This future — and, as has been said earlier, the new cultural movement has given impetus to an extraordinaryly old body of literature — the essay — to another boom. The prosperity of this essay and the apparent emergence of new elements of the probate that were not seen in the past are reflected, inter alia, in the constant impact of advanced western thinking on what is inherent in confucian doctrine as a subject of ethics and ethics, which has become a strong expression since then, and the fact that the probate of confucian doctrine as a subject of classical essays has been the subject of many thousands of years of hard-won thought; and, secondly, in the transposition of the probatives, the replacement of classical essays with white scripts, the expansion of the subject matter and artistic expression of the probate, the direct introduction of the protégélétégé from deep into the court hall to an era of radical change, the introduction of the “gest writing” and “following” of foreign texts into a transliterate text that is a manifestation of survival and the expansion of the artistic capacity of the protégé。
The establishment of the socialist system has brought an infinite spring to the new china, from which history has entered a new period of historical development — this has created an unprecedented new world for literary artists and has given rise to great artistic zeal. The fact that yang soo is no exception to the fact that he is not only a talented writer, but also a person who is personally involved in the creation and construction of the republic makes him very conscious of his destiny and the fate of his country, and of the fact that he sings a new age and a new life with pens in his hand, trying to reflect the people and things that have the power of progress that have taken place in this land, and trying to leave the world with “the latest and most beautiful drawings” — perhaps the destiny of yang sook's artistic creation
Yang soo, the great singer of the first spring of the republic
Yes, yang shang, like other writers, experienced the battle against japan and the war of national liberation, matured in the test of blood and fire his thought and essay art view, which is to stand forever in the position of the people, to devote deep attention to the future of the homeland, to the hopes and ideals of the spring, to seek to reflect the creative spirit and the glorious practice of the people that emerges in the process of transforming the heavens and the earth, to reflect their noble moral and pristine spiritual world and to become a poet for the first spring of the republic. As a result, yang soo has produced a number of essays from the population, such as " the city of the sea " , " the mae of the sea " , " the snow wave " , " the red leave of the shan " , which have become classics in the history of contemporary essays and have long been selected as texts in the language of secondary school - - these are at least a few features: beautiful words, beautiful intentions, beautiful characters, beautiful landscapes, and a whole body of beautiful poetry. In rereading yang soo's essays, the famous tang dynasty water poet wang wei's "after the new rain, the weather comes late." "the beautiful poems of the sun and the sun and the sun and the fountain, " have been rounded up and rounded up, yes, and so have yang's essays and king's poems. It's an aesthetic context, and it's a unique perception, or a textual picture of a similar artistic psychological structure..
It's a conscious aesthetic choice of yang soo. He once said:
I used to read the essay, and i used to think that the good one was a poem and i learned to write it. Learning to use this form to depict people's struggles, labour and people's feelings。
The city of the sea
Shortly thereafter, yang soo further elaborated on the aesthetic quest of his essays in his essay collection " first branch of the east wind " , saying:
A passionate critic has read my article, writing to encourage me and asking, “i always think your essay has a common feature. Where the hell is it? Can you tell me what you think of writing your own essay? That's a problem. I don't have so many ideas, i have to ask, so tell you: i always write as a poem when i write every article。
These words are profoundly and completely indicative of yang soo's mind. The pursuit of poetic essays is a very difficult creative path that requires not only the author's own high aesthetic and cultural qualities and the ability to use a simple and elegant chinese language, but also the ability to observe and visualize the reality of life in a profound and detailed way, which is not a matter that can easily be realized in the practical operation of the creation of a essay - i don't know. There is also a new field of art, which does not know how hard it is to work and how hard it is to work. However, yang has finally found a way to create his own essays — an analysis of yang's conscious pursuit of the “poetry” of the essay, which says that there is a “two-fold meaning: the poetry of the words `in the struggle, in the labor, in life', that the subject matter must be clear; and the formal pursuit of `the fineness of the words chosen' and the fineness of the tailoring — he went on to analyse: “scripts like this have both a clear thematic significance and a beautiful poetry. Deep and distinct thoughts and plentiful feelings; rich in beautiful imaginations and tasteful horizons; fine and plentiful language and fresh and implicit meanings like the seamless melting of the sky”. I think the commentator is right. The reason for this is that he captured the essence of yang soo's essay “poetry”。
