
A video link to the guide class

The one-hundredth admission college and the beijing film institute are the cradle of chinese film talent. They are currently the only institutions of film specialization in higher art education in china. They are well known in the country's film and cultural arts industry and are world-renowned institutions of film and art. North power brings a great deal of talent, practice and theory to the country's film industry. National number one, world number three. Professional introduction: faculty of law: name of the department of literature's research orientation: introduction of the international research directions for the dissemination of film cultures: academics and researchers mainly training foreign films in the middle and medium fields; basic knowledge of the history of the arts and more systematic knowledge of the history and theory of the medium and foreign films. Learning about the history, state and situation of the world's film culture, using a comparative academic view of both chinese and foreign films, with some knowledge and understanding of the dynamics of the national and international film academic and critical world; and eventually completing the normative writing of academic papers on selected topics within the history of the central and foreign film, under the guidance of a mentor. Profession i: theory of the arts ii: introduction to the history of films and theory practice ii: the examination focuses on the analysis of the history, theory, criticism and related frontier cultures and phenomena of middle and foreign films。
02 information about enrolment

** 50 per cent of the initial test results in the retest accounting, 50 per cent of the initial and retests in the north electronics department, and students wishing to apply for the retests must give priority to the retest results。
A mentor at the department of the department of 03 introduced one-hour (non-academic) professor, ph. D. And master's. Courses: chinese film history, foreign film history, etc. Main academic results: about 2 million words have been translated, of which dozens of papers have been published; three books have been translated in collaboration with others or have been prepared, several papers have been published in national and international income collections, and three papers have been translated from abroad into english. Tens of tv scripts, scripts, television feature writings, art guides, consultants, etc. (shows). 2 professor, beijing film college, mae feng. Deputy head, department of literature. Authors: 颐 and x, " the night of the spring " (62nd cannes international film festival best writer award). Main areas of study: american film history, french film history. Major courses: foreign film history, country films, american film research, film analysis, classical theatre research, documentary film creation, etc. Director, department of literature, panjoo jane beijing film institute, head of humanities department. Ph. D. In film science. Master's student mentor. Published italian film ten faces, italian comedy, chinese comedy film after 2000 on the road to carnival. Main area of study: italian film history. Major course: associate professor of cinematography, theory of film 4 and master's postgraduate mentor. Subject: research on the transmission and updating of the ethics of traditional plays in new age films. Research direction: realism, cinematography. Themes and techniques of cinematography, film script writing, television drama theory and techniques, short film creation, film creativity and planning, film audio-visual thinking, type of film, foreign film history, chinese film history, etc. Associate professor of literature, doctor of arts and master's postgraduate tutor, 5 li tish beijing film institute. Main areas of study: chinese film, british film, film gender identity theory, script translation, star studies. 6 associate professor, master's school of arts, beijing film institute, liu xiaoxiang. Ph. D. In films, beijing film institute, followed by ph. D. In the faculty of arts and media, beijing teachers university, specialized in film history and theory. Main area of study: history of chinese films。
Reference bibliography and recommendations
Profession i: artistic overview
The chinese radio and television publishers read the book entitled "the spirit of chinese art " . Our academies cover these additional books) the history of western aesthetic history (supplemented by)
Specialization ii: film history and theory
