technique lies not only in the nature and ingenuity of the connection, but also in the meaning of the word "red": "for maple leaves, it has always been the symbol of beauty, and the more beautiful, the more beautiful it is, isn't it true that the poem "red" has a poem that says, "red" for people living today, it is also a general description of the noble qualities of the mind, the more loved and respected。
Using the "todo" technique, it's new. Yang soo is new and original when he exclaims the face of his country with her qualities. How can a single tea flower accommodate a country so big and beautiful? How do you compare a tea flower? Thus, the meaning of this tea flower is so deep and rich that from its beautiful gestures we see the country's youth and beauty; from its spring colour we feel the joy of the country; from its vitality we cannot help but shout the longevity of the motherland; from their planters we think of the founders of the country's mountain; from its appearance, we hail the future of the country。
Using the "together word" method, it's profound. Almost all the topics chosen in yangsho's essay are ordinary things: one fruit, one grass, one tree, one mountain, one bird, and one worm. However, after careful processing and refining by the author, especially through the author's clever comparison and association, these things, which are not obscurantious, can spark out the glory of the glory of the glory and show the truth。
Iii. Artistic pursuit of practice structure
Yang soo's essays, which are usually curvature-crossing, “silent” garden structures, turn around the middle of the cloud-covered fog barrier, fold over layers, vary in many degrees, appear sophisticated and attractive. At the same time, he is good at using art dialectics such as fiction, invisibility, insinuation, inhibition and manipulation to trim, stitch, layout and organize material. It is well-structured and uniquely crafted, and at the beginning, at the end, it is particularly powerful。
Yang soo said that when he wrote his essay, he “must trim the material like a poem, arrange the layout, refine the words and then write them into articles”. He did practice this art with his own creation。
♪ snow waves ♪ ♪ show a clear, simple and delicate structure. ♪ simple storylines, simple natural scenery, with "i" and "i" bonding with the deepening of old tarzan's knowledge, with deep, back-to-back content, curvatures and narrations. Words are fresh, smart, language-oriented hammers and phrases, and even person-to-person conversations have the characteristics of poetry。
Iv. Towards an excellent transfer technique
Yang soo's essay, which is very specific, is not mentioned, but his ability to manage the text can be seen by the transfer skills of his articles. The transfer technique of so-called articles is how to move one layer of meaning towards another rather than being rigid, deep and shallow, and not being generalistic and formulaic。
{\chffffff}{\ch00ffff}{\ch00ffff} what's the matter with you? Here, the author uses a worker to compare the past with the beauty of the potion and to celebrate the good of the new society. The author wrote that he did not know where the guturatin was, so that he would make it happen to a worker and say to him, "no, that's not true." and the author said, "look at the beauty."。
As soon as the pen turned, the author asked the worker to ask a thought-provoking question: "do you think that's what taurontin used to be?"
Of course, it's not necessarily that the author knew that the place was too expensive to open. However, most of him, other than him, including our readers, would have thought, “it should have been not so bad since it was previously known. I'm sorry
The article was written here and again, and the worker couldn't help but say, “it was a big reed pond earlier. Damn cat, whatever you want. The number of mass graves is unknown, one layer after the other, three floors above and below. But whosoever has a way of life, he will not go to the pavilion." in this way, the subject matter and the ideological content of the work are constantly being developed。
V. Demonstrating the beauty of the language and the refinement of the language
It's a beautiful essay. It's a diverse style, a sexual style of essays, which always show a sexual style of essays, which are spoken in language, and yang's essays are presented in front of the reader as a freshly embroidered essay showing the poetic beauty of a new show。
The language of yang soo has a special hymn, which is smooth and plentiful, bright and incipient, and which is as strong as tea and wine. Yang shang himself said, “the fineness of the choice of words cannot be ignored”, and in his writing, he was very interested in the phrasing of words, not only in the phrasing of words, but also in the use of single-sounding verbs, so that yang suk suk could be cleansed and distinguished。
As if, "my heart is shaking, what a lovely little creature! There is nothing for man, but the best for man."。
A tremor not only conveys the vibrancy of the spirit of the bee at the moment, but also contains a lot of feelings, guilt and guilt that the bee does not understand; there is admiration for its short, but so great spirit, and if the word tremor is replaced by the word "shock" or "acting" it is far less contagious。
This is yang soo's essay, which is written in words, often with a verb, a little bit of it, so that you can give a precise insight into the subtleties of things, as you are a master of a thousand hammers。
Yang soo can paint his work according to the circumstances of his life, and write the poems with great eloquence。
Yang soo's essays, "little talk, low man's ass," are unique, and they always have a mysterious colour that always shows you the shadow of working people in flowers, birds, worms, grasses. It's amazing to read it, as huang zhong said: reading the essay of comrade yang soo, like entering the sioux gardens, in small, but far-reaching shapes; reading yang soo's essays like fan paints, between feet, is cloudy and wide open。