Yang soo's essay art, strictly speaking, does not follow the lines of essay writing since the new cultural movement, i. E. It does not follow the lines of essay writing that have been opened by hu chi, lu xuan, zhou, and even by liang-chun, sumiqiu and others, but rather “turns back” and seeks a means of expression of “poetry” in the classical essay. In the new word of lice, the song scholar chen sun said: “to have a poem in the book, to have a poem in the poem”, for example, the cloud: “han is a poem and do is a poem” — his opinion is not necessarily a “poetry” in the essay — but at least he can provide a reference to “poetry” in the essays of fan, o'yunji, sudong poe, etc., which are all over the world, and which enhances the artistic character of the essay. In the works of the ming authors yuan hongdo, zhang tai and others, there is a great amount of poetry and inspiration. The fact that yang shang is not alien to these classical essays and must have worked hard on them is a good indication of his conscious insinuation of the essence of classical essay art and his efforts to apply it in his own literary artistic creation。
Having learned, lived and fought in yan'an for a long time, yang shang consciously accepted the idea of marxistism and china's actual combination of marxism — which is the philosophy of the neo-democratic revolution guided by comrade mao's speech as the main document — to insist that it be the creative orientation of the people and that it reflect reality. This is the principle of artistic creativity that yang soo's generation has always adhered to. This may be their belief in the immutability of artistic creation, which continues to affect their artistic practice throughout their lives. From all yang soo's literary history, he did believe in it all his life, always pouring all his ink. In the positive depiction of the people and the enthralling hymns of their originality in the development of a new life, the image of a new human being with a socialist moral character - this is a sacred historical mission for socialist literary workers and is the subject of thought and work by yang soo art。
When we judge writers, we must not forget the intellectual resources and social conditions that history has provided them with, which are alien to these particular times and times, and which are absolutely without any correct answer — the basis of life on which writers depend for their survival and the external condition of the importance of artistic creation. Young soo is in such times and in social and real life, and he is sober and willing to follow the path of creation from life to art, to his own essays entwined with beautiful poetry and bright light both inside and outside
Yang soo does not have the slightest "slavery". He will always aspire to the light, to the spiritual freedom, and to the goodness, whether written in writing in ink or in writing in life, yang sook is a brave warrior and great writer with an open heart, high quality and great responsibility! Now, yang soo's philosophies of poetry are referred to as the yang soo model, which is a positive development and deepening of yang soo art research. However, despite the historical circumstances of modern and contemporary literary and artistic development, some “responsiblely criticize” yang soo's creations, and even accuse yang soo of “defeating the uglyness of chinese people”:
He did not consciously serve as a slave, and he felt that singing hymns for his son was a mission that no man had to doubt and no argument. He certainly does not need his own vision, need not face the truth, need not have a slightest emotion for suffering and the bones and evil and ugliness, but just to see the pong lai state, just to see the mirage of the city, and to use the old ploy of corruption as a magical chinese man to make a piece of reality. Even pure self-images that can't be lighted, such as the "face of the mount" and the "face of the child" have to be forced out of that need to carry out their mission as they themselves. Even those who are so sincere are completely intoxicated in their guilt and are unaware of the integrity and conscience of the world。
- morrow, the stigmatizer
In conclusion, it is mainly the accusation that yang soo, in the face of “suffering”, “bones”, “crimes” and “obscurity”, “codifies a piece of reality” in order to “songs the praises” — meaning that yang soo's essay does not really reflect the reality of the day, does not see the harsh reality of the country in the 1960s-63s, but rather “songs the praises” in a hymn of poetry — the words are so sharp that it does feel that the author, “building his house”, “stamps his body”, seems to have touched the substance of the problem — i don't know. Indeed, it is a reflection of the lack of historical materialism on the part of critics, who find themselves in this “historical space” to flaunt the phenomenon of literature and art that has emerged in the “historical space” of the past, not by taking a realistic approach to understanding and studying, but by resorting to a total denial of irresponsible verbal abuse, which is not the correct cure or attitude。