Chinese film history, phase i: "the history of chinese film" (2025. 4-2025. 8) in the last stage (2025. 8-202510), the director's family, yang jiu-bao yang, china film press, 11 chinese film and culture history, li dao xin, beijing university press, 05 mirror and culture-hongzhou film research, wang haizhou china film press, 06 third stage (2025. 10-first test), chinese film press, cheng zhihua, 1963 foreign film history: reserve period (2025. 4-2025. 8), zheng ahing, hubin china radio and television press, 1995 world film and art development history, wang yiwen, beijing teacher and fan university press, david podwell university, world film history, 2006 world film history, george sadur china film press, 1995 chinese film history general, china film press, 1982 in the coming period (2025. 8-2025. 10) the film general yang, beijing co-publishing co-publishing company 2017 hollywood-type film toches shaz shanghai people's co-publishing press 2009 new hollywood old hollywood toches shaz beijing university press 2013 world film in east vision may fung, jong dae-fung china film press 2002 classical hollywood books chung dafeng, mefeng, pang yeung, li zheng, li zhu xing higher education press 2016 phase i of the theory of films 2016: the reserve period (2025. 4-2025) chen xiaoyun china television press 2016 classical film steering next stage (2025. 8-2025. 10) film criticism da jinhua beijing university press 2004 film theory reader yang far baby world book publishers corporation 2012 chinese film theory selection tin yaping chinese wen press 2016 phase 3 (2025. 10-first test) film research keyword susan hayward beijing university press 2013 film what? Andrei bazan, china film press 1987
05 the real 05 consolidates the subject of 2024 theory of the fundamentals of art, the interpretation of nouns (6 points per question, 30 minutes) 1, the retention of white 2, the caves of yungang, the eight wonders of yangzhou 4, wu ino-chan 5, feng monlong ii, the short answer (15 points per question, 60 points) and a brief description of the characteristics of the aesthetic activities. How do we understand “my own” and “my own”? 3. Analysis of the dramatic narrative techniques of the old house play teahouse. 4. Briefly describe the authors, the historical background and the artistic features of han hee-hee night festival. Iii. Topics (30 minutes each, 60 minutes)1 and engles has pointed out that “realistic creation should be a true replica of typical individuals in a typical environment”. Please share your understanding of “typicalization” in the context of the creation of specific literary works. 2. In recent years, the achievements of science, technology and innovation have continued to permeate the development of the film and television industry, extending the boundaries of content, imagination and dissemination effects of the visual arts. Please refer to the relationship between scientific and technological development and the cinematography in relation to specific works, in terms of content, production, productivity, artistic style and modes of dissemination. Specialization ii film history and theory i, noun interpretation (10 cents each, 50 cents) 1. " jeana deermann " . Breton school 3. Wu sex programme 4. Third film 5. Vertical integration ii. Brief answers (10 points each, 40 points) 1. Briefly describe the new wave of iranian films. 2. Briefly describe the 17-year film comedy film. Briefly describe ideological film criticism. 4. Briefly describe the main points of view in the book " what's a movie " . Iii. Topics (40 points each, 80 points) 1. A comparison of the contributions and characteristics of taiwan's new electric film with the aesthetics of the fifth generation of directors, combined with the work of the representative of hyo hyeon zhang zhang. 2. Take the example of the lost lover, little lady sunshine, patton finkle, in conjunction with contemporary american independent films, and talk about modern sex in classical hollywood types. Theory of the fundamentals of art, theoretical interpretation of nounsymph. (6 points per topic, 30 minutes)1, han imaging stone. Please describe, together with examples, the background to the birth of the united china film company, the artistic features and their impact on chinese films,4 the main elements of zhu guangdong's “translation” and their significance in art appreciation,3 the discussion topics (30 minutes each, 60 minutes)1 the discussion of the use of new technologies in film production and their impact on the aesthetics of films,2 your views on the early tradition of linguism in chinese literature, using as an example the specific works in the episode,2 as well as its impact on the history and theory of films devoted to post-literacy creation in china,2 the interpretation of terms (5 points each, 30 points). 1 the fourth generation of metropolis,2 the fourth generation of film directors,4 the guang guangwon,3 the third film,6 the spirit of jade ii,3 the short answer questions (10 points each, 40 minutes) 1. 2. Briefly describe the main elements of natharn's " several questions for writing the film script " . Please describe briefly the chinese film. 4. Briefly describe the film creation of de sika. Iii. Topics (40 points each, 80 points) 1. Combined with lacon’s focus theory, the expression of the film. 2. In the post-media era, some filmmakers are still working on the creation of black and white films, please explain the reasons in conjunction with specific film cases。
Tutorial scheme for class 06

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