We are not historical obscurantists, ignoring the conditions of artistic creation that were available at the time and the historical facts of the time when writers were able to take full advantage of those conditions and reach the height of the social and contemporary texts, and to study and evaluate them would lead to a path of bigotry; instead, we should take an objective and rational approach to sociological, psychological, artistic and literary analysis, which would yield more equitable results — our verdict is: yang is worthy of this great age and worthy of the people! He is a warrior writer with a strong sense of social responsibility — he has an active spirit and an artistic sense like a poem and a rich poetic ideology, a essay that is highly infected with people's intellectual and moral virtues, beautiful language and artistic structure in the aesthetic sphere, feeding generations of young people in the republic, and a treasure of the most precious art in the history of our socialist literature
What is yang soo's essay style
1. The topic is broad, informative and of profound social significance. The theme of his work is to celebrate a new age, a new life and ordinary workers
2. The creation of the land inherits the advantages of the traditional chinese essay and reaches the bounds of poetry in the form of benevolence and intercession。
3. The writing of human beings is highly poetic. It is an important means of creating ideas and deepening the subject。
4. The pronunciation is well-structured, and at first there is a cloud-covered confusion, but after the turning of the peaks, the curvature shows a new heavens and a new heaven, and the endings are many and symmetrical。
5. Language like poetry is precise, condensed, well-meaning and musical, and has a fresh and euphemistic style。
It goes without saying that yang soo’s essay does not have the courage to face up to the reality of life, and that the critics mentioned above are not necessarily unreasonable. What is more worth studying is the role of the yang soo model in the development of our contemporary essay art. This requires scientific research and analysis — some have concluded that the “yan soo-soo” model is characterized by a “start-up” approach, which starts with a capricious and dynamic approach, followed by a three-turning call for a “turn” to the “split of curves”, and, finally, a “scrutinizing” approach to the theme, with an emphasis on “scrambling”, an implicit approach — and by some: in yang soo's pen, it's always about writing one person's vision, and then making sense and reason, and truth and reason are designed in advance, and characters and stories are just an illustration of the author's ideas. – as mentioned above, yang soo has not inherited the postulates of the period of the new cultural movement, but has come close to the classical proficient art, drawing it directly from the classical proficients and developing its own distinct artistic features, which have the advantage of following the classical proficient structure of the proficient text, making it easier for the general public to read it, and creating a poetic sense of the art, a well-structured article, a clear hierarchy and a smooth flow of air. The disadvantage is that the structure of the body is a single, unchanged one, which is a “eight-part” essay, which is easy to read, which is small, lacks a heavy historical background and a broad artistic perspective, an artificially superior image and subject-matter thinking — from the former point of view, the “yan soo” model is easy to imitate, which soon became popular among the authors of the pronunciation at the time, and that, from the latter point of view, there was a very serious problem, as well as a lack of literary artistic innovation, which has hindered the deep development of the art of the essay, and has affected the “reality” of the creation of the text and the drift towards “false”。
Today, our history has long entered a modern society marked by industrialization, urbanization and information, an era in which the sun smiles at the essay, an era in which the essay moves forward in unprecedented positions - the growing aesthetic and artistic appreciation of people and the new artistic demands on the quality of the creation of essays, not only for their excellent language and deep meaning, but also for their advanced intellectual and emotional power and the role of the cleansing of the soul, have created unprecedented space for the development of the art of essays, as well as greater artistic innovation challenges. The historical patterns of the development of our classical and modern, contemporary scripts should be carefully summarized, as well as for the careful incorporation of the world's advanced philosophical resources of literature and sociology, anthropology and ecology, adherence to the core values of socialism, active research and creation of the arts, and the dissemination of the new prosperity of the arts in the great historical practice of achieving the great “china dream” — “spring city is everywhere”, and only a re-examination of the significance of the value of the arts in the first spring。
Pao feng, shaanxi plum. There are numerous literary monographs and essays. He was awarded a national and provincial prize for literature. Member of the chinese writers association, member of the chinese association of literature commentators and vice-president of the shaanxi province association of literature commentators。
